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  • You may know that The Butter founder Roxane Gay had a banner year in 2014. The Year in Reading alum published a collection of essays and her debut novel. At Salon, she talks with Sara Scribner, sharing her thoughts on modern feminism, Lena Dunham and her plans for her next book.


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    ~Thomas Beckwith
  • Recommended Reading: Hestia Peppe on Lindsay Hunter’s Ugly Girls.


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    ~Thomas Beckwith
  • In his recent collection of poetry, The Americans, David Roderick examines the spaces in which Americans make their homes, calling on his readers to view them in the context of American history. At The Rumpus, Brian Simoneau reviews the collection, which he says illuminates some of his own odd feelings about moving from Boston to Connecticut.


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    ~Thomas Beckwith
  • You’ve likely heard that artists these days are in trouble. The probability that your average creative person will make a living from their art is getting smaller by the day. But amidst all this hand-wringing, we forget one simple fact — it’s always been getting worse, and there’s always been something killing culture. At Slate, Evan Kindley writes about Scott Timberg’s new book Culture Crash, asking whether the Internet is really the dread force it’s often made out to be.


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    ~Thomas Beckwith
  • Last week, Year in Reading alum Megan Mayhew Bergman released Almost Famous Womena new collection of stories. Now, at Bookslut, Rebecca Silber talks with her about the book, which spans nearly a decade of meticulous reading and research. Sample quote: “We need to see women who chase wild dreams and professions as ardently as men.”


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    ~Thomas Beckwith
  • “They’re pictures, not images; displays, not shots; illustrations, not compositions. They are respectful displays of performance—of the demonstrative theatrical antics into which Anderson lets his performers lapse.” Richard Brody on the film version of Thomas Pynchon’s Inherent Vice.


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    ~Thomas Beckwith
  • What if the next crisis to hit the headlines brings an end to the world as we know it? It’s a mind-bending thing to contemplate, but it’s what our own Emily St. John Mandel tackles in Station Eleven, which made it up to the final five of last year’s National Book Awards. On a new episode of The Takeaway, Emily talks about the novel, exploring what’s left when civilization withers away. You could also read our interview with Emily about the book.


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    ~Thomas Beckwith
  • Azar Nafisi thinks the best way to pin down a culture is to take a look at its canonical works of literature. In The Republic of Imagination, as Adam Begley details in a review in the Times Literary Supplement, she examines a few of America’s classic novels, including Babbitt, Huck Finn and The Heart is a Lonely Hunter. You could also read Jonathan Russell Clark’s review of the book for The Millions.


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    ~Thomas Beckwith
  • New this week: Amnesia by Peter Carey; Outline by Rachel Cusk; The First Bad Man by Miranda July; Binary Star by Sarah Gerard; Bonita Avenue by Peter Buwalda; The Girl on the Train by Paula Hawkins; Refund by Karen Bender; In Some Other World, Maybe by Shari Goldhagen; Harraga by Boualem Sansal; and West of Sunset by Stewart O’Nan. For more on these and other new titles, check out our Great 2015 First-Half Book Preview. Support The Millions: Bookmark this link and start there when you shop at Amazon.


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    ~Thomas Beckwith
  • The average book tour is filled with indignities, but none may be worse than getting kicked out of a cheap motel, which is exactly what happened to our own Bill Morris on the tour for his latest novel. At The Daily Beast, he recounts the unfortunate events that led to him getting booted from a Motel 6. You could also read his essay on listening to the audiobook of his own novel while on tour.


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    ~Thomas Beckwith
  • Recommended Reading: Bronwen Dickey on Ben Metcalf’s Against the Country.


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    ~Thomas Beckwith
  • In The Age of The Crisis of Man, a new book by n + 1 co-founder and editor Mark Greif, the author examines the life and death of the concept of “man,” aka a unified humankind that could be said to suffer from particular conflicts. It was born in the thirties, with the rise of Fascism, but persisted for decades, eventually giving way to a more diversified view of humanity. In Tablet, Adam Kirsch dives into Greif’s arguments.


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    ~Thomas Beckwith