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MaddAddam: A Novel [Deckle Edge] [Hardcover]

Margaret Atwood
4.6 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

September 3, 2013
Bringing together Oryx and Crake and The Year of the Flood, this thrilling conclusion to Margaret Atwood's speculative fiction trilogy points toward the ultimate endurance of community, and love.

Months after the Waterless Flood pandemic has wiped out most of humanity, Toby and Ren have rescued their friend Amanda from the vicious Painballers. They return to the MaddAddamite cob house, newly fortified against man and giant pigoon alike. Accompanying them are the Crakers, the gentle, quasi-human species engineered by the brilliant but deceased Crake. Their reluctant prophet, Snowman-the-Jimmy, is recovering from a debilitating fever, so it's left to Toby to preach the Craker theology, with Crake as Creator. She must also deal with cultural misunderstandings, terrible coffee, and her jealousy over her lover, Zeb.

Zeb has been searching for Adam One, founder of the God's Gardeners, the pacifist green religion from which Zeb broke years ago to lead the MaddAddamites in active resistance against the destructive CorpSeCorps. But now, under threat of a Painballer attack, the MaddAddamites must fight back with the aid of their newfound allies, some of whom have four trotters. At the center of MaddAddam is the story of Zeb's dark and twisted past, which contains a lost brother, a hidden murder, a bear, and a bizarre act of revenge.

Combining adventure, humor, romance, superb storytelling, and an imagination at once dazzlingly inventive and grounded in a recognizable world, MaddAddam is vintage Margaret Atwood—a moving and dramatic conclusion to her internationally celebrated dystopian trilogy.

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Editorial Reviews

From Publishers Weekly

Starred Review. The final entry in Atwood's brilliant MaddAddam trilogy roils with spectacular and furious satire. The novel begins where Oryx and Crake and The Year of the Flood end, just after most of the human species has been eradicated by a man-made plague. The early books explore a world of terrifying corporate tyranny, horrifying brutality, and the relentless rape of women and the planet. In Oryx and Crake, the pandemic leaves wounded protagonist Jimmy to watch over the Crakers, a humanoid species bioengineered to replace humankind by the man responsible for unleashing the plague. In The Year of the Flood, MaddAddamites wield science to terrorize corporate villains while God's Gardeners use prayer and devotion to the Earth to prepare for the approaching cataclysm. Toby, a God's Gardener and key character in the second book, narrates the third installment, in which a few survivors, including MaddAddamites, God's Gardeners, Jimmy, and the Crakers, navigate a postapocalyptic world. Toby is reunited with Zeb, her MaddAddamite romantic interest in Year of the Flood, and the two become leaders and defenders of their new community. The survivors are a traumatized, cynical group with harshly tested self-preservation skills, but they have the capacity for love and self-sacrifice, which in a simpler story would signal hope for the future of humankind. However, Atwood dramatizes the importance of all life so convincingly that readers will hesitate to assume that the perpetuation of a species as destructive as man is the novel's central concern. With childlike stubbornness, even the peaceful Crakers demand mythology and insist on deifying people whose motives they can't understand. Other species genetically engineered for exploitation by now-extinct corporations roam the new frontier; some are hostile to man, including the pigoons—a powerful and uniquely perceptive source of bacon and menace. Threatening humans, Crakers, and pigoons are Painballers—former prisoners dehumanized in grotesque life-or-death battles. The Crakers cannot fight, the bloodthirsty Painballers will not yield, and the humans are outnumbered by the pigoons. Happily, Atwood has more surprises in store. Her vision is as affirming as it is cautionary, and the conclusion of this remarkable trilogy leaves us not with a sense of despair at mankind's failings but with a sense of awe at humanity's barely explored potential to evolve. Agent: Vivienne Schuster, Curtis Brown Literary Agency (U.K.). (Sept.)

Review

"The final entry in Atwood’s brilliant MaddAddam trilogy roils with spectacular and furious satire ... Her vision is as affirming as it is cautionary, and the conclusion of this remarkable trilogy leaves us not with a sense of despair at mankind’s failings but with a sense of awe at humanity’s barely explored potential to evolve."
Publishers Weekly, starred review

"Ten years after Oryx & Crake rocked readers the world over, Atwood brings her cunning, impish, and bracing speculative trilogy—following The Year of the Flood—to a gritty, stirring, and resonant conclusion ... Atwood is ascendant, from her resilient characters to the feverishly suspenseful plot involving battles, spying, cyberhacking, murder, and sexual tension ... The coruscating finale in an ingenious, cautionary trilogy of hubris, fortitude, wisdom, love, and life’s grand obstinacy."
Booklist

Product Details

  • Hardcover: 416 pages
  • Publisher: Nan A. Talese (September 3, 2013)
  • Language: English
  • ISBN-10: 0385528787
  • ISBN-13: 978-0385528788
  • Shipping Weight: 1.6 pounds (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #1,739 in Books (See Top 100 in Books)

More About the Author

MARGARET ATWOOD, whose work has been published in over thirty-five countries, is the author of more than forty books of fiction, poetry, and critical essays. In addition to The Handmaid's Tale, her novels include Cat's Eye, shortlisted for the Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; and her most recent, Oryx and Crake, shortlisted for the 2003 Booker Prize. She lives in Toronto with writer Graeme Gibson.

Customer Reviews

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Most Helpful Customer Reviews
9 of 10 people found the following review helpful
Format:Hardcover|Amazon Vine Review (What's this?)
I've been a fan of post-apocalyptic fiction since I first read EARTH ABIDES when I was in high school. I've probably read them all, to greater or lesser degrees of enjoyment. It's rare to find such a novel written by a literary great - a George Orwell, or an Aldous Huxley, or a Cormac McCarthy. Or a Margaret Atwood. Her HANDMAID'S TALE is one of my all-time favorites, and I gobbled up ORYX AND CRAKE when it was released in 2004. MADDADDAM is the third in what has been called Atwood's "MaddAddam Trilogy," and it concludes the story began in ORYX AND CRAKE and continued in THE YEAR OF THE FLOOD.

The story begins just as YEAR OF THE FLOOD ends - Toby and Ren have rescued Amanda from the vile Painballers who had kidnapped her, the two villains have been tied to a tree for safekeeping, Snowman (guardian of the so-called "Children of Crake," or "Crakers") is gravely ill from an infection, and the gentle Crakers are singing their strange songs. What happens in MADDADDAM is mainly Toby's story, and Zeb's story, told through Toby. Much of it is told in flashbacks (things that happened in the years before the "Waterless Flood" destroyed all human life on Earth, and in the years just after that pandemic). But in the novel's final act, things happen that conclude the trilogy in a very satisfying way.

For those who have not read the first two novels (or those - like me - who have forgotten major details of the story), Atwood provides a brief introduction called "The Story So Far." This is a great help, and will refresh readers as to who these characters are and how the world came to be as it is. In ORYX AND CRAKE, we learned how Crake engineered a pandemic that wiped out most human life.
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2 of 2 people found the following review helpful
5.0 out of 5 stars Atwood at her best July 26, 2013
Format:Hardcover|Amazon Vine Review (What's this?)
The last Atwood novel I read was a contemporary story, and so emotionally wrenching that I did not run out and buy "Oryx and Crake" when it came out. I feel like her books need to be consumed sparingly, as they are so rich and powerful.

I was worried when I ordered this book that I would be completely lost, not having read the first two in the trilogy. Several of the reviews I read of the earlier books mentioned that the books were meant to stand-alone, but you can never be sure. Atwood introduces and summarizes the general story arcs from the first two books at the beginning of this volume. It is easy to follow the general trend of the books, but I will most definitely be reading them for myself.

The third book starts off on the morning of the day following book two. Toby is the initial narrator, although that changes throughout the book. The story is not linear, and it was helpful to me when flashbacks showed characters like Zeb, and what his life was like before the "waterless" flood.

I really liked the Crakes and enjoyed their portions of the book. I think Atwood does a spectacular job of making them real and I was in a constant state of worry that something bad would happen to them.

This book is filled with both unspeakable nightmares (the Painballers) and beautiful creativity-- the Crakes for example. The characters are more real than any other post-apocalyptic book I've ever read.

Atwood doesn't give you all the answers and constantly is raising more questions as the story moves along. She is a virtuoso at describing scenes that stick in my head for decades (there are portions of the "The Handmaiden's Tale" that pop into my head at least once a month).
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4 of 5 people found the following review helpful
5.0 out of 5 stars Great Conclusion to a Great Trilogy July 25, 2013
Format:Hardcover|Amazon Vine Review (What's this?)
It has been a privilege to be allowed to read "MaddAddam," the third and concluding volume in Margaret Atwood's speculative-fiction trilogy, just a bit sooner than the rest of the world. But describing it in a useful way for other potential readers may be difficult.

That's because the whole trilogy is not only a superlative contribution to a genre--speculative fiction, dystopian science fiction, whatever--it is also a thoroughly developed literary work that needs no such categorization to succeed with thoughtful readers of all stripes.

If you read a lot of speculative fiction (I don't), I hope that you will like this as well. Some people otherwise drawn to the genre may complain about Atwood's relative lack of emphasis on plot or narrative. In fact, there's a lot of storytelling in "MaddAddam," especially the kind of back-story narrative from a particular character's point of view that fills us in on the adventures of Zeb and Adam (mostly Zeb) before the Waterless Flood. In the post-Flood sections, the pacing is much more deliberate, but the buildup to the concluding episode and its aftermath is handled masterfully. I thought the book (and thus the trilogy) ended in a very satisfying, emotionally gripping manner. (I'm determined not to reveal much about the specific plot in this review.)

This book is handled more like The Year of the Flood than like Oryx and Crake. For me that was good, because I thought "The Year of the Flood" opened out the story in a better way. As in that book, Atwood makes a central figure out of Toby, a God's Gardeners apprentice of herbalist, beekeeper and mystic Pilar.
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