Elu

Eḷu, also Hela or Helu, is a Middle Indo-Iranian language or Prakrit of the 3rd century BCE. It is ancestral to the Sinhalese language. R. C. Childers, in the Journal of the Royal Asiatic Society, states:

The Pali scholar Thomas William Rhys Davids refers to Eḷu as "the Prakrit of Ceylon".

The Hela Havula are a modern Sri Lankan literary organization that advocate the use of Eḷu terms over Sanskritisms. Eḷu is often referred to by modern Sinhalese as amisra, Sinhalese for "unmixed".

A feature of Eḷu is its preference for short vowels, loss of aspiration and the reduction of compound consonants found frequently in other Prakrits such as Pali.

Eḷu in comparison with Pali and Sanskrit

Being a Prakrit, Eḷu is closely related to other Prakrits such as Pali. Indeed, a very large proportion of Eḷu word-stems are identical in form to Pali. The connections were sufficiently well known that technical terms from Pali and Sanskrit were easily converted into Eḷu by a set of conventional phonological transformations. Because of the prevalence of these transformations, it is not always possible to tell whether a given Eḷu word is a part of the old Prakrit lexicon, or a transformed borrowing from Sanskrit.

Gospel music

Gospel music is a music genre in Christian music. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music usually has dominant vocals (often with strong use of harmony) with Christian lyrics. Gospel music can be traced to the early 17th century, with roots in the black oral tradition. Hymns and sacred songs were repeated in a call and response fashion. Most of the churches relied on hand clapping and foot stomping as rhythmic accompaniment. Most of the singing was done a cappella. The first published use of the term ″Gospel Song" probably appeared in 1874. The original gospel songs were written and composed by authors such as George F. Root, Philip Bliss, Charles H. Gabriel, William Howard Doane, and Fanny Crosby. Gospel music publishing houses emerged. The advent of radio in the 1920s greatly increased the audience for gospel music. Following World War II, gospel music moved into major auditoriums, and gospel music concerts became quite elaborate.

Emmanuel Macron

Emmanuel Macron (born 21 December 1977 in Amiens) is a French senior official, politician and former investment banker. On 26 August 2014 he was appointed as the Minister of Economy, Industry and Digital Affairs in the Second Valls Government.

Early life and education

Macron is the son of Jean-Michel Macron, Professor of Neurology at the University of Picardy, and Françoise Macron-Noguès, MD. He was close to his grandmother, a school headmistress who had grown up in an illiterate household, and lived with her for some time. He studied piano for ten years.

He was educated for some years at the Jesuit-founded lycée La Providence in Amiens before he continued at the élite high school Lycée Henri-IV in Paris. He studied Philosophy at the University of Paris-Ouest Nanterre La Défense, obtaining a DEA degree. He worked as an assistant for Paul Ricoeur between 1999 and 2001 where he helped edit Ricoeur's book La Mémoire, l'histoire, l'oubli. He also obtained a degree in Public Affairs at Sciences Po, before training for a senior civil service career at the École nationale d'administration (ENA), graduating in 2004.

Nigerian gospel

Gospel music is a kind of African, motivational Christian music that has become a major part of Nigerian music. In the 1960s the Evangelical Church of West Africa Choir was popular, and in the early 1970s Bola Aare, Sola Rotimi, Good women Choir, Ebenezer Obey and later, Panam Percy Paul, Onyeka Onwenu, Lanre Teriba (ATORISE), Tope Alabi, Asu Ekiye, Keffi, and Sammie Okposo were notable. Also, in the early 1970s & 80s Arch Bishop Benson Idahosa's choir, The Christian Redeemed Voices were known for their gospel sound. He the late Bishop, would purchase instruments for the choir and each one of them would be mastered by skillful musicians. The Bishop would challenge his student pastors and young adult church members to pick up instruments and play them. Play them...they did, no training only the gift of God deposited and called out by the Bishop. There was a lady by the name of Minister Dorothy James (Evangel Temple, USA) and Rev. David Mporampora(Uganda)they transformed gospel music in West Africa. Nigeria in particular. I would say without a doubt, they laid the foundation of the sound we now hear. Many students were from other West African nations and they took that sound and passion for Gospel music back with them. Jackson Tugbeh (Liberia), now (Lagos) Rev. Lesley Tex (Ghana) were students and a part of the influence. The Arts, the worship dance saw its start in Africa in the Church of God Mission. Thanks to Arch Bishop Idahosa who was open to all God had for his people, the gospel sound would never be the same. The fusion in music and the gospel he bought to Africa is still amazing.