The Cut may refer to:
The Cut is a 2006 theatre play by Mark Ravenhill. It is a dystopia that relates the life of Paul, a practitioner of a mysterious operation who is greatly disturbed by its practice. Main themes touch upon one's place in the society and the arbitrariness of governments policies which set up the norm against one's morale.
As the play unravels, the cut is presented as a painful, immoral, controversial and ambiguous surgery, that cures a patient or victim from desire, or maybe even personality. It is apparently destined to dissidents and/or sick people but its virtues also make it attractive as a mean of freedom and salvation. The cut is pictured as a death of some sort, but leaving open to interpretation what part of the patient is dying.
In the first part, Paul is reluctant to administrate the cut to a willing patient, and in the course of his frustrations and failure to convince him otherwise, let explode his angst and impotency to commit suicide, confessing in particular his deficient relationship with his wife. In the second part, Paul is shown in the context that seems to put the most strain on him: his family life. We see him waiting for and having dinner with his wife, from whom he his holding secret—out of guilt—the real nature of his activities for the government. The two have a conversation that progresses from chit-chat to a maddening and humiliating confrontation. In the last part, Paul is in jail as a result of the cut being banished from a new Government, and is visited by his son, with whom he shares an equally emotionally disturbed and alienated conversation.
The Cut, written by John Misto, is an Australian drama television series which screened in 2009 on ABC1. The series contains six one-hour episodes and stars John Wood. The show was first announced in February 2008 and was filmed in June/July 2008.
The Cut is the story of Bill Telford, a colourful sporting identity (player/manager/agent), who has fallen on his feet in the past decade as Australian professional sports have boomed. Bill is injured in a bomb attack in Bangkok. His estranged son, Andrew, is reluctantly persuaded by his mother to return to Sydney and run the business until Bill recovers. Andrew uncovers financial disaster and must confront several skeletons in the closet.
Everything out of order
everything too well produced
from the conjuror's hat –
let's turn on the juice
to grind the cutting plane, the blade that gives an edge,
to scale the mountain; to fail upon the mountain ledge.
Half-way up is half-way peaking,
the stroboscope locks the lathe;
I look around for a switch in phase...
the disco boom stands firm, the eight-track's in, the rage
licks the present, quickly flips the future page.
Check the deck: no marked cards,
no sequentialled straight or flush...
the dice won't still the blood-line rush.
Run the star-flood night, the cut-throat blade is stropped;
race your shadow... race in case your shadow stops.
Everything so out of order
no bias on the playback head;
papers for the border –
all the tape is read,
the future burns my tongue, the noise-gates all are shut,
breathe the vacuum, believe there's reason in the cut.
Incipient white noise,
the stylus barely tracks,