Glenn Close (born March 19, 1947) is an American film, television and stage actress. Throughout her long and varied career, she has been consistently acclaimed for her versatility and is widely regarded as one of the finest actresses of her generation. She has won three Emmy Awards, three Tony Awards and received six Academy Award nominations.
Close began her professional stage career in 1974 in Love for Love, and was mostly a New York stage actress through the rest of the 1970s and early 1980s, appearing in both plays and musicals, including the Broadway productions of Barnum in 1980 and The Real Thing in 1983, for which she won the Tony Award for Best Actress in a Play. Her first film role was in The World According to Garp (1982), which she followed up with supporting roles in The Big Chill (1983), and The Natural (1984); all three earned her nominations for the Academy Award for Best Supporting Actress. She would later receive nominations for the Academy Award for Best Actress for her performances in Fatal Attraction (1987), Dangerous Liaisons (1988), and Albert Nobbs (2011). In the 1990s, she won two more Tony Awards, for Death and the Maiden in 1992 and Sunset Boulevard in 1995, while she won her first Emmy Award for the 1995 TV film Serving in Silence: The Margarethe Cammermeyer Story.
Actors: Peter Barmonde (actor), Bruce Bennetts (actor), Nesbitt Blaisdell (actor), Wilford Brimley (actor), Bill Camp (actor), Daniel B. Canton (actor), Kevin Chamberlin (actor), Larry Clarke (actor), John Cunningham (actor), Ross de Marco (actor), Matt Dillon (actor), MacIntyre Dixon (actor), William Duell (actor), Charles Dumas (actor), Mark Ballou (actor),
Plot: All of Greenleaf, Indiana is watching this year's telecast of the Oscars as Hollywood heartthrob and local boy made good Cameron Drake has been nominated for his first ever Best Actor Oscar for his latest movie role as a gay soldier. Cameron's high school English teacher Howard Brackett is overjoyed when Cameron wins the award and mentions Howard's contribution in his acting life. That joy turns to horror when Cameron mentions to the worldwide audience that Howard is gay, especially horrific to Howard as he is engaged to fellow teacher Emily Montgomery, a woman with self-esteem issues as she had battled weight issues most of her life before she lost seventy-five pounds for the wedding. Howard's life is totally disrupted as Hollywood media descends on Greenleaf in order to get Howard's story. The rest of Greenleaf also openly wonders if Howard is indeed gay, as he exhibits many stereotypical gay tendencies, such as being neat, and loving music, dancing, poetry and 'Barbra Streisand' (qv). His cause is not helped in that his and Emily's relationship has not yet been consummated. The one person not concerned is Emily, who trusts Howard. As Howard continues to deny being gay to his family, friends and colleagues, he begins to examine himself hypercritically if only because if others believe he's gay, there may be some merit to the claim, as well as because of an incident that occurs with Hollywood reporter Peter Malloy, who is doing a week-long piece on Howard leading up to his and Emily's wedding. But Cameron Drake may be able to provide some overall perspective to what is happening to Howard and the frenzy he has caused.
Keywords: academy-award, academy-awards-ceremony, ampersand-in-title, audio-cassette, awards-show, bachelor-party, bar, bicycle, bigotry, blackboardI like for you to be still: it is as though you were absent,
and you hear me from far away and my voice does not touch you.
It seems as though your eyes had flown away
and it seems that a kiss had sealed your mouth.
As all things are filled with my soul
you emerge from the things, filled with my soul.
You are like my soul, a butterfly of dream,
and you are like the word Melancholy.
I like for you to be still, and you seem far away.
It sounds as though you were lamenting, a butterfly cooing like a dove.
And you hear me from far away, and my voice does not reach you:
Let me come to be still in your silence.
And let me talk to you with your silence
that is bright as a lamp, simple as a ring.
You are like the night, with its stillness and constellations.
Your silence is that of a star, as remote and candid.
I like for you to be still: it is as though you were absent,
distant and full of sorrow as though you had died.
One word then, one smile, is enough.