Tell is a 2014 crime thriller starring Katee Sackhoff, Jason Lee and Milo Ventimiglia. It is produced by Haven Entertainment, distributed by Orion Pictures, and was released on December 4.
A tell is a type of archaeological site. Tell or tel can also refer to:
Tell Magazine is a weekly magazine published in Nigeria. In 2007, BBC News described it as "one of Nigeria's most respected business magazines".
Tell magazine published its first edition on 15 April 1991. All five of the founding editors had worked at Newswatch, where they learned to create in-depth, investigative feature stories. They left that magazine due to low pay and disagreements with senior management, hoping that the new magazine would be more fulfilling. Although the magazine's founders had high ambitions, they were not initially hostile to the government. However, they were determined to be free of government or political influence.
The magazine questioned whether General Ibrahim Babangida was sincere in saying he would hand over to a civilian government. The 2 May 1993 edition with headline "Transition: 21 Traps against handover" was seized, and had to be reprinted in tabloid format. Two more major seizures occurred before Babangida was forced from power in August 1993. In all, 500,000 copies were seized in the last four months of Babangida's rule. Tell's circulation rose to as many as 100,000 copies each week in the build-up to the June 1993 presidential election and in the subsequent confusion. Facing harassment from security forces, the magazine began printing underground in July 1993. On 15 August 1993 police raided the offices and arrested editor-in-chief Nosa Igiebor and editors Kola Ilori, Onome Osifo-Whiskey and Ayodele Akinkuoto. holding them for 12 days.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.