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This terrifying tale is so intense you can feel it in your bones

This terrifying tale is so intense you can feel it in your bones

Hayes Theatre is presenting a classic spine-chiller as its first opera.

  • by Nick Galvin

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Their speed at building railways made them legends. What was their secret?

Their speed at building railways made them legends. What was their secret?

Brisbane Festival show Straight from the Strait ensures Torres Strait Islander workers of the WA mining boom are no longer unsung heroes.

  • by Nick Dent
Five days to get gala ready? ‘Yes it was stressful, but I’m a tenor’

Five days to get gala ready? ‘Yes it was stressful, but I’m a tenor’

Singer Young Woo Kim was two days into a holiday when a phone call saw him racing to Melbourne for a flurry of rehearsals and excitement.

  • by Elizabeth Flux
The ‘post-Millennial Mozart’ on contemporary opera’s most talked-about production

The ‘post-Millennial Mozart’ on contemporary opera’s most talked-about production

Missy Mazzoli was wary about turning a harrowing film by Lars von Trier into an opera – but it presented an opportunity that could not be missed.

  • by Giselle Au-Nhien Nguyen
Think of the drinkers: the advice that helped turn Hamlet into an opera
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Think of the drinkers: the advice that helped turn Hamlet into an opera

Composer Brett Dean needed some sage advice to adapt Shakespeare’s longest play.

  • by Joyce Morgan
Sublime, erotic, dangerous: Dido and Aeneas is 80 minutes of baroque astonishment
★★★★
Review

Sublime, erotic, dangerous: Dido and Aeneas is 80 minutes of baroque astonishment

Physical feats match vocal brilliance in this powerful staging of Purcell’s tragedy by Opera Queensland with the help of the acrobats of Circa.

  • by Nick Dent
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Backstage with Opera Australia’s Il Trittico
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Backstage with Opera Australia’s Il Trittico

Backstage with Opera Australia’s brand new production of Puccini’s Il Trittico, ahead of its world premiere at the Sydney Opera House.