Hi! Adam here, I play guitar and do backup Vocals. Ciarn my partner in life and crime is the lead vocalist & bassist, Steve whacks the tubs & and Mitch wails on 2nd guitar. Other bands we’ve played or play in include, Drunk Mums, Reaper, Red Red Krovvy, Rubber Room, Meat, Mesa Cosa, Dumb Punts. All of which don’t sound anything like SMOOCH, the purpose of this band was to get out of our comfort zone to push ourselves creatively and physically.
We recorded Drums, Bass & Rhythm Guitars all together on a 70’s Neve Console, the same used for Australian greats AC/DC & Cold Chisel, we then added double-tracked guitar solos, Vocals and a few little percussion things afterwards. We like to keep it live as possible to honour the 70’s feel of our predecessors.
3) Do you use the nowadays digital recording technology or do you only work with analog machines in analog studios? Have you recorded all your records in the same way or are there any changes in the recording process lately?
Our first 7” was done by me in the lounge room of the house we all lived in at the time. I used to record alot of bands but only really using Pro Tools & we worked on the songs for almost a year before recording so just wanted to smash something out and release it on cassette dubbed by ourselves as more of a PROMO copy which seemed to be a common thing in the past.
For the LP we wanted to use analogue but the cost of doing so wasn’t in our budget, thankfully the Neve console we used was from the ’70s and was one of the first solid-state consoles so it still had a super warm sound.
4) How would you describe the music you are playing?
Hard Rock, Proto-Metal & Early Glam
I think that the main thing for me personally is for the sounds of the words to be important before the message. For example, our song Glitter Thugs instantly paints a picture of a gang covered in sequins. Ciarn is the main writer of lyrics in the band though so I can’t speak for her. Alot of our topics include Gender Equality, Politics & others are more about rockin & havin a good time. Its important to have that balance.
6) Do you have a new video on youtube featuring a track from the newly released LP??
We have a video for Feminine Touch which is the first track off the album. Wild Rose did an amazing job of capturing the look we are going for and understanding what we wanted in general.
7) What can concert goers expect at a Smooch gig? Are you playin' any famous cover songs during the concert?
Heads boppin, boots stompin, butts boogin, wailin solos, thunderous drums and powerful vocals. We have covered Hector “Bye Bye Bad Days” & , we’ve worked on doing a priest and angels cover and plan to do some more but haven’t gotten round to it.
8) Are there any bands in Australia today you consider yourself close to, musically speaking?
The short answer is ROT TV & STREET SWEEPER. I think what we do is so specific that it’s hard to lump us in with other bands. People see the image and think GLAM, oh yeah! But Hair Metal sucks and hate it when we are referred to that side of the genre.
I grew up listening to punk, grindcore & and death metal. Couldn't tear me away from bands like Ramones, Death or Black Flag so I can’t really say that any of that has influenced Smooch. The 3 main bands I think that Influence us are Kiss, The Runaways & Judas Priest, The Sweet, Girlschool. I know thats 5 ya lucky I stopped there.
10) What are the plans for for 2024 as far as Smooch is concerned? Do you guys plan to come over to Europe to promote the record?
What we plan to do is finish writing and eventually record our next album and I’m sorry to say but I don’t think we’ll be touring overseas until that comes out. We all play in other bands so we need to focus on those outputs. We take our time with Smooch cos we want it to be the best it can be.
11) Anything you wanna add?
Boogie Woogie All Night Long
PURCHASE THE GOODIES HERE: https://mailorder.wandarecords.de/index.php?main_page=product_info&cPath=20_21&products_id=17296
Jiffy Marx: I currently play synth and sing in Autogramm and play bass and sing in a band called Night Court. I’ve also played guitar in a bunch of bands and used to also play guitar in Autogramm but doing three things at once proved to be a challenge so we recruited our friend Lars to take over which seems to have been a totally worthwhile decision!
The Silo: I play the drums, sing a bit and put effects on everything! I operate a little recording studio called The Mango Pit in Chicago, when I’m not playing with Autogramm or some of the other bands I play with.
Lars Von Seattle: I do the guitaring in Autogramm & have played in some Seattle rock groups over the years.
CC Voltage: I play bass in the band, and I’ve also played in Berlin’s Dysnea Boys, London’s Loyalties, and Vancouver’s Black Halos and Spitfires.
The Silo: Both! We tracked the basics live at a big studio called Rain City Recorders in Vancouver, then afterward we overdubbed extra vocals and synths and guitars and tambourines and bleeps and bloops at little studios: The Balloon Factory in Vancouver and The Mango Pit in Chicago.
3) Do you use the nowadays digital recording technology or do you only work with analog machines in analog studios? Have you recorded all your records in the same way or are there any changes in the recording process lately?
The Silo: We use the digital stuff as the recording medium because that’s what we can afford — we’ve made all of our records ourselves. No outside producers or mixers. I have some nice preamps and a summing mixer to add analog tone to the proceedings. No tape though. Would love that but we also don’t have the money! The only real change between this album and the last two: this is the first time we recorded anything in a big studio, and we had an assistant engineer to help with the bedtracks in that studio. The first two were done completely in my own small project studios.
Jiffy Marx: Definitely not against calling it new wave but also proud that there is more than that. I think we each bring something a bit different to the band- CC is the Rock’n’roll guy, I’m the power pop / punk guy, The Silo brings the pop and Lars has also brought some jangle into the mix. I think the result, although we all still worship The Ramones, is a unique amalgamation of all of our different tastes.
Lars Von Seattle: I think new wave is a fine term, even though it was later used by more hardcore punks to describe trend-chasers or poseurs. I like most bands that are described as new wave, so I’m fine with it.
CC Voltage: I think you hit the nail on the head. We’re huge fans of that era of music, so it’s a big compliment to hear people say we’ve succeeded in making something sound authentic.
Jiffy Marx: Unfortunately I would have to say anxiety and depression but I try to put a positive spin on it by normalizing mental health issues.
The Silo: I’m not a prolific lyric writer, but judging from what I’ve written so far, it seems that it’s mostly about dancing!
CC Voltage: I generally just say things until they fit along with the music. Then I go back and try to make those words actually sound like they have some kind of meaning. It’s kind of like creating a stream of consciousness story. There’s rarely any significant meaning to mine unfortunately.
6) Do you have a new video on youtube featuring a track from the newly released LP??
CC Voltage: We have 3 videos from the new LP. I would encourage you to check out “Born Losers”, seeing as we went on a skiing trip and partied with a sasquatch!
7) What can concert goers expect at an Autogramm gig? Are you playin' any famous cover songs during the concert?
Jiffy Marx: We do like to throw a cover in as an encore if the vibe is right!
The Silo: Hopefully we’ll make you dance — without a doubt we’ll put you in a very good mood. We have a few covers that we’ve tried to make our own. Some possibly unrecognizable. Come to a show and find out!
Lars Von Seattle: I like it when shows are called concerts. Like it’s at a huge venue or there’s classical recital involved somehow!
CC Voltage: I’d say you can expect to have fun and hopefully dance the night away!
8) Are there any bands today you consider yourself close to, musically speaking?
Jiffy Marx: There are lots of punk bands with synths, ones like The Spits who dig skateboarding and The Ramones and other ones like Uranium Club who seem to have some Devo worship going on, and there’s lots of post punk bands these days but even tho we love all those things i wouldn’t say we sound like any of them.
The Silo: We probably have more in common with old US bands and current Australian ones…lots to like in all parts of the world currently tho. I’d say we share more of a spirit than a sound with bands like The Rubs, The Reflectors, The Dumpies, The Whiffs, Sextile etc all of which I like.
Lars Von Seattle: I think we probably like plenty of US bands doing punk, new wave, or power pop styles, but I can’t think of any that feel similar to Autogramm.
CC Voltage: Obviously we consider ourselves musically close to a lot of classic new wave and power pop bands, but there’s not too many current bands doing what we do. I like the Mind Spiders, they’re very cool.
9) To what kind of music did you listen to as a teenager? What were your favorite bands as a teenager? Name 3 bands that you consider still have an influence on your own work today.
The Silo: The Cure, XTC, The Police
Lars Von Seattle: When I was a kid, I listened to rap cassettes my friends gave me and told me about. Growing up in Seattle, the “grunge” phenomenon just took over everything, regardless of how one felt about it— it was inescapable but bands like Nirvana, Mudhoney, 7 Year Bitch, and Bikini Kill led me to older punk bands like Black Flag, X-Ray Spex, Devo, the Stooges, etc.
CC Voltage: My teens went from liking contemporary pop music like Aha and Howard Jones, to getting into punk like The Circle Jerks, Death Sentence and Spermbirds, then to liking stuff like Mudhoney and Nirvana when that was just starting. I think I still write music from a punk/rock perspective though, and bands like the Ramones, AC/DC and The Sex Pistols probably influence how I actually create music. Then it gets run through the Autogramm blender and somehow comes out sounding new wave! Haha.
10) What are the plans for 2024 as far as Autogramm is concerned? Do you guys plan to come over to Europe to promote the new record?
The Silo: Europe in March 2024, Eastern US and Canada in Summer 2024!
Lars Von Seattle: Yes, Europe!
CC Voltage: Can’t wait to be in Europe!
11) Anything you wanna add?
The Silo: Thank you for listening to and supporting independent, diy music! Go to shows, not just ours! Buy your favorite bands’ records so that they keep doing it! We’re all teetering on the edge of being able to actually do anything at all as broke ass musicians, so never forget that fans make all the difference!
CC Voltage: Thanks for having us!
PURCHASE THE GOODIES HERE: https://www.belugarecords.com/products/autogramm-music-that-humans-can-play
EUROPEAN TOUR DATES:
March SAT 16 NL - HAARLEM - SCHLACHTHUIS
March 17 BELGIUM / HOLLAND - TBA
March 18 BE - BRUXELLES - LE CHAFF
March 19 FR - PARIS – L'INTERNATIONAL
March 20 DE KARLSRUHE – ALTE HACKEREI
March 21 DE KASSEL – SANDERSHAUS
March 22 DE - BOCHUM – WAGENI
March 23 DE - FRANKFURT – DREIKÖNIGSKELLER
March 24 DE - BAYREUTH – SCHOKOFABRIK
March 25 DE - LEIPZIG – NBL
March 26 DE - DRESDEN - CHEMIEFABRIK
March 27 DE - BERLIN – SCHOKOLADEN
March 28 DE - HAMBURG – MS HEDI
March 29 HOLLAND - TBA
The album is influenced by the 60's fuzzy and psychedelic sounds of Italian movies.
It is featuring 10 original tunes penned by guitar player Eric St John and 2 covers.
Physical copies are finally available on ‘Blood’ Red vinyl here:
Fun fact: Exactly 30 years today The Vice Barons were supposed to open for the Boston legends THE LYRES in Paris but guitar player Eric St John got stuck at the hospital because his daughter KIMBERLEY was born. Happy Birthday, Kimberley! :-)
Hello Hello, we are a bunch of friends who decided to form a band in 2017. The band consists of Sunnyboy Remo is our handknitted wool sock wearing powerhouse on the four strings. With his bouncing basslines he gives our songs the groovy swing-swing. His sweet backingvocals sprinkle the sweetest sugar over our songs and his meticulous way helps us in the rehearsal room to get the songs on their toes. He's an overthinker with a critical mind, always up for Aperol Spritz and experimenting when it comes to songs. He's very into details to give our songs the perfect fine tuning. He also always entertains our tour group with old bread rolls which he pulls out of his backpack after 3 days on tour and the same old jokes and stories over and over again till noone knows if we laugh out of fun or desesperation. That cheeky fella is a true collectible! And beware if there's a kicker table in your venue! He's not gonna leave till 7am.
When he is not on the road with us he is known as a Singer songwriter „Remo Devago“ and nestles velvety into the auditory canals of his listeners.
Max is our dreamer, but making dreams come true. He is the guy on the six string razor with the golden ears and the recording brain of every Melmacs tune at his studio.
He's also the Alf and video geek in our band, producing and cutting nearly every music video - never tired of trying out new stuff, experimenting with sounds and playing around with techniques.
He is our resting place when everybody else in the band is pushing each other up and probably the most introvert one of us, who's soul is as deep as the Mariana Trench.
He is the calm before and after the storm always looking for new vegan places to eat when we're on tour and never tired of putting on new strings before every single weekender just because he's rocking his guitar as hard as he can.
Connie is our drummer and the person in our band that has an unmistakable and infectional laugher, the biggest vinyl collection, the most concert visits and the perfect hairstyle in every situation.
He owns and takes along everything that could be handy to have someday and at least because of that he's the king of repairing and building things with a pleasant hands on mentality - especially interested in everything he hasn't built himself yet. He's the one that always craves for pizza and on top of that we wouldn't be organized at all without him. He brings every financial flow to an excel format and is the most focused brain of our shipping office.
Bimmi is our high inflammable singer, the most impatient one of us and always up for weird and dreamy ideas. She rarely thinks twice. Just doing her straight forward thing, sometimes in a curvy way, but always with a lovely-weird and electric attitude. Sometimes she's sort of a personal motivational coach - a true believer, but nevertheless overthinking and questioning everything in life to keep on changing our weird society.
We all met many, many moons ago in a small town called Bautzen in eastern Germany. Bimmi, Remo and Connie knew each other from the same school, and Max got to know them through the same local concerts. Remo, Max and Connie were playing together in a horror punk band at the time. Remo also plays guitar in the band „StrgZ".
2) About your full length album "Good Advice", what can you tell about the recording process? Was this a "live" in the studio recording or a track by track recording with lots of overdubs?
The album was recorded track by track in several sessions from winter 2020 to winter 2021. First we recorded the drums, overdubbed the bass guitar, added electric guitars and rounded it all out with vocals. Once that was all done, Max went back into the songs to add/change some guitars, guitar effects, etc. to spice up the arrangements beyond what was possible live. We certainly didn't push the overdubbing quite that far, although we could have. But we wanted to keep some realism. So most of the overdubs are extra effects guitars, Nashville style guitars to boost the chorus, etc., always with the thought in mind that the songs have to work with just one guitar in a live context.
3) Do you use the nowadays digital recording technology or do you only work with analog machines in analog studios?
For the recordings we used a lot of old microphones from the 60s/70s, which we upgraded with some fancy analog preamps, but for tracking we went exclusively digital. To be honest, we're not super pros and we're glad we can digitally edit some of our takes. We don't know, but we could imagine that our mixing engineer Dan Dixon and our mastering engineer Magnus Lindberg used analog equipment when mixing/mastering our songs. But we're not sure, because we couldn't care less. We are not looking for that "oldschool" sound and think that the result is a perfect mix that represents us well, a bit vintage but still something fresh. But it would be interesting to do a live recording on tape one day, but we probably need to practice a lot for that. Haha. It's puzzling when you listen to records from days gone by and analyze the perfection that bands like Toto, Queen or the Beatles were able to capture on tape. They were true wizards at their craft.
Yes, that's true. When we first approached labels to release our first album in January 2022, we received some positive responses. It was Bakraufarfita Records and Wanda Records who gave us the first pressing. When the album sold out, we thought about re-releasing it, and Spaghetty Town Records and Beluga Records came to mind because they liked our album when we first sent it to them, but they were too busy in 2022 and couldn't add another release to their schedule. So we asked them to be part of our repressing gang, and here we are, releasing on Beluga and Spaghetty Town as well! Also, we were able to get Queen Mum Records to join our label family and they have released a special limited edition with different artwork.
5) How would you describe the music you are playing? If I were to call it PowerPop-Punk, would you agree with this label? Are you proud of it or do you consider there is way more than that?
In the last few months we've gotten a lot of reviews for our album and it's funny to see what people describe our music as. Some call it 80s wave (which amused us the most), 77s punk, 2000s skate punk, Distillers punk rock, Interrupters punk, PowerPop. The list could go on and on and we think it's cool because it shows that we're doing something that can't be easily pigeonholed. We think you can call it whatever you want - what matters to us is whether you like it or not - but wait.... naaaah - even if you don't like our music, we don't care Hihi. We just want to do what we enjoy, regardless of any genre, although we understand the idea of putting a genre over a band. So yeah, if you call it PowerPop-Punk - cool! :)
Uh, interesting question. Well, it's actually pretty easy to text empowering songs, cause that's what keeps us focused on the good and our power and gives us the energy we need to stand tall in this cruel and wicked world full of racists, capitalists, sexists, warmongers, climate change deniers and other manmade crap.
7) you have a new video on youtube featuring a track from the newly released LP??
We didn't make another video for the album, which just got its second pressing, because we already made 6 videos for the album. We just released two new singles and videos called "Alive" and "Balls", so there is a lot of material on YouTube for every new Melmacian ! :-)
8) What can concert goers expect at a Melmacs gig are you playin' any famous cover songs during the concert?
We really enjoy playing live, the excitement before the show, the lights and the volume all contribute to us getting carried away on stage, so our live shows are always a little faster and harder than our recordings. Although we have to admit we still learn a lot from each show, and compared to some hard touring bands we are still a bit wonky around the edges. We have a cover in our set that has been around since our first shows, and it's called "Baseball Bat" by the band "Voice of a generation" - we also recorded it a while back if you want to listen to it on Bandcamp or Spotify, etc.
9) Are there any bands in Germany today you consider yourself close to, musically speaking?
Actually we cannot really stand this "sounds like..." question, cause it just depends on your indivual taste in music and noone else can probably relate to this. For example Bimmi was told she reminds someone of Brody Dalle. She just laughed, cause she cannot relate at all. BUT: We highly recommend to check out these great, different and unique german bands:
The Spartanics - catchy oldschool streetpunk with great melodies. https://youtu.be/XksyyJ5mxVI
The Not Amused - snotty mod/powerpop that is addictive https://youtu.be/Q-BKTNXbijM
Johnny Wolga - funny guys with powerpoppy OiPunk https://youtu.be/LJ0ZpftnyZk
The Pissed Ones - autumn 1976 punk that will blow the hat off your head https://youtu.be/-Dqe0KMrk5s
Berlin Blackouts - great band with catchy punk rock tunes https://youtu.be/HRdrgV7Nuyg
Lobster Bomb - wavy, catchy punk https://youtu.be/DMoT7SFxtFU
Chartreux - if you like emo/skatepunk, you should listen to them https://youtu.be/eUYzCsYSoBo
STRGZ - great band that released the best German song since Nena's "99 rote Luftballons". https://youtu.be/Bjyr3A3yICk
Remo: I got my first punk rock record at the age of 7, it was a single by The Offspring. I knew the band from MTV but I had no idea what this music was called and had no other connections to such music at that time. In the following years I listened to very different kinds of music, some hip-hop, some 60s folk stuff etc. As young teenager I came to german punkrock (Die Ärzte and so on...). After this, a band I listened to "excessively" was Tocotronic. The whole thing was German-language 90s indie rock stuff. We called it Hamburger Schule. This band influenced me a lot. I didn't listen to any other music than that band for about two years. That was the time when I started to play the first chords on my guitar and to sing my first self-written "I'm against everything out there" songs. At some point I got into classic indie rock and from there it wasn't far to US skatepunk. I also had my first band projects at that time and from then on it went straight downhill into the swamp of various subgenres of punk, metal and rock music.
Bimmi: As a teenager I was pretty much into Indie music. While all my other punkrock friends were listening to german punkrock bands, the only Band with german Iyrics I was listening to were Die Ärzte, wich is a huge funpunk band in Germany. After my exchange year in the US I was pretty much into NOFX, The Bouncing Souls, Millencollin, Sublime, Voodoo Glow Skulls and all that kind of stuff. Hugs & kisses to Luke Jones, who showed me all these bands and even sent me CDs to Germany when I was back. Noone else of my friends was listening to that kind of punkrock after I was back, but there was one person having a similar taste in music. I saw him nearly every morning when I was cycling to school and he had that NOFX shirt on noone else had in my hometown. I was too shy to chat him up, but a couple of years later it turned out it was Remo hahaha. Bands: The Kooks, The Bouncing Souls, Die Ärzte
Max: Music was always a big thing in my family. My father was into rock music since the 70s, although it wasn't so easy for him to get all the rock records because my parents were born in the GDR. My mother was into disco of the 70s and pop of the 80s, so my first steps into music came through my parents' record collection. I still remember the time in the 90's when I was a primary school kid staring at the covers of Iron Maiden LP's or listening to ABBA in the summer. So my path seemed clear. And although I briefly lost my way listening to Eminem (to my father's displeasure, hehe), I was back on track when Slipknot, Korn and so on crossed my horizon. My father and I attended many rock and metal shows together and still try to find time to go to shows together. At the end of my teenage years (does being a teenager ever stop?!) I was infected with traditional 80's glam rock and heavy metal, I was completely blown away by these styles of music and it was Bimmi who opened up the whole "punk rock" thing to me. When we first met I was an idiot snob who made fun of punk for its simple 3 chord formula, but luckily she managed to show me what I didn't get myself: It‘s not about how many different chords your able to squeeze into 20 seconds, not about the style its about the power and spirit. Bands: ABBA, Praying Mantis and Protex.
Connie: To be honest, I had relatively little access to "alternative music" at the very beginning. My parents weren't really heavy music consumers either. So I listened to the radio a lot. At that time there was a relatively large amount of NDW "new German wave" on the radio. Bands like Die Ärzte, but also EMINEN, came along relatively early. However, when I was about 15, bands like Nirvana or Queens of the stone age completely cast a spell over me. Backyard Babies and the 69eyes also came very soon and still have a big influence on my musical preferences. A short time later there was also a lot of Metal/Emo-Core music followed by Heavy Metal, but that's another story. Bands: Die Ärzte, Backyard Babies, 69 Eyes
We are currently rehearsing and writing songs for our second album. We're excited that it's moving forward piece by piece and we can't wait to release it! We've certainly changed a bit since recording the last album and we're looking forward to playing the songs live. We're playing a few festivals this summer. If you want to keep up with us and our shows, you can always find our tour dates on our Instagram, Bandcamp and Facebook page. We have our first "tour" coming up in the fall with 7 stops in Austria and Switzerland, and we'll be doing some weekend tours in 2023 as well. We have also started working with "Muttis Booking" and are looking forward to what this cooperation has in store for us.
12) Anything you wanna add?
Thank you for the interview! Stay interested, stay nice, stay clean, pet all the animals that want to be petted by you and bang your head and don’t forget No Life ‚Til Leather! (LOL) x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x
Bandcamp: https://themelmacs.bandcamp.com/
Instagram: https://www.instagram.com/themelmacs/
Youtube: https://youtube.com/@themelmacs
Facebook: https://www.facebook.com/TheMelmacs/
We’re a four-piece rock’n’roll band from Berlin, Germany. SLANDER TONGUE is Klaus on guitar, Chico on bass, Mirko on drums, and Axel on vocals / guitar. We all have played in different bands such as MODERN PETS, King Khan & THE SHRINES, SICK HORSE, BIKES – just to name a few…
On the new record we have contributions of Eblo on piano and several backup singers such as Jeff Clarke of the DEMON’S CLAWS / CLACK LIPS and the girls of THE INSERTS.
We’re usually described as some 70s-sounding rock’n’roll band, but the boys also like to shake their butts in a club to some serious Berlin beats every once in a while.
2) About Slander Tongue's new full-length album "Monochrome", what can you tell about the recording process? Was this a "live" in the studio recording or a track-by-track recording with lots of overdubs?
We recorded the album at STUDIO B in Berlin together with Smail Shock. The basic band tracking was done all live by the four of us together. We did a live test recording for fun there before, and it just felt like the most comfortable way to record… Nevertheless, we also did overdubs on top of the live takes like vocals, lead guitars, piano tracks, and percussions.
3) Do you use the nowadays digital recording technology, or do you only work with analog machines in analog studios?
STUDIO B is a full analog recording studio, and therefore no digital tech was used during the recording and mastering process. I think it fits the sound of the band quite well, but it doesn’t mean that we’re generally against digital means when it comes to producing records. In fact, we’re doing a lot of demos digitally and catching ideas on telephones. Man, life is easyyyyyyyyyyyyyyyyyyyyy…
4) How would you describe the music you are playing? If I were to call it PowerPop/rock'n'roll à la Real Kids, would you agree with this label? Are you proud of it, or do you consider there is way more than that?
Call it whatever you want. I like the pop, I like the rock, and I love the roll. Rock’n’roll à la REAL KIDS sounds good, but we’ve already heard that a bunch of times. I’m a sucker for PowerPop, but we’re also living on a thin line.
In the end, we just do whatever comes out naturally... Of course, you’re always somehow influenced by certain styles, genres, bands and what not, but there’s no such thing that we want to sound like a specific band or copy a certain genre. It’s only rock’n’roll and I like it!
5) What is your favorite topic/topic that comes easily when you write the lyrics to a new song?
Stuff that happens around you, I guess? “Ouch - it hurts!” It could literally be anything…
6) Do you have a new video on youtube featuring a track from the newly released LP??
Yeah! We did a clip of the song “Monochrome” at Wowsville’s basement together with Andie Riekstina. Check it out here:
7) What can concert goers expect at a Slander Tongue gig? Are you playin' any famous cover songs during the concert?
Expect a serious good time! We don’t really do covers. We did an adaption of an Al Gorgoni song that’s on a 1970’s KFC commercial album called “Have a Barrel of Fun”. Check out the original - it’s fingerlickin’ good!
NO MERCY from Heilbronn. Apart from that not really…
9) To what kind of music did you listen to as a teenager? What were your favorite bands as a teenager? Name 3 bands that you consider still have an influence on your own work today in Slander Tongue.
THE ROLLING STONES, JIM CROCE, MEAT LOAF.
10) What are the plans for for 2023 as far as Slander Tongue is concerned?
We’re having a bunch of shows in spring and during the summer including a short trip in May around the Cosmic Trip Festival in Bourges. We’re planning another tour in Southern Europe / Spain towards the end of the year. Apart from that we’re working on new material for the next records. Stay tuned!
11) Anything you wanna add?
Alberto is a stooge.
