"This week’s guest on Line Noise is the inestimable DJ Hell, a German producer, DJ, label boss and so much more, who started DJing in 1978, released his first single - the all-time classic My Definition Of House Music - in 1992, helped to invent trance music, definitely invented electroclash and still has time to be an ambassador for the 2024 European Football Championship. We talked about Kraftwerk, our definitions of house music, the importance of a good name, Ukraine and so much more."
It made me thing: is Hell a little underrated? Given everything he has done?
Oh and to be boring, I also have the inevitable Substack - - in which I write a lot about this kind of thing.
i mean, instant classic. so cinematic, what a master. does anyone have the track ID for the closing track?
Purists will fume, but just think of the fun for once and let's make a collection of your favorite techno edits
Everything from Britney to your DJ Gigola greatness. Which one is best?
To me, it's this one: Freddy K dropping this as a closer @ stone techno 2023.
Reedit You were right I am high in Fabriks Code summer festival and just stumbled upon dvs1 and in 1 minute I understood what hes about
The simplest and purest techno carried to another level of complexity, Intense, but not overwhelming Simply techno
I just think that ive Broken the 4th wall of techno
The great Robert Hood comes to Perron (Rotterdam) in September. He was also there last year and I must say I was surprised that the club was not absolutely crowded. In fact it was relatively empty. It baffles me that a legend of techno and detroit techno doesn't get as much appreciation. And it is not like he is always here, like Adam Beyer and Ben Klock. His set was banger after banger, electric, dark, heavy, amazing. I know that Perron is not the most beloved club, but for me the DJ is more important than the venue. So I was wondering, is Robert Hood just not that loved here as other DJs? And if so, why? I'm looking forward to see him again in September and would like to know if more people from this sub in the Netherlands also likes him and maybe plan to go see him.
The other day I came across this track :
At first i was like "cool intro, bass and synths" and I liked it but didn't really pay a lot of attention to it. Actually no one seems to care about this track because it has only 10 likes for 500 plays, a low ratio. A bit later i listened to it again. and again. and again... Now i must have listened to it at least 200 times in 4 days lol. What's wrong with me ?
And it's a rather generic track actually, no ? Dancefloor oriented, with just the bass, drums, and those industrial synths which are super repetitive for the whole track. But the more I listen to it, the more I "understand" the depth of it : how the delay of the synths answer to each other and evolve very slowly over time, creating a new feeling, how the bass complements those synths, how the hi hats also change in a very subtle way over time.
The general progression and hypnotic, repetitive nature of this track is mind blowing, it puts me in a litteral state of trance. I don't think any other Techno Track managed to do that to me. Maybe some psytrance tracks have a similar effect on me, but not even that much. And the funniest thing is, this track will likely just go unnoticed BECAUSE of how simple and generic it really is. Thanks Carara for this masterpiece which I will be the only one to understand it seems lol.
And you, did you have a track that had the same effect on you ?
Saturday, July 06 - Friday, July 12, 2024
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In the 90s, the new Hardcore Techno scene went through an evolution and development that was quite strong, surreal, twisted, meandering, and ever-changing.
Thoughts, concepts, methods, techniques, were discovered, appropriated, integrated, used, tweaked, torn apart, and then discarded again. Everyone sailed on to a new horizon - and when they arrived, this cycle began anew. multiples times, on and on.
this is another reason why hardcore techno was so varied in this decade, and that there are still so many wild and wonderful, strange and charming releases to be found, out there, often hidden in plain sight.
either way, our mission is once again to throw some light on these happenings;
so we look at each year of most of the second half of the final decade of the twentieth century.
And, as should be obvious, we're digging for the "real releases" here, at times underground, underdog stuff, not just the things that everyone knew and which were available on all the seemingly shiny supermarket-sold compilations.
bon voyage!
1994 and 1995
1994 and 1995 were years in which the Experimental Hardcore scene had just begun to form... true pioneer work. But nevertheless already very strong productions. Breakcore had it's first peak, Acid influenced Hardcore had its impact, some of the first Noise- and Speedcore experiments were visible. PCP was already a veteran in these years but continued its way with powerful productions. Good years for Hardcore and a taster for more to come. Great labels like Fischkopf had their debut releases. Now, to have a time machine again...
Some music examples from this era:
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Temper Tantrum - Lock On Target (Remix)
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Turbulence - Six Million Ways To Die
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Cyberchrist - Information Revolution (Part 2)
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Freez-E-Style - Enter The Gates Of Darkness
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Stickhead - Check Dis Mutha Down - Kotzaak
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M.C.P. - Overload 30303
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DJ Freak - On The Edge
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Eradicator - M.C.P.
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Christoph De Babalon - Babylon 90210
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Cybermouse - My Dorectives -
1996
Now for the year 1996. While 1997 might be the year with the most interesting output, 1996 could be the one with the strongest. I had forgotten how many great records were done in this year. Noizecore, Doomcore, Gabber, it's all there. So many labels had their strongest output in this era of time.
Labels like Fischkopf, Napalm, PCP kept pumping out heavy stuff.
The scene was at its first peak.
Plentiful releases nurtured the realms of hard electronic music...
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Eradicator - Used Against Us
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Auto-Psy - Clear
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Taciturne - Mourning
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Arrivers - The Arrival
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Delta 9 - Mortified
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Terrorists - Hardcore Will Never Die!
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Burning Lazy Persons - Hyper Bitch
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Mescalinum United – Jupiter Union
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Industrial Terror Squad - Burn Da Fukka!
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Napalm 7 - B1
1997
A recent survey showed that amongst the period of the 1990s, a lot of people agreed that 1997 was the best year of Hardcore. Why was this that way? I think one of the main reasons was that it was one of the last years where there was still a coherent single Hardcore scene - people who listened to Digital Hardcore just as Speedcore, Acidcore and Gabber and so on, and these "varied" sounds were still played on one floor or at one party night. Later Hardcore broke up in so many small scenes of its own. But apart of that, 1997 was defined by the many outstanding and classic releases of that year
Were you there in 1997?
Take care!
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Atari Teenage Riot - Sick To Death
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Patric C - You Made It Perfect
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Reign - Hall (Huge Mix)
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DJ Freak - Test Plate
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Current 909 - Golden Dawn
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S37 - Offspring Of The Night
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Somatic Responses - Sickwave
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Base Force One - We Know
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Superpower - Innocent Minds
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Trash Enemy HQ - Pestilence
1998
For me, 1998 was the last year of the first decade of Hardcore in which there was an over-abundance of great records and tracks. The sound had gotten more fierce, distorted and harder on the one side, and more experimental on the other. The Breakcore scene was forming and evolving into its own way apart from the rest of the "Hardcore" cohesion, Proto-Frenchcore was made, and an onslaught of Industrial influences broke through.
What followed were for me meagre years - until Hardcore got on its track again and there was once again a flow of great releases - just my two cents, as I know a lot of people enjoyed the period "in between" that followed.
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The Overlord - Countdown 2017
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Choose - Tight Slip . Skullblower - Farewell To The Funky Flesh
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Somatic Responses - Hellbound
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Absolute Terror Field - Absolute Terror Field (Seelen Mix)
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Mathey Olivier - Residential Volume
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Sonic Overkill - No Fate
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Low Entropy - Adrenaline Junkie
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Rage Reset - Terminated
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Hecate - Caught Up
1999
1999 was the last really strong (at least half) year for the first wave of Hardcore for me. Before the sober years commenced. The output was more scarce than in 1998 or 1997, but there were still some powerful releases. The genre fragmentation started to develop, Hardcore was not a "whole dish of soup" anymore. Especially Breakcore spread its wings. The first wave of Speedcore slowly died out to be eclipsed in speed and harshness by other producers in the years that followed. PCP was dead but Acardipane Records had competent releases in its place. This was the end of the decade - the end of the millenium - and it showed in the releases of that year.
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Eiterherd - Schmerz
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Hecate & The Jackal - Voluntarily
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Amiga Shock Force - Kik Me
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Slaughter Politics - Forest Fire
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Miro - Shining
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Naughty Observers - B1
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Hanin Elias - In Flames
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Alec Empire - Black Sabbath
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Nintendo Teenage Robots – No Humanity Allowed
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Potere Occulto - Mynydd Ddu
This concludes our little 90s retrospective.