Pitchfork
The Latest
Ms. Lauryn Hill and the Fugees Announce 2024 Tour Dates
By Jazz Monroe
First and Final Posthumous SOPHIE Album Announced
By Matthew Strauss
Rob Stone, Co-Founder of The Fader, Dies at 55
By Jazz Monroe
Anderson .Paak to Play Malibu in Full on U.S. Tour
By Matthew Strauss
Music Industry Groups Sue AI Companies for Stealing Artists’ Work to Generate Music
By Nina Corcoran and Jazz Monroe
Reviews
The Healer
Sumac
Best New Album
The experimental metal trio’s four-song, 76-minute album is the peak of their career. It’s dense and invigorating, highlighting the band’s dexterity, creativity, and clarity of purpose.
By Patric Fallon
Scream From New York, NY
Been Stellar
The buzzy New York City rock quintet’s debut taps into a vivid sense of place. Their keening intensity captures a snapshot of a city coming unglued.
By Zach Schonfeld
Elixa
Th Blisks
The Australian trio’s zonked lo-fi electronica and dub pop beams in from an alternate dimension where the primary building blocks of pop music are melodica and drum machine.
By Shaad D’Souza
ÉXODO
Peso Pluma
The corrido icon’s charisma shines on this sprawling double album, but La Doble P’s pop-star turn is less convincing.
By Isabelia Herrera
The Tortured Poets Department / The Anthology
Taylor SwiftIn standard and extended editions, Taylor Swift’s 11th studio album races to fill the gap between her intimate songwriting and her increasingly outsized persona. It’s unruly, unedited, and even a little tortured.One Hand Clapping
Paul McCartney / WingsBest New ReissueShelved for decades and now finally released in full, Wings’ 1974 Abbey Road sessions are intimate and exploratory, showcasing a seldom heard, anything-goes side of the former Beatle.F.U.N. T.O.Y.
SideshowThe L.A. rapper’s dead-eyed hustler tales are grimier and druggier than ever. It’s a harsh toke, but the crackling production gives it the energy it needs.Where I’ve Been, Isn’t Where I’m Going
ShaboozeyAfter a decade of searching for the intersection of hip-hop and country and a star turn on Cowboy Carter, the Virginia-born singer finds much more than a party on his third album.
More From Pitchfork
Lorde Is on a Higher Frequency With Charli XCX on the Remix of “Girl, so confusing”
Charli XCX / Lorde
Best New Track
By Jeremy D. Larson
The 41 Most Anticipated Albums of Summer 2024
By Boutayna Chokrane, Nina Corcoran, Jazz Monroe, Matthew Strauss, and Eric Torres
Features
The 32 Best Albums of 2024 So Far
By Anna Gaca, Isabelia Herrera, Jeremy D. Larson, and Philip Sherburne
Welcome to the Pleasuredome
Frankie Goes To HollywoodEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the subversive 1984 debut from the UK synth-pop group, an exquisite-sounding album that snuck an ode to amyl nitrate and orgasms onto pop charts around the world.Inter-Dimensional Music
IasosEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit a foundational new age album from 1975, an alluring, slightly fried soundscape channeled directly to its composer from an inter-dimensional entity named Vista.AmeriKKKa’s Most Wanted
Ice CubeEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit Ice Cube’s 1990 debut solo record, a groundbreaking piece of hard and funky reality rap that introduced the tabloid decade.She’s So Unusual
Cyndi LauperEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit Cyndi Lauper’s massive debut, a slyly feminist new wave pop record whose undeniable singles helped usher in the MTV era.Judy at Carnegie Hall
Judy GarlandEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit Judy Garland’s mythical 1961 live album, a late-career triumph that helped to outline the shape of queer fandom for decades to come.Long Season
FishmansEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit Fishmans’ 1996 masterpiece, a landmark of Japanese rock that fits a lifetime of aspirations and daydreams into a single 35-minute composition.The Blue Mask
Lou ReedEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit Lou Reed’s 1982 solo album, a strangely alluring comeback that made good on the promise of a lasting rock’n’roll icon.Hex
Bark PsychosisEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the 1994 debut by Bark Psychosis, a pioneering work of post-rock that fused guitars and electronics into soundscapes both meditative and menacing.