Cinema
★★★★
Review
Once Were Warriors director returns with ‘raw and vicious’ The Convert
Guy Pearce stars in Lee Tamahori’s story about a lay preacher in New Zealand stuck between two warring Maori tribes.
- by Sandra Hall
Latest
His crime shocked France. This film reveals why his wife stayed silent
A Silence unpacks the complicity that allowed a celebrated lawyer to commit horrific acts. For its director, it was also a reckoning.
- by Stephanie Bunbury
With Megalopolis, Coppola makes Baz Luhrmann seem like a shy introvert
Francis Ford Coppola’s ambitious sci-fi drama has had its Australian premiere at the Sydney Film Festival.
- by Garry Maddox
Moviegoers are vanishing. But where are they going?
Cinema revenues are collapsing, and Australia is no exception. But that doesn’t mean we’ve fallen out of love with the movies.
- by Karl Quinn
Thrice Were Warriors: Director wraps trilogy with The Convert
The figure of the Maori warrior was central to Lee Tamahori’s first film, and his latest. But is he at peace with it at last?
- by Karl Quinn
★★★½
Review
Pixar is in the pits. Is Inside Out 2 the hit it desperately needs?
The original was a sophisticated and charming hit, but Riley’s emotions are now in danger of being drowned out by the sequel’s hustle and bustle.
- by Sandra Hall
It’s been a terrible year for cinema, but one genre is holding strong
Why are these smaller-scale movies attracting decent audiences while major studio films flop?
- by Nell Geraets
★★★★
Review
The Watchers is proof Ishana Night Shyamalan has her father’s talent
Starring Dakota Fanning, this supernatural horror shows Ishana has inherited a taste for tinkering with the unseen and incomprehensible.
- by Sandra Hall
This film could have fixed Hollywood’s box office crisis. Here’s why it won’t
A top-tier director, an A-list star, a blend of action, comedy and romance, and critical acclaim. So why won’t Hit Man pack out cinemas?
- by Nell Geraets
★★
Review
Will Smith is back – and yes, Bad Boys jokes about that slap
The banter between the Will Smith and Martin Lawrence remains the only drawcard in Bad Boys: Ride or Die.
- by Jake Wilson
Will Furiosa’s box-office struggles mean the end of Mad Max?
George Miller’s latest film has struggled for a second weekend in cinemas around the world. What does it mean for the future of the franchise?
- by Garry Maddox