Classical IDM from: Antoine Flipo – Cascade

•May 14, 2024 • Leave a Comment

Today we have a mix between some quite electronic IDM with a glitchy air and more classical structures. I wouldn’t normally go for something with classical mores but this is really well done by Antoine Flipo.

Antonine Flipo is from Belgium. His biog says he “stands at the intersection of minimal electronic music and the classical realm. Known for his involvement in the fascinating jazz-electro scene, particularly with the project “Glass Museum” – of which he is a co-founder.” This is very much music for the head, rather than heart.

He’s got a new Chapel EP out now, ahead of a debut album coming in the autumn. He says that it explores three universes, neo-classical, piano and ambient/minimal electronica – “la musique néoclassique et le travail des différentes sonorités de piano préparé, la musique electro ambient et la musique club minimale.”

Here’s Cascade from the EP. This has the heart beat like throb of IDM and blippy minimal sounds blended with some prepared piano. This gives it a neo classical twist among the machine music.

The track flirts with glitching and classical forms. But the beats and bass are allowed to occupy the heart of the track making this an electronic piece overall. It’s quite arty, with a capital A. But one which has a supple accessibility notwithstanding its experimental edges.

IDM you can eat between meals without ruining your appetite. Minimal electronica given weight and melody. Marvellous.

Uplifting melodic techno from: TMPST x Phil Odd – Dimensions

•May 13, 2024 • Leave a Comment

After beautiful weekend weather it’s back to work. Need something to lift the soul? Here’s some Scandie melodic techno from TMPST x Phil Odd.

Both TMPST and Phil Odd are from Sweden. There’s a big focus on melodies in their work. Think of people like Ben Böhmer. And that’s the case on new track Dimensions.

There’s nothing shy about Dimensions. This is melodic techno at stadium level. Everything is broad brush and heart on the sleeve.

The beats bounce and synths soar. The bass has that liquid ripple of people like Lane8. It’s all immediately intoxicating and inviting. A warm positivity floods the chords and pads.

Of the track, TMPST says “”Dimensions” came to life in the Swedish woods on a dark winter night. Phil Odd and I wanted to create a song that pulls you in and just carries you away.” And it does.

Cast off your cares and dive into new techno dimensions.

Ambient Sunday is struggling with the bright thing in the sky. Music from: Hologramme – Enveloped (instrumental)

•May 12, 2024 • Leave a Comment

Had to break out the sunscreen today. All a bit shocking after the wettest spring since I don’t know when. All a bit discombobulating. Let’s focus Ambient Sunday on “an instrumental summer slump” from Hologramme.

Not really sure about Hologramme. From Greece maybe but I’m really not sure. What I do know is that the music has been on a journey. From a post punk electronica stance a decade ago to something now that flirts with an almost downtempo hip hop vein.

Here’s Enveloped (instrumental). Very happy to have this without the vocals. Allows the music to shine through more.

It opens with some lovely 80s keyboards – think Tears for Fears. Bets have an early hip hop synthetic hiss to them. A veritable chorus arrive slowly to give the track a depth and majesty.

The bass keyboards keep pounding away but the track stays within downtempo and ambient parameters. It’s all quite impressive in some in definable way.

The track title may imply everything is slumped but this is really far too holding things together and striding forward for that. Lovely instrumental downtempo for an early summers day.

The vocal version is here

Saturday synth prog house with: ZUSO – Crystal Lights

•May 11, 2024 • Leave a Comment

Something glittering for tonight given all the fuss in the UK about the Northern Lights. Here’s ZUSO with Crystal Lights.

As a reminder, the returning ZUSO is from Australia and is producer Gabriel Cuenca. His work has that uplifting prog house richness redolent of people like Rüfüs Du Sol, Lane 8 and Tourist.

Crystal Lights is the new single. He says “I actually took a bit of inspiration from one of my past ep’s ‘Lost In Time’ with this one and wanted to bring those feelings of escapism and vivid imagery back. It’s definitely a song you can get lost in and let go of all worries too.”

The basic elements here are rippling progressive house allied to a strong synth drive. There’s nothing bashful about this. It’s heart on the sleeve stuff. Full of guileless positivity.

Soaring melodies and synth peaks abound. But it’s not so far towards dream house that the dance floor is discarded. This always has an eye to the club with a wave your hands in the air appeal. And a sharp knack for timing peaks for maximum effect.

If you want to be moved, to be transported, to be made to feel, then this is for you.

Friday’s electronic twosome with: Toxic Positivity, and Lucky Amour

•May 10, 2024 • Leave a Comment

A couple of tracks that don’t quite follow the usual downtempo conventions from Toxic Positivity and Lucky Amour.

Toxic Positivity last appeared here four years ago with a spot of minimalism. Toxic Positivity previously described himself as, “your local, free-range, bedroom producer.” Nowadays he says “Feelings of confusion and alienation can be tools to an altered state. Realize you are being haunted by ghosts of another world.”

He’s back with something that blends warm downtempo with something a bit more abstract and IDM on Blandford Znajek Process taken from the Enucleation EP. I’m not into astrophysics so was surprised to find out that the process a real thing. It is a mechanism for the extraction of energy from a rotating black hole, introduced by Roger Blandford and Roman Znajek in 1977. This mechanism is the most preferred description of how astrophysical jets are formed around spinning supermassive black holes. There you go.

Musically, this is buzzy IDM but set against some neo classical tones that go for vast, epic and cosmic. The IDM jitters around in a constant fizz of noise. The imperturbable drone tones stretch on.

The contrast between the two styles is rather brilliantly handled. They don’t ever really combine but neither do they conflict. This manages to have a slightly cerebral air without being in any way inaccessible.

Big ideas find a way into your ears. Listen on.

Switching to Australia we get something that blends art rock, surf guitar and spy electronica from Lucky Amour. Lucky Amour is artist and musician Ben Frichot. He’s worked with all manner of rock folk like Motörhead and INXS. And yet there’s a sense of someone thinking way beyond head down guitars here.

The featured track is Shadow Man from the album Sandcastles. It’s a real mix of styles culminating in a retro futuristic spy theme with a Sergio Leone twist.

There’s a taut and tense plucked guitar opening. It’s all very enigmatic, evocative and anticipatory. A bit of bass leavens the mood with electronics almost offering a cooing chorus.

The guitar riff almost gets into James Bond territory but isn’t quite prepared to go sophisticated. This has the bleached grittiness of a Spaghetti (spy) Western. Makes you want to chew on a cheroot. A bit of what sounds like sitar confirms that this isn’t your usual track.

A great cinematic track that also stands on its own two feet to take on all comers in the final shootout.

70s synth meets IDM from: Popshop – Lonely Modern Truth

•May 8, 2024 • Leave a Comment

Staying with IDM lets have something that starts with IDM but draws on a whole range of reference points including 70s synthwave and acid. Eclectic? Certainly but woven together quite brilliantly.

Popshop is Martin Akeret from Winterthur/Zurich in Switzerland. He’s been making music for 25 years and draws on all that time and more on Lonely Modern Truth. This is part of a five track mini LP (available on vinyl).

The track opens with a fairly standard IDM template before offering itself to some synthwave. Not the bombastic 80s version but the more subtle and primitive 70s version with plenty of spacey whooshing and a touch of neo-ethereal sound.

As if that wasn’t enough there’s even the addition of some acid and Detroit touches. This gives the track that dance floor touch and the thrill that only techno can bring. Acid squiggles abound and frolic in among the melodies.

This is a wonderful, winsome ride through some of dance’s history highlights to deliver something so fresh and now and above all danceable.

Go glitch with: Iris Ipsum – Loreti

•May 7, 2024 • Leave a Comment

Something a bit challenging following the public holiday yesterday. Here’s Iris Ipsum with something that’s a bit IDM and a bit glitch and seasoned with a little experimentation. This is for fans of autechre, FSOL and Plaid.

Iris Ipsum is the name for Sol Rosenthal from Los Angeles’ musical output. Their new release is the Xtilde EP on Satellite Era. Loreti is the featured track.

Loreti is lost in a Warp wonder world but cute enough to use cutting edge tech to give this track a modern sheen.

The vocal elements offer a modern take on a sixties girl band sound. Beats come razor thin and sharp. There’s a slight skitter edge of glitch without any of the usual stutter. It’s a terrifically clever composition.

None more digital sounds butt up against rich humanity. There’s a delight in melody but undercut with the harshest urban light. No wonder Iris Ipsum has appeared with autechre. This is progeny taking over.

Wonky epic house with: Sogen x Tomggg – Empty Project Remix

•May 6, 2024 • Leave a Comment

Another public holiday marred by this winter/spring’s seemingly endless rain is lightened by this lovely stirring epic wonky house track from Sogen x Tomggg.

Sogen (which may mean something like elementary or principle in Japanese) is Tokyo-based Rick Goddard aka solo artist Kogane and China-based Auryn Waring aka solo artist Shinamo Moki and half of duo Tolari. They’ve been around since 2019 and cite people like Four Tet and Aphex Twin as influences. There’s certainly more than a little sense of Four Tet in new track Empty Project.

Empty Project Remix has Japanese producer Tomggg on remix duties. The original track is a thing of fragile, slightly experimental, wonder with a slightly minimal or raw edge.

Tomggg goes Spinal Tap and turns this fragile track into something where everything has been turbo fuelled to eleven. It’s a gloriously unhinged epic piece of electronic wonkiness.

The focus of the track is an ever present bass parping that sets the tone and the pace of the track. The beats are full and filled with an epiphany of the world. This is a magical, careering track. They say it “feels like a fitting soundtrack to Mario Kart’s “Rainbow Road.” But that sells the dayglo wonderfulness of the track short.

This is hyper house all on its own. No dodgy mushrooms here. Just a pleasure in all the uplift that the best electronic music can offer.

Ambient Sunday is serene in the 90s with: rocomoco x The Hidden – Serenity of the Sirens

•May 5, 2024 • Leave a Comment

Sunday was a game of two halves. A morning with sun and summers promise. And an afternoon of cloud and cold. It’s been that sort of Spring. Here’s rocomoco with The Hidden to offer something summery, serene and slightly salacious.

rocomoco are a Berlin based duo that have appeared here a few times before. They’re working again with The Hidden (Dan McRae from Southampton, England). The track is Serenity of the Siren. This references The Odyssey by Homer. Rocomoco explain that ““Siren, in Greek mythology a creature, half bird, half woman, who lured sailors to their doom with his sweet song” (Encyclopaedia Britannica) “Serenity of the Sirens” is from the forthcoming album “Electric Paradise” (May 17th). The track comes with a serene 90s downtempo vibe straight from the bottom of the ocean while the drums are merging Hip Hop with a programmed CR-78 Bossa Nova.”

There’s more than a little of some of Kruder & Dorfmeister at work here. The mood is languid, lush and just a touch salacious. The beats have a really lovely hefty hip hop kick but with a bossa hip wriggle.

There’s a bit of lounge guitar to add to the sun kissed beach vibe. A bass strums away slowly. This totally lures you in with its promise of something rather special. It’s one of those wonderfully deceptive tracks. Superficially it seems like little is happening but underneath this is a work of art in into intricacy. Utterly perfect laid back summer music.

Tie me to the mast and let me listen to this track forever.

Friday’s wonky downtempo with: a_omori – Cosy

•May 3, 2024 • Leave a Comment

Some wonky study beat sounds for the end of the week care of a_omori.

a_omori is a producer from São Paulo, Brazil. As is all too common these days there’s no biog, simply a message that “a_omori is a FDP (fictional digital productor) created by a disturbed guy with a fvck3d mind.”

Luckily his wonky synth shtick has a cheery cute charm. Here’s Cozy taken from his seven track release of the same name. The whole release is only 14 minutes, so listen up. None of these tracks are hanging around for too long.

Cozy takes a bit on surface noise and some reverbed piano as a starting point. Beats arrive in a suitably lofi manner. Scales go up and down wonkily. It’s all terribly appealingly off kilter. Like watching a child learn to walk there’s something sweet here.

Such a lovely cheerfully, optimistic sound. And when you think it’s too good to last it stops. Wonderful.