May, 2024
The big easel: The life and work of Jan Senbergs
The film director remembers his friend and brother-in-law, the celebrated Latvian-Australian fine artist and printmaker
February, 2024
Call to arms: Jordan Wolfson’s ‘Body Sculpture’
The NGA’s newest acquisition, a controversial American artist’s animatronic steel cube, fuses abstraction with classical figure sculpture
December, 2023
Tacita Dean and the poetics of film editing
The MCA’s survey of the British-born artist’s work reveals both the luminosity of analogue film and its precariousness
December, 2023
The exhibition of the Russian painter’s work at the Art Gallery of NSW provides a fascinating view of 20th-century art’s leap from representation to abstraction
December, 2023
The rule of threes: NGV Triennial
The sprawling show’s exploration of technologies and pressing politics takes in artificial intelligence and deep-fake photojournalism
December, 2023
A clear view: Emily Kam Kngwarray at the NGA
A major exhibition of the late Anmatyerr desert painter is welcome, but the influence of the rapacious art market on Aboriginal art is inescapable
October, 2023
White walls taken Blak: The art of Reko Rennie
The Kamilaroi multi-disciplinary artist’s spectacular works bridge contemporary and ancient traditions
October, 2023
How Glenn Murcutt’s architectural vision created a space – and inspiration – for artists Lynne Eastaway and Sydney Ball
August, 2023
Blank stare: The drawings of Elizabeth Newman
The minimalist works of this Melbourne-based artist derive from her pursuit of the most authentic and primitive expression
July, 2023
Emotional virtue: ‘Pierre Bonnard: Designed by India Mahdavi’ and ‘Rembrandt: True to Life’
Concurrent exhibitions at the NGV survey the intense realism of Rembrandt and the emotional power of colour harnessed by Pierre Bonnard