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r/AvatarMemes
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A subreddit for memes and other humor related to the Avatar franchise. Jokes based on ATLA, LoK, etc. are welcome.
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Rotten Tomatoes: 84% (143 reviews) with 7.30 in average rating

Critics consensus: Narratively, it might be fairly standard stuff -- but visually speaking, Avatar: The Way of Water is a stunningly immersive experience.

Metacritic: 69/100 (47 critics)

As with other movies, the scores are set to change as time passes. Meanwhile, I'll post some short reviews on the movie. It's structured like this: quote first, source second.

Even more than its predecessor, this is a work that successfully marries technology with imagination and meticulous contributions from every craft department. But ultimately, it’s the sincerity of Cameron’s belief in this fantastical world he’s created that makes it memorable.

-David Rooney, The Hollywood Reporter

Does it matter if “The Way of Water” doesn’t elicit the same response when I watch it at home? Not really — I know that it won’t. Does it matter that Cameron is continuing to “save” the movies by rendering them almost unrecognizable from the rest of the medium? His latest sequel would suggest that even the most alien bodies can serve as proper vessels for the spirits we hold sacred. For now, the only thing that matters is that after 13 years of being a punchline, “going back to Pandora” just became the best deal on Earth for the price of a movie ticket.

-David Ehrlich, IndieWire: A-

Evoking that movie (Titanic) is a tactical mistake, because it reminds you that “Titanic” was a jaw-dropping spectacle with characters who touched us to the core. I’m sorry, but as I watched “The Way of Water” the only part of me that was moved was my eyeballs.

-Owen Gleiberman, Variety

By the time it crests, whatever the film’s many other flaws may be, we are invested, and we are ultimately rewarded with a truly spectacular, awe-inspiring finale. All’s well that ends well, I guess. Even if all was a pretty mixed bag beforehand.

-William Bibbiani, The Wrap

Avatar: The Way of Water is a thoughtful, sumptuous return to Pandora, one which fleshes out both the mythology established in the first film and the Sully family’s place therein. It may not be the best sequel James Cameron has ever made (which is a very high bar), but it’s easily the clearest improvement on the film that preceded it. The oceans of Pandora see lightning striking in the same place twice, expanding the visual language the franchise has to work with in beautiful fashion. The simple story may leave you crying “cliché,” but as a vehicle for transporting you to another world, it’s good enough to do the job. This is nothing short of a good old-fashioned Cameron blockbuster, full of filmmaking spectacle and heart, and an easy recommendation for anyone looking to escape to another world for a three-hour adventure.

-Tom Jorgensen, IGN: 8.0 "great"

James Cameron has surfaced with a cosmic marine epic that only he could make: eccentric, soulful, joyous, dark and very, very blue. Yes, he’s still leagues ahead of the pack.

-Nick De Semlyen, Empire: 5/5

The whole package here is so ambitious, yet intimate and gently tempered in its quieter moments, that it feels heartening to be reminded of what a big-budget Hollywood movie can be when it refuses to get crushed under pointless piles of rubble and noise. Confessionally, this critic wishes that Cameron had room in his schedule to put out more than one film in over a decade and original movies in addition to the ones that belong to this big beautiful franchise. Still, it’s significant to have him back with a picture that feels like a theatrical event to be celebrated, nowadays a retro idea occasionally reminded by the likes of Nope and Top Gun: Maverick. These are Cameron’s own waters, and it’s significant to see him effortlessly swim in them again.

-Tomris Laffly, The A.V. Club: A

Maintaining a sense of stakes will be necessary for the series going forward, especially if it plans on rolling out new entries at a quicker pace. But for The Way of Water, the decadence is more than enough—for cinemas that have been starved of authentic spectacle, finally, here’s a gorgeous three-course meal of it.

-David Sims, The Atlantic

While Cameron is a master of franchise sequels, “Way of Water” doesn’t measure up to his classics, “Aliens” and “Terminator 2: Judgment Day.” But thanks to new personalities and vivid wildlife, on the whole, this latest trip does prove, perhaps surprisingly to some after such a long period between movies, that there’s still some gas in the “Avatar” tank after all.

-Brian Truitt, USA Today: 3/4

And what do we find aside from the high-tech visual superstructure? The floatingly bland plot is like a children’s story without the humour; a YA story without the emotional wound; an action thriller without the hard edge of real excitement.

-Peter Bradshaw, The Guardian: 2/5

Will it end up making $2 billion, as Cameron claims it must in order to inch into profit? With a Chinese release date secured, it may, though I suspect British audiences will find their patience tested. For all its world-building sprawl, The Way of Water is a horizon-narrowing experience – the sad sight of a great filmmaker reversing up a creative cul-de-sac.

-Robbie Collin, The Telegraph: 1/5

The movie's overt themes of familial love and loss, its impassioned indictments of military colonialism and climate destruction, are like a meaty hand grabbing your collar; it works because they work it.

-Leah Greenblatt, Entertainment Weekly: A-

For all the genuine thrills provided by its pioneering pageantry, Way of Water ultimately leaves you with a soul-nagging query: What price entertainment?

-Keith Uhlich, Slant Magazine: 3/4

If I had two separate categories to judge James Cameron’s motion-capture epic “Avatar: The Way of Water,” I’d give it four stars for Visuals and two and a half for Story, and I’m in charge of the math here so I’m awarding three and a half stars to “TWAW” for some of the most dazzling, vibrant and gorgeous images I’ve ever seen on the big screen.

-Richard Roeper, Chicago Sun Times: 3.5/4

There is, really, no one else who does it like Cameron anymore, someone who so (perhaps recklessly) advances filmmaking technology to make manifest the spectacle in his head while staying ever-attentive of antiquated ideals like sentiment and idiosyncrasy. Watching The Way of Water, one rolls their eyes only to realize they’re welling with tears. One stretches and shifts in their seat before accepting, with a resigned and happy plop, that they could watch yet another hour of Cameron’s preservationist epic. Lucky for us—lucky even for the culture, maybe—that at least a few more of those are on their way.

-Richard Lawson, Vanity Fair

His meticulous craftsmanship shows in every amazing sequence like that final battle at sea. If the story occasionally seems a bit all over the place, well, there are worse things in the world than a filmmaker throwing every last morsel of creativity into his work. You can’t say The Way of Water doesn’t give you your money’s worth, especially in the visual department. This thing’s got enough eye candy to give you ocular diabetes.

-Matt Singer, ScreenCrush: 7/10

Avatar: The Way of Water is both more extravagant and dorkier than Avatar, which was pretty dorky to begin with.

-Stephanie Zacharek, TIME

Cameron leans all the way into manic mayhem, smash-cutting from one outrageous image to the next. The final act of this movie shows off a freeing attitude he’s never fully embraced before.

-Jordan Hoffman, Polygon


PLOT

Set more than a decade after the events of the first film, Avatar: The Way of Water begins to tell the story of the Sully family (Jake, Neytiri, and their kids), the trouble that follows them, the lengths they go to keep each other safe, the battles they fight to stay alive, and the tragedies they endure.

DIRECTOR

James Cameron

SCREENPLAY

James Cameron, Rick Jaffa & Amanda Silver

STORY

James Cameron, Rick Jaffa, Amanda Silver, Josh Friedman & Shane Salerno

MUSIC

Simon Franglen

CINEMATOGRAPHY

Russell Carpenter

EDITING

Stephen E. Rivkin, David Brenner, John Refoua & James Cameron

BUDGET

$350-400 million

Release date:

December 16, 2022

STARRING

  • Sam Worthington as Jake Sully

  • Zoe Saldaña as Neytiri

  • Sigourney Weaver as Kiri

  • Stephen Lang as Colonel Miles Quaritch

  • Kate Winslet as Ronal

  • Cliff Curtis as Tonowari

  • Giovanni Ribisi as Parker Selfridge

  • Edie Falco as General Frances Ardmore

  • Brendan Cowell as Captain Mick Scoresby

  • Jemaine Clement as Dr. Ian Garvin

  • CCH Pounder as Mo'at

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Posted by6 months ago
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I will continue to update this post as the score changes.

ScoreNumber of ReviewsAverage Rating
Verified Audience94%1,000+4.7/5
All Audience89%2,500+4.5/5

Verified Audience Score History:

  • 90% at <50

  • 91% at 50+

  • 93% at 100+

  • 95% at 500+

  • 94% at 1,000+

Rotten Tomatoes: Certified Fresh

Critics Consensus: Narratively, it might be fairly standard stuff -- but visually speaking, Avatar: The Way of Water is a stunningly immersive experience. 

ScoreNumber of ReviewsAverage Rating
All Critics79%2767.20/10
Top Critics76%727.00/10

Metacritic: 69 (62 Reviews)

SYNOPSIS:

Set more than a decade after the events of the first film, “Avatar: The Way of Water” begins to tell the story of the Sully family (Jake, Neytiri, and their kids), the trouble that follows them, the lengths they go to keep each other safe, the battles they fight to stay alive, and the tragedies they endure. CAST:

  • Sam Worthington as Jake Sully

  • Zoe Saldaña as Neytiri

  • Sigourney Weaver as Kiri

  • Stephen Lang as Colonel Miles Quaritch

  • Cliff Curtis as Tonowari

  • Joel David Moore as Dr. Norm Spellman

  • CCH Pounder as Mo'at

  • Edie Falco as General Frances Ardmore

  • Jemaine Clement as Dr. Ian Garvin

  • Kate Winslet as Ronal

DIRECTED BY: James Cameron

PRODUCED BY: James Cameron, Jon Landau

SCREENPLAY BY: James Cameron, Rick Jaffa, Amanda Silver

STORY BY: James Cameron, Rick Jaffa, Amanda Silver, Josh Friedman, Shane Salerno

EXECUTIVE PRODUCER: David Valdes, Richard Baneham

DIRECTOR OF PHOTOGRAPHY: Russell Carpenter

PRODUCTION DESIGNERS: Dylan Cole, Ben Procter

EDITED BY: Stephen Rivkin, David Brenner, John Refoua, James Cameron

MUSIC BY: Simon Franglen

COSTUME DESIGNER: Deborah L. Scott

RELEASE DATE: December 16, 2022

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251 comments
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Posted by6 months ago
Archived

I will continue to update this post as reviews come in.

Rotten Tomatoes: Certified Fresh

Critics Consensus: Narratively, it might be fairly standard stuff -- but visually speaking, Avatar: The Way of Water is a stunningly immersive experience. 

ScoreNumber of ReviewsAverage Rating
All Critics79%2767.20/10
Top Critics76%727.00/10

Metacritic: 69 (62 Reviews)

Sample Reviews:

The only part of me that was moved was my eyeballs. - Owen Gleiberman, Variety

Ultimately, it’s the sincerity of Cameron’s belief in this fantastical world he’s created that makes it memorable. - David Rooney, Hollywood Reporter

There is beauty everywhere you look, from the spectacle provided by nature’s creations, the tactile sense you get from the skin and hair of humans and other natural life, and the emotional expressions of strength and sensitivity. - Todd McCarthy, Deadline Hollywood Daily

When Cameron’s film calms down, and the stunning imagery that cinematographer Russell Carpenter has created with the film’s enormous visual-effects team can linger for a while, its imagination and scope can occasionally feel quite magical. - William Bibbiani, TheWrap

James Cameron’s sequel is a truly dazzling cinematic experience that will have you floating on a blockbuster high. 3.5/4 - Lindsey Bahr, Associated Press

If "The Way of Water" was the last film Cameron ever made, it’d be appropriate, as all of his cinematic obsessions coalesce within this gargantuan slice of mind-boggling spectacle presented with classical action-adventure storytelling. 3.5/4 - Katie Walsh, Tribune News Service

An emotionally charged outing that again dips into themes of colonization while adding environmental issues and relatable family drama. 3/4 - Brian Truitt, USA Today

The Way of Water doesn’t necessarily check all those boxes, but what it does right will offer spectators moments of awe, full-body immersion and genuine beauty. 2/4 - Ann Hornaday, Washington Post

Cameron pulls you down so deep, and sets you so gently adrift, that at times you don’t feel like you’re watching a movie so much as floating in one. - Justin Chang, Los Angeles Times

Cameron’s embrace of the idealism of adolescence, of the capacity for moral outrage as well as wonder, is the emotional heart of the movie. - A.O. Scott, New York Times

Whoever thought that a 10-foot-tall blue alien would be such a sight for sore eyes? 4/4 - Johnny Oleksinski, New York Post

Avatar: The Way of Water is such a screen-popping visual feast it earns the 3-hour, 12-minute running time, though the primarily aquatic setting might contribute to some viewers dashing out for a bathroom break. 3.5/4 - Richard Roeper, Chicago Sun-Times

The Way of Water has a way of pulling you in, surrounding you with gorgeous, violent chaos and finishing with a quick rinse to get the remnants of its teeny-tiny plot out of your eyes by the final credits. 3/4 - Michael Phillips, Chicago Tribune

On more than one occasion we’re told that “the way of water has no beginning and no end.” No kidding. 1/4 - Mick LaSalle, San Francisco Chronicle

That's the essence of "The Way of Water": It's sheer experience above all else, with a solid, easy-to-follow story underneath it. A - Adam Graham, Detroit News

Avatar: The Way of Water transforms from simple wonder to something truly jaw-dropping. - Richard Whittaker, Austin Chronicle

Cameron's limitations as storyteller remain as crystal clear as the water. But one does not look to Avatar for narrative sophistication. - A.A. Dowd, Chron

It’s still more of a spectacle than a movie. But as spectacles go, it’s a big one. 3/5 - Bill Goodykoontz, Arizona Republic

Like the original, it’s “Dances with Wolves” in outer space. Only dumber. 2/4 - Soren Andersen, Seattle Times

The 3-D special effects remain exceptional, but the screenplay is better this time, with a storyline more emotionally engaging than in the original. When people and critters die, we feel it this time. 4/4 - Randy Myers, San Jose Mercury News

It’s time well spent for a movie set in deep space that turns out to be a free-flowing whale of a tale. 3.5/4 - Peter Howell, Toronto Star

The floatingly bland plot is like a children’s story without the humour; a YA story without the emotional wound; an action thriller without the hard edge of real excitement. 2/5 - Peter Bradshaw, Guardian

If Cameron’s worldbuilding is exhausting, it also has an epic sincerity far from the lazy cash grab of most sequels. Lazy Cameron is not. 3/5 - Danny Leigh, Financial Times

Watching the film [feels] like being waterboarded with turquoise cement. 1/5 - Robbie Collin, Daily Telegraph (UK)

I can’t say that I cared all that much about its story, its themes, or its characters, but its unimpeachable effects work made it feel like I’d locked eyes with the future. 3/5 - Clarisse Loughrey, Independent (UK)

Plot-wise, this movie is treading water. But that’s fine, because the water’s lovely. 4/5 - Charlotte O'Sullivan, London Evening Standard

Cover your eyes if you long ago tired of work that prides itself on “world building”. Flee the building if you longer ago wearied of worlds built to the aesthetics of Roger Dean covers for 1970s Yes albums. 2/5 - Donald Clarke, Irish Times

Does exactly what is expected from it even if it eventually fails to move the narrative beyond the obvious "good guys Vs stereotypical villains" narrative. 3/5 - Linda Marric, The Jewish Chronicle

A meticulous world-building as astonishing and enveloping as anything we've ever seen on screen — until that crown is passed, inevitably, in December 2024, the projected release date for Avatar 3. A- - Leah Greenblatt, Entertainment Weekly

The Way of Water insists that times haven’t changed; it is heedless of contemporary industry undulations. That swaggering energy is, in large part, what makes the film such a pleasure to watch. - Richard Lawson, Vanity Fair

The Way of Water is the wave of the future, rolling in whether you like it or not. - Stephanie Zacharek, TIME Magazine

For The Way of Water, the decadence is more than enough -- for cinemas that have been starved of authentic spectacle, finally, here’s a gorgeous three-course meal of it. - David Sims, The Atlantic

Cameron’s all-encompassing style has a way of making other blockbusters feel small, vague. The Way of Water, in line with his best work, is more affecting for knowing its audience, for digging into primal feelings about being misunderstood. - K. Austin Collins, Rolling Stone

If the first Avatar is remarkable because it shows us wondrous lands nothing like our own, The Way of Water is remarkable because it shows us that this world is, in fact, very much like our own. - Bilge Ebiri, New York Magazine/Vulture

It’s a leap beyond even what he pulled off with the first film, a phantasmagorical, fully immersive waking dream of a movie in which something impossible is happening on-screen at almost every moment. 5/5 - Nick De Semlyen, Empire Magazine

An extraordinary visual spectacle that can’t compare on the narrative side — although, to be fair, that’s a mighty high bar. - Tim Grierson, Screen International

A feat of coldly-precise engineering, but not a good movie. 2/5 - David Jenkins, Little White Lies

‘The most dangerous thing about Pandora,’ someone muses sagely at one point, ‘is that you grow to love it too much.’ Jim Cameron disagrees. He can’t love this place enough – and it’s infectious. 4/5 - Philip De Semlyen, Time Out

James Cameron has done it again with Avatar: The Way of Water, a state-of-the-art exercise that rekindles that sense of wonder and demands to be seen by anyone with lingering interest in watching movies in theaters. - Brian Lowry, CNN.com

The 3D visuals are undoubtedly cool but it shouldn’t be the only reason to see this film - but it is. 2.5/5 - Wenlei Ma, News.com.au

Creatively speaking, [it's] of a piece with its predecessor, a would-be epic of boundary-pushing digi-grandeur in service of Pocahontas-style us-vs-them mush. - Nick Schager, The Daily Beast

For now, the only thing that matters is that after 13 years of being a punchline, “going back to Pandora” just became the best deal on Earth for the price of a movie ticket. A- - David Ehrlich, indieWire

Dazzling, epic, and yet surprisingly intimate, Cameron's Avatar sequel expands on this exquisite world in ways both passionate and futuristic. A - Tomris Laffly, AV Club

For all the genuine thrills provided by its pioneering pageantry, Way of Water ultimately leaves you with a soul-nagging query: What price entertainment? 3/4 - Keith Uhlich, Slant Magazine

It demands the biggest screen you can find so that its most potent elements — from its impossible scale and skillful spectacle, to its more complete range of emotions and thematic romanticism — can be completely absorbed. - Eric Francisco, Inverse

[A] simple but engaging story in an imaginative, beautiful environment. - Jordan Hoffman, Polygon

Cameron loses track of his characters, snarls his story, squanders his star power, and then dizzies 3D audiences with so much whiz-bang that they might feel attacked in lieu of awed. - Kristy Puchko, Mashable

When Cameron’s 3D cauldron of spells is at a high boil, the end result is nothing less than an upgrade on reality. At its best, you find yourself resenting the edges of the screen, for keeping you from feeling fully immersed in this world. B+ - Liz Shannon Miller, Consequence

As a story, The Way of Water disappoints, even as its visuals overwhelm. C+ - Isaac Feldberg, Above the Line

Very much feels like a decade’s worth of accumulated ideas crammed into a single film. 7/10 - Matt Singer, ScreenCrush

This wildly entertaining film isn't a retread of Avatar, but a film in which fans can pick out thematic and even visual elements of Titanic, Aliens, The Abyss, and The Terminator films. 3.5/4 - Brian Tallerico, RogerEbert.com

True movie magic. The Way of Water is a visual marvel loaded with groundbreaking technical feats that always feel in service of character and world-building. 4.5/5 - Perri Nemiroff, Perri Nemiroff (YouTube)

Overwritten, when it isn’t underwritten. Overwrought. Overblown. I’m over it. 1.5/5 - Adam Kempenaar, Filmspotting

SYNOPSIS:

Set more than a decade after the events of the first film, “Avatar: The Way of Water” begins to tell the story of the Sully family (Jake, Neytiri, and their kids), the trouble that follows them, the lengths they go to keep each other safe, the battles they fight to stay alive, and the tragedies they endure.

CAST:

  • Sam Worthington as Jake Sully

  • Zoe Saldaña as Neytiri

  • Sigourney Weaver as Kiri

  • Stephen Lang as Colonel Miles Quaritch

  • Cliff Curtis as Tonowari

  • Joel David Moore as Dr. Norm Spellman

  • CCH Pounder as Mo'at

  • Edie Falco as General Frances Ardmore

  • Jemaine Clement as Dr. Ian Garvin

  • Kate Winslet as Ronal

DIRECTED BY: James Cameron

PRODUCED BY: James Cameron, Jon Landau

SCREENPLAY BY: James Cameron, Rick Jaffa, Amanda Silver

STORY BY: James Cameron, Rick Jaffa, Amanda Silver, Josh Friedman, Shane Salerno

EXECUTIVE PRODUCER: David Valdes, Richard Baneham

DIRECTOR OF PHOTOGRAPHY: Russell Carpenter

PRODUCTION DESIGNERS: Dylan Cole, Ben Procter

EDITED BY: Stephen Rivkin, David Brenner, John Refoua, James Cameron

MUSIC BY: Simon Franglen

COSTUME DESIGNER: Deborah L. Scott

RELEASE DATE: December 16, 2022

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Posted by6 months ago

“So There It Was. We Were Water People Now.”

Welcome back into the media cycle, James Cameron. Sometimes divisive with critics but always pushing forward, Cameron has often dragged the cinema kicking and screaming into the age of digital wizardry. His contributions to the medium have been rewarded by audiences repeatedly, adored by a burgeoning demographic in the eighties and frequently breaking box office records since releasing Titanic in 1997. But lo! Avatar: The Way of Water may buck the trend – rather than gross the GDP of Suriname, the film may only gross the GDP of Belize – a pittance.

The film follows the continuing lives of Jake Sully and Neytiri. When marines return to seek revenge and use Pandora as a second Earth, the couple must flee from their forest home and into the water of a coastal tribe. There, they must learn to adapt to their new home as Colonel Miles Quaritch, cloned and in an avatar body, searches for their whereabouts.

Avatar 2 is an impressively large and extraordinarily long film, but there is one constant which is unwaveringly distracting – the high frame rate. Talented filmmakers like Cameron, Ang Lee, and Peter Jackson, occasionally allow hubris to misguide them in their quest for innovation and cutting-edge superficialities.

To this end, all three are desperately trying to incorporate a higher frame rate into their films, which is said to make look film more “realistic,” a supposition I’ve never understood. How does an artificially inflated frame rate, the most standardized metric in art, look more natural to viewers who are accustomed, throughout their entire lives, to the previous standard? I humbly speak for the film-going public when I answer, “it does not.”

Avatar 2 further innovates by switching between (perceived) twenty-four and forty-eight frames per second. Although audiences are gifted less high frame rate, the technique only further distracts, as the film schizophrenically cuts between expected motion and horribly smooth action. It’s also bound to greatly confuse those who notice the difference but aren’t in the loop as to why or how. If the practice, inconceivably, becomes the standard, I may never see another blockbuster. Death to high frame rates!

Any given viewer’s reaction to Avatar 2 will largely depend on their opinion pertaining to the state of filmmaking currently, relating to its trajectory since the release of the previous installment. Those pining for the days of practical effects and tangible sets having nothing to look forward to, but those accustomed to CGI spectacles will be comfortably pleased.

Avatar 2’s effects are not dated, bland, or indulgent; most of the CGI is beautifully textured and necessary for the film’s sweeping camerawork and general scope. The problem is that the underlying failures of computer-generated imagery are stalwart: the characters and objects are weightless, and the physics remain uncanny, even if the aesthetics are often breathtaking.

In 2009, the ambition of rendering the majority of a live action film in a computer (one which looked magnitudes more convincing than even the most impressive CGI of the time) was daring enough to justify a tradeoff in verisimilitude. The first film became the highest grossing film of all time (no, not adjusted for inflation) because general audiences had never seen such expansive use of CGI outside of a Star Wars prequel.

Now…it’s all they know. Viewers will see CGI landscapes and effects in at least two trailers immediately preceding the film (Quantumania and Guardians of the Galaxy 3) which are just as colorful, creative, expansive, and busy. They might be cheaper, not as luxuriously rendered or detailed, but the novelty is long dead.

Pre-armed with knowledge of the industry over a decade, and the alarming gap between the two films, it’s reasonable to assume Cameron would ration considerable time, energy, and attention to his script – he has not. Motivations, character development, and structure are still laughably childish and thin; despite the 195-minute runtime, the film is largely uneventful. Obviously, Cameron’s M.O. this time around is showing off the technological progress and giving audiences a 2001-esque peak into his imagined world, but it’s not creative or unique enough to warrant the length or simplicity.

Filling the void when spectacle fizzles is grating “character work” mostly centering around the offspring of our previous protagonists, Jake and Neytiri. The children are seen as outsiders to the new tribe and are challenged to fit in for the sake of peace and harmony, a plotline which derivatively borrows from the first film, itself an already-tired Dances with Wolves retread.

This desolate, barren story soil could be given fresh nutrients with intriguing characters or complex dynamics; instead, Cameron bashes his audiences over the head with one of the most well-trodden and insipid themes of the modern age. It’s amusing: a character from a preceding Shazam trailer mockingly references the Fast and Furious films and their shallow fixation on “family,” which is followed by Avatar 2’s three-hour opus to the word. There’s probably some dystopian subtext to the recent fetishization of familial love, but the surface-level triteness alone signals a need for a new dead horse to brutalize.

Additionally, the dialogue is laughably blunt, a painful mix of direct verbalizations of feelings and irrelevant, throwaway banter, all articulated by way of grade-school-curriculum diction. The first fifteen minutes are also dedicated to narrated exposition, so rushed and pandering that Rise of Skywalker is blushing in the corner. If, as some have said, the first Avatar gained no cultural traction because it simply lacked a story and characters worth remembering, Avatar 2 will suffer the same relative obscurity. I hope the international grosses are worth all the monosyllables.

The performances are dutiful but unremarkable. Unlike the original, there’s seldom a scene with real humans in the film, so the motion capture is forced to do the heavy lifting. Actors become voice actors, and only Zoe Saldana musters genuine feeling without being seen.

To be fair to Sam Worthington, Stephen Lang, Kate Winslet, and Cliff Curtis, the characterizations are too stiff and flat for any detailed emotion. Similarly, Jamie Flatters, Britain Dalton, Trinity Jo-Li Bliss, Jack Champion, Bailey Bass, Filip Geljo, and Duane Evans Jr. work admirably as the scuffling youngsters.

Avatar 2 is exactly what audiences hope it won’t be: a retelling of the original film in a different location, excruciatingly predictable and free of any character, thematic, or intellectual intrigue. Every story element and conservational ideal has been done before, and better.

However, this was also true of the original; it will be interesting to see if the technological promise and spectacle of the sequel are enough to lure audiences into theaters like they were a decade and change ago. Personally, the film evoked no particular emotion, but it did put me in the mood for Planet Earth. At least David Attenborough provides narration for subjects who can’t already talk.

3/9

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