Culture
Musicals
‘Just shush and listen’: Why opening night isn’t the best time to see a stage show
Stage star Anthony Warlow has treaded the boards for decades, with thousands of performances under his belt – and he still hates opening nights.
- by Cassidy Knowlton
Latest
Sex and the City, Emily in Paris, now Andrew Lloyd Webber’s Never on a Sunday
Actor-turned-director Blazey Best shines a light on how things have changed for women with the late 70s classic Tell Me On a Sunday.
- by Ali Gripper
‘An inspiration’: Sydney’s newest Sandy pays tribute to Olivia Newton-John
Grease, the musical Olivia Newton-John made famous, opens for the first time in over a decade at the Capitol Theatre.
- by Helen Pitt
Exclusive
Performing arts
‘A dream come true’: New Eliza ready to Burn in Hamilton’s Australian return
Some fresh faces will join the cast of the massively popular show when it makes its return to the stage later this year.
- by Helen Pitt
Wicked’s extravagance is a sight to behold in this return to Oz
After nine years, the fanfare and pomp of Broadway blockbuster Wicked is back in Melbourne.
- by Sonia Nair
★★
Review
Frothy, syrupy and plastic: Clever story can’t save & Juliet from samey songs
The cumulative effect of Max Martin’s songs is excruciating.
- by John Shand
His music has changed the world but who is the man behind Wicked?
As the cast prepares for the Melbourne run, composer/lyricist Stephen Schwartz wishes his record-breaking show was not quite so timely.
- by Kerrie O'Brien