From his instagram @thejoshualeonard:
“GOING PUBLIC w/this and would appreciate the amplification!
So, this is MY face on a press release for a film being made by two major studios - both l've worked for, both I respect. The WEIRD PART is that I didn't know anything about it until a friend sent me a 'congrats' screenshot yesterday.
My frustration is compounded b/c l've been trying to get @lionsgate to engage for over a month about a BW charity screening I'm putting together for @opositivefest to raise money for artists without healthcare, and NO ONE will get back to me.
And yes, l've been thinking a lot about this time, after seeing my BWP collaborators recently and sharing memories... sweet AND fucked-up ones.
FACT: In 1999, BWP's OG distributor claimed to have released the most profitable independent film ever (bought for 1M, grossed 250M+), while internally they told us that they were actually losing money from marketing expenses... so WE might wind up owing THEM $.
FACT: because we used our real names in the first film, the studio claimed copyright. We had to take them to federal court to win OUR NAMES back.
FACT: a Hollywood insider told the press that we (actors) were paid 4M dollars as a buyout for our ownership points, while in reality, we made 300k... and NEVER saw another dime. (After buying a car and paying off his student loans, Mike was back moving furniture within 12 months of the release, while still on magazine covers.)
There were many factors that made BWP a success: timing, marketing, etc. But there was also the FACT that us weirdos got together, with virtually no resources, AND MADE A FILM THAT WORKED! Can we just go on record and say that the film itself is a huge part of why we're still talking about it 25 years later? I'm so proud of our little punk-rock movie, and I LOVE the fans who keep the flames burning. But at this point, it's 25 years of disrespect from the folks who've pocketed the lion's share (pun intended) of the profits from OUR work, and that feels both icky and classless.”