Current Issue

ISSUE °200, Summer 2023

FEATURING

Fantasy Exit
SIMON DENNY and QUINN SLOBODIAN on the political economy of the space-colony

The purple shall govern
ROBERTA JOY RICH and MATARIKI WILLIAMS on apartheid histories and global solidarity

He Ara Uru Ora
NGAHINA HOHAIA speaks to ANNA-MARIE WHITE about her new work at the Govett-Brewster Art Gallery

Plastic History
ANTO YELDEZIAN and FAISAL AL-ASAAD on history’s metastasis in Monument Valley

Drawn to the Place
LUCINDA BENNETT on horror, annihiliation and From the other side at ACCA

A Manifesto
LUKE WILLIS THOMPSON

and reviews on ALANIS OBOMSAWIN, LONNIE HUTCHINSON, Friends + Family, ALISON LEAUANAE and LINDA VA’AELUA, To the Friend Who Did Not Save My Life

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News

Sculpture on the Gulf returns for its twentieth edition from 24 February–24 March 2024.
The inaugural event is on now in Kirikiriroa Hamilton and runs through 31 March.
After several presentations at the London gallery, the young, Auckland-based painter joins its stable.
For its 50th anniversary year, the Sydney Biennale embraces joyful futures, produced in common and shared widely.
Archie Moore will present an immersive installation titled kith and kin.
Te Whare Toi o Heretaunga Hastings Art Gallery partners with the Gwen Malden Charitable Trust to award four local artists contemporary art commissions worth $40,000.
The award is open until 31 August and commemorates the artist Evan Webb (1952-2023) who was a key figure in the research and restoration of the work of Len Lye.
Manatū Taonga are supporting events and projects around the country to promote wider engagement in Tuesday's Waitangi Day commemorations, including several that showcase and share toi Māori practices.
While the 60th Venice Biennale braces for a controversial change of leadership, eight Aotearoa artists look ahead to their presentations in the Curator's International Exhibition.
CNZ invites funding applications for large-scale professional artistic and historical projects by 9 February that capture and reflect community experiences of the Dawn Raids.
The Physics Room is seeking applications for the role of Curator. Apply now until midnight, Friday 23 February 2024.
The artist was selected from over 30 applicants and will work alongside Metroland Cultures in Brent as well as pursue their own research during the residency.

Current Exhibitions

2 – 17 March 2024
14 October 2023 – 10 March 2024
15 December 2023 – 1 December 2024
8 December 2023 – 3 March 2024
18 November 2023 – 03 March 2024
2 Sep 2023 – 2 Aug 2026
19 September 2023 – 19 September 2024

Articles

We speak to Ronnie van Hout about doubles, 'bad' dads and his new work at Melbourne Art Fair, where he'll be exhibiting with Darren Knight Gallery.
Matthew Browne's abstract paintings seem to hold a moment taut through their careful composition. We spoke to the artist about the pursuit of stillness in a noisy world ahead of his upcoming presentation with Wagner Contemporary at Melbourne Art Fair.
We spoke with Aotearoa-born, Melbourne-based artist Tia Ansell ahead of her presentation at Melbourne Art Fair in February.
Jane Wallace revisits the New Zealand Gothic, fifteen years since Robert Leonard first proposed the concept.
Anto Yeldezian discusses with Faisal Al-Asaad the ways in which his paintings, per Walter Benjamin, contest the West’s hold on the popular imagination and render history ‘plastic.’
Hana Pera Aoake reviews the exhibition at Artspace Aotearoa, 1 September–26 November 2023.
Thomasin Sleigh reviews the exhibition at Enjoy Contemporary Art Space, 16 September–11 November 2023.
Francis McWhannell reviews the exhibition at The Arts House Trust, 1 September–26 November 2023.
Kim Meredith reviews the exhibition at Bergman Gallery, 7 September–7 Octotober 2023.
Christina Barton reflects on a turning point in the artist’s practice and a milestone in the emergence of a properly contemporary art scene in Aotearoa New Zealand.
Dr Pounamu Jade Aikman reviews the exhibition at Milford Galleries Dunedin, 7–30 October 2023.
Eliana Gray reviews the exhibition at The Dowse Art Museum, 12 August 2022–19 November 2023.
Gabriella Hirst, as told to Hana Pera Aoake and Morgan Godfery, on her projects An English Garden (2021) and ‘How to Make a Bomb’ (2015–ongoing), which consider the British Imperial histories of ‘gardening the world’ and their ongoing nuclear armament programmes.
Jo Bragg on Tony Guo’s whimsical alienations.
Bridget Reweti speaks to Simon Kaan about collaboration and care with artist-elders.

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