Enough Is Enough

From cockney working mother Dora May’s 1985 collection One of the Great Unsquashed.

Enough Is Enough

The washing up, a simple task
or so it would appear
But when someones asked to do it
They just seem to disappear

A pile of greasy pots and pans
A bowl of dirty dishes
They’ve left it all to me again
The rotten swines and bitches

I’ve had enough
I smash a plate and then a cup and saucer
I’ve had enough
and then I throw a bowl of soapy water,
I’ve had enough
I bend a spoon and then a knife and fork,
I’m getting so excited
I can hardly talk
I’ve had enough
I break a chair then pulverize a table
Kick and smash and rent and tear
as much as I am able
I’ve had enough – my strength is spent
my energy deflated
I’ve proved my point
Though may think it’s rather overstated

Dora May

‘Oxton Was Better Before It ‘Ad An H

Oxton Was Better Before It ‘Ad An H

There’s a chill
to the Spring air.
The pie and mash shop
is warm with steam
from the liquor.
The window
runs with condensation.
A football scarf
‘angs on the back
of a wooden bench.
I’m at the scrapings
with me spoon
and she leans over
and writes our names
in the run,
cartouches them
with an ‘eart.
It’s the ‘ipsters
that pierce with an arrow.
Come winter
we are consigned to history.

Tim Wells

A Slice Of Nostalgia

A 2024 poem by Annie Brechin looking back at the London poetry scene. The pregnancy test was 2009, they were 2 for a pound.
More of her work at: https://anniebrechin.wordpress.com/

A slice of nostalgia

We all remember the wolf’s apartment in Hampstead,
how cold it was, we all sat rubbing our fingers
as Roddy told us why we were not as good as Don or Brenda.
We all remember City Lit and roundtable discussions
over whether Dylan was really a poet (he isn’t).
And, in no particular order, remember
Ash running upstairs excited in an East London boozer
because she’d seen La Roux at the pisser; remember
getting a pregnancy test in a Secret Santa at the Betsey;
tasting Talisker for the first time (also the Betsey);
that married poet staring at our red dress;
getting fingered in the queue for the loos at the Groucho;
that rich poet refusing to sign his book even though
we’d slept with him; remember
Amy’s hot friend who was much too young for us;
remember Kae with long hair; remember taking coke
in Battersea and getting out by the skin of our teeth
and Mr Wells’ impressive knuckles.
We all remember competing to get on Apples & Snakes lineup;
the long days between Gregory submission and result;
remember Tuesday nights when we were Hollywood
or Hardcore; remember Touch Me I’m Sick
and Utter, Poejazzi and Farrago. And Roddy again,
standing solidly at the quiz machine as if he would be there
until we forgot him, which we couldn’t,
until we forgot ourselves, in lands far far away.

Annie Brechin

Crippled With Nerves

John Peel reviews Kilburn and the High Roads in Sounds, 22 February, 1975.

Kilburn & the High Roads: ‘Crippled With Nerves’ (Dawn)***
A considerable improvement over their last offering. Here it sounds as though the band aspire to become Britain’s Dr Hook as they move slowly through the tale of a man handicapped by shyness and thus unable to have his way with young women. A steel guitar whimpers softly in a corner and women sigh sympathetically. Late night stuff, with a fine throbbing sax break. Several steps in the right direction.

Keys

Poem from American zine Gothic, number 3, 1991, by Spider Harris.

Keys
to unlock a door
into the whore house
to check out a whore
giving herself
for monies paid
orgasm complete
reaction delayed
so cheap and easy
one would say
but he’s not the one sucking dick
today.

Spider 1991