Three Tuns – Coventry

At the heart of the Precinct – I found the former Three Tuns pub stood standing – still.

Subsequently imaginatively reimagined as Roosters.

The exterior – and interior for that matter, adorned with the decorative concrete work of William Mitchell.

The area also being blessed with his cast panels and modular tower block fascia.

The precinct is currently, yet again, being considered for constructive rehabilitation, as part of the city’s City of Culture concatenations.

The threat to Modernism is no new thing, and the hurried scrabble for progress, ever so often erases the recent history of that progress.

I popped in way back in 2016, and Mr and Ms Rooster were more than happy, if not a tad perplexed, to have me snap around their chicken shack.

Sufficiently satiated, why not take a stroll around town, whilst it’s still there.

Take in the Cathedral – soon to be become the Kwik-Fit National Museum of Tyre Fitting.

The Indoor Market, Upper Precinct and Co-op

Above the current market office is an impressive painted mural by art students from Dresden commissioned especially for the market in the 1950s in a Socialist Realist manner, depicting farming and industrial scenes. 

The Gordon Cullen tiles have been renovated and re-sited within the exit corridor.

Still in clear view the stone relief work of John Skelton November 1956. Three of the eight column have incised Hornston stone works, depicting the activities of the CWS.

Get yourself there pronto – current restrictions considered of course.

You just might be in time to see the Station.

Coventry forever changes.

Wythenshawe Civic Centre

A social history of Wythenshawe and its Civic Centre can be found here at Archives +.

A general history of the garden city’s development can be found here at Municipal Dreams.

Lest we forget, the story begins with a level of overcrowding and human misery that is – thankfully – almost unimaginable in Britain today. In 1935, Manchester’s Medical Officer of Health condemned 30,000 (of a total of 80,000) inner-city homes as unfit for human habitation; 7000 families were living in single rooms.

The estate was always considered to be, in some sense, the realisation of an ambitious vision.

The world of the future – a world where men and women workers shall be decently housed and served, where the health and safety of little children are of paramount importance, and where work and leisure may be enjoyed to the full.

Cooperative Women’s Guild

Work began in the interwar years, and continued following the hiatus of 1939-45. The shopping centre named the Civic Centre was open in 1963, the actual Civic Centre containing a swimming pool, theatre, public hall and library in 1971.

A triumph for Municipal Modernism conceived by the City Architects and realised by Direct Works. This post war development owed more to the spirit of Festival of Britain optimism, new construction methods and materials, rather than the grandiose functionalist classicism of the original scheme.

The Co-operative Superstore was a key element in the provision of provisions.

Along with Fine Fare and Mercury Market.

Cantors

Shaw’s

Fred Dawes Whitworth Park Gas Showrooms

New Day furnishing the local HQ was at Hilton House Stockport

The flats were demolished in 2007

Edwards Court and Birch Tree Court 1987 – Tower Block

First there was a bowling alley.

Which became the Golden Garter

Closed 3rd January 1983

Then there was a theatre The Forum

There still is – The Forum is a bright and modern hub for co-located services used by community and business.

The original Forum opened in 1971. One of Manchester’s largest public buildings, it had a leisure centre, library, theatre, main hall and meeting rooms. By the mid 1990’s it was under used, had deteriorated internally and externally and needed substantial investment.

The new Forum, along with a new police sub-divisional headquarters and improved transport link was designed to help strengthen the town centre, and provide a landmark project to raise Wythenshawe’s profile within Manchester and beyond.

In the 1980’s they put on a superb array of shows including Roll on 4 O’Clock which starred John Jardine, Jack Smethurst and Glynn Owen. Oh What a lovely War; What the Butler Saw and Habeas Corpus by Alan Bennett.  Bury’s own Victoria Wood starred in Talent which she wrote.  Another Manchester icon Frank Foo Foo Lammar, famous as the top drag queen of the North-West  whose club was re-known for its great party nights appeared in The Rocky horror Show.

A land of elegant covered walkways and raised beds.

A land of 24 hour petrol stations and quadruple Green Shield Stamps.

Some where along the way we lost our way – taxi!

Photographs Manchester Local Image Collection

Merseyway – Alan Boyson Screen Wall

Deep in the heart of Stockport at the centre of our very own shopping centre – Merseyway.

A pierced concrete relief screen wall surrounds the former Co-op, currently Primark, car park.

The work of Alan Boyson – today the 16th of March 2020 would have been his ninetieth birthday.

I’ve even gone so far as to analyse its structure:

So I went for a walk this morning, as I have on several previous occasions, to take a look around the site – inside and out.

New Face In Hull

And lo it came to pass – I came to Hull.

Again.

Guiding a group of willing Modernists on a walk.

We were there at the behest of Esther and Leigh, gathering to say farewell to Alan Boyson’s Three Ships, as it transpired we were there to celebrate its reprieve, following their campaign for listing.

Over a million tesserae glowed in the low winter sun – so did we.

As Helen Angell read her poem – Christopher Marsden and Esther Johnson recording the performance for posterity.

The Three Ships are attached to a former Cooperative Store – complete with a formerly working Cooperative Store clock – where we meet at four minutes to six – forever.

We had previously encountered Hammonds of Hull/House of Fraser – soon to be a food court, artisan everything outlet.

And this Festival of Britain style functionalist council building.

Onward to the Queens Gardens the almost filled in former Queens Dock – forever fourteen feet below sea level.

We encounter Ton Liu’s Solar Gate – a sundial that uses solar alignment to mark significant times and dates in Hull. The super-light innovative two-shell structure is place-specific, responding to pivotal historic events and to the cultural context of its location in Hull’s Queens Gardens adjacent to the ancient site of Beverley Gate.

Carved stone panels Kenneth Carter 1960 – Ken’s art career began as an inspiring teacher, first at his alma mater, Hull College of Art, and later as principal lecturer at Exeter College of Art.

A number of decorative fountains featured in the ponds; those at the eastern end designed as part of the sculptured panels of 1960, by Robert Adams, described by Herbert Read as belonging to: 

The iconography of despair. Here are images of flight, of ragged claws, scuttling across floors of silent seas, of excoriated flesh, frustrated sex, the geometry of fear.

Top of the shop William Mitchells relief – time to pause and reflect.

Paying homage to Frederick Gibberd author of the College and Queens Gardens scheme.

En passant catching a glimpse of this splendid non-functioning water feature.

Off on the bus to St Anthony and Our Lady of Mercy just off Beverley Road.

More of which here.

A swift walk around the corner for a swift walk around the University of Hull campus, first encountering the Gulbenkian Building.

And a brief encounter with the Brynmor Jones Philip Larkin Library.

Thanks again to Esther for pointing out this delightful owl – the work of Willi Soukop

My life was never planned, it just happened.

Castle House Co-op Store – Sheffield

So here we are outside, you and I in 2015 – it seems like yesterday.

Whereas yesterday I was inside not outside, but more of that in a moment.

It seems that you were listed in 2009 and deservedly so.

1964 by George S Hay, Chief Architect for CWS, with interior design by Stanley Layland, interior designer for CWS. Reinforced concrete with Blue Pearl granite tiles and veneers, grey granite tiles and veneers, buff granite blocks, glass, and brick.

There’s just so much to stand and stare and marvel at.

Vulcan by Boris Tietze commisioned by Horne Brothers 1961 for their head office building No. 1 King Street. Glass fibre on a metal armature the 8 foot high figure holding a bundle of metal rods.

You were just about still open then, then you weren’t, then you were again – but a Co-op no more alas.

Fast forward to 2018

Work is underway on plans for a tech hub in Sheffield after a funding package was agreed.

Followed by a casual stroll towards 2019 where we are talking a peep inside courtesy of owners Kollider and book shop La Biblioteka.

I’d never ever seen the interior, save through the photographs of Sean Madner who captured the key features in 2014, prior to refurbishment.

So the Modernists and I pitched up this Sunday afternoon, the conclusion of our Sheffield Walk.

Lets take a look at the end stairwells, two very distinct designs one dotty one linear, both using Carter’s Tiles.

Configured from combinations and rotations of these nine modular units and two plain tiles.

Configured from combinations and rotations of these twelve modular units and two plain tiles.

The site has retained some of its original architectural typography.

The former top floor restaurant has a suspended geometric ceiling with recently fitted custom made lighting.

The timber-lined boardroom has a distinctive horseshoe of lighting, augmenting the board room table – which is currently away for repair, oh yes and a delightful door.

High atop the intoxicating vertiginous swirl of the central spiral stairway is the relief mural representing a cockerel and fish made of aluminium, copper and metal rod, with red French glass for the fish’s eye and cockerel’s comb.

Illuminated from above by this pierced concrete and glass skylight.

Many of the internal spaces have been ready for their new tenants.

This is a fine example of Modernist retail architecture saved from decay and degradation by the timely intervention of a sympathetic tenant.

Long may they and Castle House prosper – Sheffield we salute you!

Ten Acres Lane Again – Manchester

Having travelled back in time along Ten Acres Lane why not come along with me now and see just what’s left – right?

Each Manchester street tells its own tales of homes and people been, gone, rebuilt and buried – whole industries evaporating laid waste by seismic economic forces, land changing use again and again – shop door bells which are a now but a ghostly tintinnabulation on the wind.

Starting from the Oldham Road end the clearance of older terraced homes was followed by the construction of newer 70s social housing.

The former Tootal’s Mill is now owned by Sleepdown Textiles.

Some of the older terraces were spared the wrecker’s ball.

Industrial sites remain fenced and unused slowly returning to some form of urban natural habitat.

The cast-iron Rochdale Canal bridge is still in place – it was itself a replacement for an earlier masonry version.

Mather and Platt’s foundry sheds are just about hanging on – though I am uncertain of their current use and ownership.

The recreation ground is now an extensive community football facility and also home to the National Taekwondo Centre.

This large tract of land once Jackson’s Brickworks is under consideration for a modern private housing development

Much of the inter-war housing stock is still extant.

The sad shell of the Co-operative corner shop currently half storefront church half former tyre supplier is a sorry sight.

The still-standing CWS Works.

Finally passing under the railway bridge and descending into the Medlock Valley – our journey’s end.

Ten Acres Lane – Manchester

Ten Acres Lane 1904 running south from Oldham Road – not quite crossing under the Ashton and Stalybridge Railway.

I was propelled by the vague memory of an Ashton Lads football match way back in the 1970s – my dad Eddie Marland managed the team in the Moston and Rusholme League.

There was land given over to recreation from 1900, the area is famed for its links to the inception of Manchester United and almost but not quite became home to FC United.

The Recreation Grounds in 1900.

To the left of the inter-war housing in 1963.

So I took a trip back in time along the lane – courtesy of the Local Image Collection.

In 1896 the area was largely farmland.

Baguley Fold Farm – occupying land adjacent to the Medlock Valley.

Farm Yard Tavern closed in 1917 a Rothwell’s pub supplied from Heath Brewery on Oldham Road.

This was an area dominated by the Rochdale Canal and criss-crossed with rail links.

The canal bridge 1904.

Construction work 1920.

These transport links and the proximity to the Manchester city centre inevitably lead to industrial development on a huge scale.

Tootal’s Mill on adjoining Bower Street.

CWS warehouse and works corner of Briscoe Lane.

Mather And Platt’s adjoining the Rochdale Canal.

The area was also home to Jackson’s Brickworks.

There was a Co-op shop.

Going going gone St Paul’s Church seen here in 1972.

Victorian terraces and inter-war social housing – homes for a large industrial work force.

Many of the sights and sites above are still extant though their appearance and uses have changed along with the times. Manchester inevitably continues to from and reform for good or ill.

Sadly the old Rec the Moston and Rusholme League and my dad are all long gone – though it’s just as well to remember them all fondly, as we travel through our familiar unfamiliar city.

Coventry – Central Co-op

 

Built between 1955-56 and opened November 1956 the central Co-operative Society store in Coventry is a clean, clear example of post-war design and redevelopment, epitomised by the city’s plan and realisation.

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Picture – Natalie Bradbury

Sadly it finally closed its doors in 2015, along with many other of the Society’s larger stores, as they moved their focus to smaller food outlets.

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Happily it has been listed, saved from the indignity of the wrecking ball and the building of further student flats. Coventry, along with other UK cities, has begun to rely on the expansion of higher education, in the face of industrial and retail decline. The future use of the site, is as yet uncertain. Sadly I am now informed that the listing did not go through, make of that what you will.

While such measures are not an ultimate protection from bulldozers or drastic renovation, it is considered the building helps tell the tale of the city centre’s contemporaneously vaunted but since controversial rebuilding after the Coventry Blitz.

One of the city’s largest and oldest stores was closed last year as a victim of flagging city centre trade in an internet era, and EDG Property bought the site.

No planning applications have been received, although the council says ‘prospective buyers’ have stated an intention to demolish the building to erect two 12-storey towers of student accommodation.

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So it stands empty, the late summer foliage obscuring its splendid signage.

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Still in clear view the stone relief work of John Skelton November 1956. Three of the eight column have incised Hornston stone works, depicting the activities of the CWS.

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