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Showing posts with label wilko johnson. Show all posts
Showing posts with label wilko johnson. Show all posts

Friday 25 November 2022

Wilko

Several blogs from this corner of the internet paid tribute yesterday to Wilko Johnson who died earlier this week aged seventy five and I felt I should do so too. Wilko was diagnosed with incurable pancreatic cancer in 2013 and then went onto defy medical science by recovering from it. His past, guitarist and writer in Dr. Feelgood, playing hard, short, slashing r'n'b inspired guitar influenced all the punks who followed them- Joe Strummer, Paul Weller, Billy Bragg, Suggs and Bill Drummond were all fired up by Wilko and Dr. Feelgood. He was the latest (in the early/ mid 70s) in a line of English guitarists inspired by the music that came from the Mississippi delta, another English beat boom fanatic but one who stripped it back and sped it up, amphetamine frenzy, no plectrum, fuzz guitar, using the guitar as percussion instrument as much as melody. 

One of the things I like most about Wilko is that he took his home, Canvey Island, the Thames and it's industrial skyline and oil refineries and made it into a romantic, rock 'n' roll home, the Thames estuary now linked by his records and his guitar style to the Mississippi delta. Andrew Weatherall used to say that what he did was he took his influences and added his own wonky take on them, and that's exactly what Wilko did. 

I saw Wilko play at Sale Waterside, a ten minute walk from my front door, back in April 2012. Norman Watt- Roy was in the band on bass and they played an hour or so of Feelgood/ Blockheads style pre- punk, British r'n'b. Wilko was pure Wilko- black suit, strutting across the front of the stage, eyes bulging and occasionally holding his guitar up at his shoulder as if machine gunning the audience. Electrifying. I was in two minds about going, nearly didn't and was very glad I did. 

Roxette was Dr. Feelgood's debut single, released in 1974, written by Wilko. It turned up on their debut album Down By The Jetty and year later and a live version came out as a single in 1976. 

Roxette

R.I.P. Wilko Johnson. 

Saturday 7 April 2012

Shake Your Hips


In the end I dashed out to see Wilko Johnson last night. It was pretty good- stripped down rhythm and blues, telecaster action, Norman Watt-Roy on bass (proving he can really play), some great songs. A little too much 'MojoUncut rock bloke' going on at times with some fiddly-diddly bits but I'm glad I went. And he did that shooting across the stage while machine gunning the audience with his guitar thing.

The blues has a long tail doesn't it? Not sure it shows much in the charts at the moment but it slithers on from the Mississippi Delta to Canvey Island to the Medway via elsewhere. It might die out in the next twenty years in terms of record sales and public profile but it's done pretty well. Some Slim Harpo for you and the slinky-as-anything Shake Your Hips.

Shake Your Hips

Friday 6 April 2012

Friday Night Is... Wilko Johnson Is Playing In Sale Tonight Night




And I'm not going.

We've just stepped through the door fresh from barreling down the A19 and the A1(M) and the M62, with six washing machine loads to sort and all the rest. So while the guitarist from Dr Feelgood (song from way back in 1975 down below) is playing just a fifteen minute walk from my front door, I don't think I'l be there. Probably sold out anyway.

Sale's music venue is The Waterside, a small arts theatre. In the past I've either been away when there's a rare appearance by anyone decent (The Earlies) or haven't heard about it til the gig's passed (Roddy Frame, Imelda May) due to their crap publicity department or couldn't be arsed (Lloyd Cole). So... where's my coat?

Back In the Night

Friday 3 September 2010

Friday Night Is Rockabilly Night 27


This week's rockabilly rave-up comes from 1981, covered in Clash connections. That's Pearl and Mick Jones in the picture above. Pearl Harbour had fronted what the Americans call a 'new wave' band (Pearl Harbour and The Explosions) who made a mediocre album. By 1980 she had fallen in with The Clash, and recorded a rockabilly inspired album called Don't Follow Me... I'm Lost Too, much of which which sounds surprisingly good today, 29 years later. It bombed at the time. Pearl's boyfriend Kosmo Vinyl (Clash tour manager and self styled 'consiglieri') and Pearl decided she and the album should stand on their two feet, and so there were few credits on the album's sleeve despite it's stellar line-up which would surely have gained it more attention. Produced by Blockhead and Clash touring keyboardist Mickey Gallagher, and with Mick Jones, Paul Simonon, and Topper Headon from The Clash and Wilko Johnson (ex-Dr Feelgood) amongst others playing the instruments. Pearl and Paul Simonon were married for much of the 80s, and she appeared on stage with The Clash. There's youtube footage of her performing this song, Fujiyama Mama, with The Clash in Japan. Fujiyama Mama was a hit in the 50s for rockabilly Queen Wanda Jackson, whose songs have popped up on Friday nights here before. Anyway, take it away Pearl...

02 Fujiyama Mama (Album Version).mp3