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The Best Music Video Choreography of 2023

Ten visuals—by NewJeans, Troye Sivan, Victoria Monét, and more—that danced all over those dinky TikTok trends.

  • by: Jaeden Pinder
Hardcore

Hardcore Expanded Its Boundaries in 2023—and the Scene Embraced It

How the warm reception to adventurous bands like Scowl, Militarie Gun, and Zulu signifies a new normal for the genre that’s long overdue.

best rap albums 2023

Pitchfork Rap Columnist Alphonse Pierre’s Favorite Records of 2023

Projects by Veeze, Ken Carson, MIKE, Noname, billy woods, Babyface Ray, Sexyy Red, and more prove that hip-hop is still thriving.

The Best Indie Game Scores of 2023

From the funk-house chaos of Pizza Tower to the Tamil pop at the heart of Venba, indie developers delivered some of the most memorable video-game soundtracks of the year.

An illustrated pink stage with Beyoncé, U2, and Taylor Swift's names on it

Live Music’s Race to Find the Biggest Screen

From U2’s Sphere debut to SZA’s onstage boat to the visual feast of Beyoncé’s Renaissance live, this year’s touring spectacles were all about making the stage more like the screen.

Tommy Chronic

Listen to Tommy Chronic’s “Hootology” [ft. Al.Divino, BoriRock, and Shaykh Hanif]: The Ones

The must-hear rap song of the day

L5

Listen to L5’s “Momma We Made It”: The Ones

The must-hear rap song of the day

Beyoncé performs onstage

Beyoncé’s Renaissance Film Shows One of Pop’s Most Private Stars at Work

A glimpse into the tightly controlled world of Beyoncé, mother, daughter, entertainer, and boss

Cubes with cherries and a smiley face

The Best DJ Mixes of 2023

All the techno, electro, house, drum’n’bass, ambient, and downbeat you can handle.

HavinMotion

Listen to HavinMotion’s “Nobody Know”: The Ones

The must-hear rap song of the day

Harto Falión

Listen to Harto Falión’s “1dooropens, 1doorcloses”: The Ones

The must-hear rap song of the day

Album art from Testigos del fin del mundo

This Great New Book Chronicles the Indie Blog Era Across Latin America and Its Diaspora

Talking to Bolivian music critic Javier A. Rodríguez-Camacho about the very-online rise of Ibero-American indie music