I have always disliked Hollywood war films, especially World War 2 films. They generally strike me as exercises in masculine heroism, macho boy stories that reify certain ideological understandings of war and the military. Even those supposedly "critical" Vietnam War movies are suspect, all about American soldiers traumatized by an amorphous landscape of asians––and no, I really do not care if the most acclaimed of these films is an adaptation of a Joseph Conrad novel. But mainstream World War 2 films are the worst. There is a narrative of WW2 that has become part of North American, and most specifically USAmerican, consciousness that is promoted by such movies. A narrative I briefly critiqued in a previous post , a narrative that is still the dominant North American understanding of this war: "we fought fascism because it was evil and we are good." This is an ahistorical comprehension of fascism as an evil menace abstracted from its concrete circumstances th
Marxist-Leninist-Maoist reflections