Posts

I don't want to. No, I don't want to.

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Horace Andy + Sly & Robbie – Zion Gate Tropical Dubwise – TD12001 Vinyl, 12", 45 RPM, Maxi-Single, Stereo, France, 2021 info A modern Horace Andy follow up to my last post, on this re-cut of his 1973 song  Zion Gate . His voice is in great form as he delivers this reminder to live righteously before it's too late. I appreciate the spiritual clarity at a moment when the world seems pretty dedicated to handing me complication. Andy has released some quality records in the last few years, especially two brilliant LPs for On-U Sound. As much as I like his reinvention in the 90s and 2000s through his work with Massive Attack, it's been great hearing such successful new reggae recordings from this veteran, 50-odd years into his career. Horace Andy teamed up with Sly and Robbie on this single, released just a few months before Robbie Shakespeare sadly passed away in December, 2021. Sly & Robbie lead their classic Taxi Gang band on the backing track and don't disappoin

Don't let problems get you down.

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Horace Andy / Augustus Pablo – Problems / Lovers Mood Pressure Sounds – PSS 001 Vinyl, 7", UK, 1995 info The last time I posted something here was almost six months ago, when we were days away from an important election... and when I had I had convinced myself once again that there was some chance I could pull off posting music on a more regular basis. At least my hopefulness for the election was well founded! Chicago has a new mayor and some new optimism, but life remains complicated. Major changes at work and home given me plenty of excuses from ever diving back into music (or this blog) like I intend to. instead of sad stories though, I'll share some good advice from the great Horace Andy. "Don't let problems get you down, they will put you in a hole." Not sure if anyone is still lurking around this site, but I'll try to keep that guidance in mind and start putting some music up here every now and then if anyone is searching. I hope you find this and enjoy

(you've got to have) Freedom.

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Pharoah Sanders – You've Got To Have Freedom / Moon Child Dopeness Galore – DG 2 005S, Timeless Records Vinyl, 10", 33 ⅓ RPM, Sampler, Netherlands, 2007 (original tracks from 1987/1989) info It's true: You've got to have freedom. And Chicago will be getting more -or a whole lot less- in this week's election. We're electing a new mayor and it will either be a Black, progressive labor leader who has fought for our schools, safety and city ... or we'll get  the latest face of white supremacist backlash against the progress our movements have made. Want to guess which team I'm on? Go vote for Brandon Johnson if you're in Chicago. If you can, please volunteer or donate . And join the party ! ________________________________________________ ...And since a party needs music: Today, some inspiration from the recently departed Pharoah Sanders.  This is a 2007 10" released in Europe to promote a Best of Pharoah Sanders compilation that drew from his 19

A city girl, a warrior.

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Gina Birch – Feminist Song Third Man Records – TMR719 Vinyl, 7", 33 ⅓ RPM, Limited Edition, USA, 2021 info This 2021 single was Gina Birch's first "solo" record, 40+ years after founding the Raincoats in London. That band, started when she was just over 20 years old after seeing a Slits gig, has popped up on these pages before. (And if you don't already know them, that is the track to hear .) I've always enjoyed their messy embrace of feminism, art, anger and fun. In her late 60s now, Birch still has it. Feminist Song isn't built around the funkiness that worked its way into my favorite Raincoats cuts, but those other threads are still there: her painted cover art, the sharp politics, the tongue in cheek honesty ("and yes, sometimes I'm a pushover"), the catchy hook of a chorus buried under all the noise. Fellow Raincoat Ana da Silva supplies some analog synth and Youth produces the track (also contributing a B side "ambient mix")

Stand Tall

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Various – Xterminator Records (The Legacy - Chapter 1) Global Beats – GB002, XTerminator, XTM.Nation Vinyl, LP, Compilation, UK, 2021 info Again with the long breaks... I've been meaning to put this one up for a while. Here is a recent compilation of tracks from Xterminator Records, that will hopefully help brighten your day (even during a dark northern January). [Oops. February by the time I got around to finishing this- sigh.]  Philip "Fatis" Burrell's Xterminator label released some of the most important Jamaican music of the 1990s and early 2000s. Fatis and the young artists around him (including Luciano, Sizzla, and Capleton) were at the heart of a resurgence of cultural music and Rasta themes in the 90s, a major shift from the previous decade of dancehall hits.  This era is probably best remembered for the surge of militant, Bobo dread singers, but Xterminator wasn't just ushering in a new era of cultural lyrics- these were great songs and the scene was more

New Year. Party.

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Masters At Work – Our Time Is Coming Cutting Edge – CTCR-14186/B 2xCD, Album, Japan, 2002 info I took too long to post as always, once again missing my chance to post some favorite Christmas records... Next year, I guess. I hope any of you seeing this got some peace over the holidays. It's almost the new year, so if you have an urgent need for some party music or a way to help ring it in on a positive note, this album might do it for you. Our Time Is Coming  was the second full length album by Kenny Dope and Louie Vega as Masters At Work, released in 2001. Once again, I won't pretend to be any kind of expert on house music, but I'll go out on a limb here and say that anyone who writes this record off as too "mainstream" or "predictable" is either: A. a snob; or B. not paying attention. MAW produced an album that I can put on to convince myself the sun is coming out, even at a late night party or in the Chicago winter.  On the predictable charge: Look, th

Just a little more baby.

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Barry White – I'm Gonna Love You Just A Little More Baby 20th Century Records – TC-2018 Vinyl, 7", 45 RPM, Styrene, Terre Haute Pressing US, 1973 info For no reason other than I felt like listening to it, here's Barry White with one of his very greatest singles. If you know someone who doesn't understand why people love this guy beyond silly impersonations of the sexy voice, I'm Gonna Love You Just A Little More Baby  is the place to start. The opening is amazing (and the break has been put to good use more than once on some classic hip hop productions), but listen to the arrangement here- so much going on. The build up that begins right around the 50 second mark is really something special. The B side, Just A Little More Baby , really lets the music (and Barry White's production skills) shine. More than just a straight instrumental of the A side hit, it's almost a dub mix with Barry's vocal scats echoing in and out and the different instruments getti