All the Rivers of the World Shown in Rainbow Colors: A Data Visualization to Explore

Even if you’ve never traveled the seas, you’ve surely known at least a few rivers in your time. And though you must be conscious of the fact that all of those rivers run, ultimately, to the sea, you may not have spent much time contemplating it. Now, thanks to the work of mapmaker and data analyst Robert Szucs, you won’t be able to come upon at a river without considering the particular sea into which it flows. He’s created what he calls “the first ever map of the world’s rivers divided into ocean drainage basins,” which appears just above.

This world map “shows, in different colors, all the rivers that flow into the Atlantic, Arctic, Indian or Pacific oceans, plus endorheic river basins which never reach the coast, mostly due to drying up in desert areas.”

Szucs has also broken it down into “a set of 43 maps in this style for different countries, states and continents,” all of them available to download (and to purchase as large-format posters) from his web site Grasshopper Geography.

We previously featured Szucs here on Open Culture back in 2017, when he published a river-and-stream-visualizing map of the United States made according to a similarly colorful and informative scheme. Examining that work of information design gave me a richer context in which to imagine the rivers around which I grew up in Washington State — the Sammamish, the Snoqualmie, the Columbia — as well as a clearer sense of just how much the United States’ larger, much more complex waterway network must have contributed to the development of the country as a whole.

Of course, having lived the better part of a decade in South Korea, I’ve lately had less reason to consider those particular geographical subjects. But Szucs’ new global ocean drainage maps have brought related ones to mind: it will henceforth be a rare day when I ride a train across the Han River (one of the more sublime everyday sights Seoul has to offer) and don’t imagine it making its way out to the Pacific — the very same Pacific that was the destination of all those rivers of my west-coast American youth. Oceanically speaking, even a move across the world doesn’t take you quite as far as it seems.

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All the Rivers & Streams in the U.S. Shown in Rainbow Colors: A Data Visualization to Behold

The Meandering Mississippi River and How It Evolved Over Thousands of Years Visualized in Brilliant Maps from 1944

That Time When the Mediterranean Sea Dried Up & Disappeared: Animations Show How It Happened

A Radical Map Puts the Oceans — Not Land — at the Center of Planet Earth (1942)

The Mother of All Maps of the “Father of Waters”: Behold the 11-Foot Traveler’s Map of the Mississippi River (1866)

Tour the Amazon with Google Street View; No Passport Needed

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

A Map of All the Countries Mentioned in the Bible: What The Countries Were Called Then, and Now

“For most of the last two thousand years, the Bible has been virtually the only history book used in Western civilization,” writes Isaac Asimov in his Guide to the Bible. “Even today, it remains the most popular, and its view of ancient history is still more widely and commonly known than is that of any other.” As a result, “millions of people today know of Nebuchadnezzar, and have never heard of Pericles, simply because Nebuchadnezzar is mentioned prominently in the Bible and Pericles is never mentioned at all.” That same disproportionate recognition is accorded to “minor Egyptian pharaohs” like Shishak and Necho, “people whose very existence is doubtful” like Nimrod and the Queen of Sheba, and “small towns in Canaan, such as Shechem and Bethel.”

Asimov notes that “only that is known about such places as happens to be mentioned in the Bible. Ecbatana, the capital of the Median Empire, is remembered in connection with the story of Tobit, but its earlier and later history are dim indeed to most people, who might be surprised to know that it still exists today as a large provincial capital in the modern nation of Iran.” In the video from Hochelaga above, we learn that Iran, then called Persia, is celebrated in the Bible “for ending the Jewish exile and returning Israel to its homeland. The Book of Usaiah gives a special shout-out to its King, Cyrus the Great: he is given the title ‘anointed one,’ or ‘messiah.'”

Though “Persia has played a huge role in the history of the region, and at a time was one of the largest empires of its day,” it’s just one of the surprisingly many lands to receive Biblical acknowledgement. As Hochelaga creator Tommy Trelawny makes clear, “when the Bible was written, the countries as we know them today didn’t even exist.” But though the concept of the modern nation-state hadn’t yet come into being, the places that would give rise to a fair few of the nation-states in the twenty-first century certainly had: “shout-out to Egypt, Lebanon, Israel, Persia, Cyprus, Greece, Italy, and Spain, that still exist today, or at least go by the names that appear in the Bible.”

You may notice, Trelawny adds, that “many of these exotic lands are mentioned in the story of King Solomon’s temple, and how precious raw materials were imported from faraway places, from the strongest Lebanese cedars to the finest Indian ivories.” It hardly matters “whether King Solomon was even real; we know these geographical regions exist today, and that Biblical writers seemed to know of them as well.” As depicted in the Bible or other sources, the ancient world can seem scarcely recognizable to us. But if we make the necessary adjustments to our perspective, we can see a process of globalization not dissimilar to what we see in our own societies — whose fascination with distant lands and expensive luxuries seems hardly to have diminished over the millennia.

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Ancient Israel: A Free Course from NYU

Isaac Asimov’s Guide to the Bible: A Witty, Erudite Atheist’s Guide to the World’s Most Famous Book

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

Oculi Mundi: A Beautiful Online Archive of 130 Ancient Maps, Atlases & Globes


When it comes to maps, your first hit is always free. For you, maybe it was a Mercator projection of the world hung on the wall of an elementary-school classroom; maybe it was a road atlas in the glove box of your parents’ car. For Neil Sunderland, the earliest cartographic high seems to have come in childhood, from a humble map of Lancashire. When he found success in finance, his addiction grew in proportion to his means, and today his multi-million-dollar map collection includes the work of renowned sixteenth-century artists like Albrecht Dürer, Hans Holbein, and Giovanni Cimerlino, who in 1566 depicted the known world in the shape of a heart.

Cimerlino’s cordiform Earth (bottom) is just one of the 130 historic “world maps, celestial maps, atlases, books of knowledge and globes” now available for your perusal at Oculi Mundi, an elaborate web site with the digitized holdings of the Sunderland Collection. “A platform to explore high-resolution images of these beautiful objects, to peek inside the books, and to discover information and stories,” it offers both a chronologically ordered “research” mode and a more free-form “explore” mode for browsing.

Either way, with its oldest artifact dating to the early thirteenth century and its newest to the early nineteenth, it contains a great swath of cartographic history to behold.

The New York Times‘ Susanne Fowler quotes Sunderland’s daughter Helen Sunderland-Cohen, who oversees the Oculi Mundi project, describing a particularly venerable atlas by fifteenth-century humanist scholar Francesco Berlinghieri as “one of the earliest uses of copper plate, in atlases and in print. You can see how finely engraved the lines are, and how they’re learning to use copper plate.” All art may be inseparable from the state of technology of its time, but maps — the makers of which have always been driven to visualize and organize as much knowledge of the world as possible — reflect it with a special clarity.

Exploring the Sunderland Collection through Oculi Mundi, you can also trace changes in what sort of knowledge belongs on maps in the first place. Sunderland-Cohen names as a personal favorite the “Rudimentum Novitiorum” from 1475 (above), “an illustrated chronicle in Latin used by monks as a teaching aid for novices.” Besides maps, it includes “Biblical history that is illustrated with lots of wonderful woodblock drawings, and everybody’s wearing clothing of the day, and in the houses of the day”; the connoisseur will notice techniques imported from illuminated manuscripts. As for what such a work costs today, well, if you have to ask, you’re not fully hooked on maps yet. Enter Oculi Mundi here.

via Messy Nessy

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Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

Behold a 19th-Century Atlas of the United States, Designed for Blind Students (1837)

In 1835, the New England Institution for Education of the Blind (now known as Perkins School for the Blind) acquired a printing press.

Under the leadership of its first director, Samuel Gridley Howe, the press was customized in order to print in raised text that allowed blind and visually impaired people to read unassisted.

Inclusivity was a prime motivator for Howe, who strove to make sure his students would not be “doomed to inequality” or regarded as “mere objects of pity.”

After investigating European tactile printing systems, he developed Boston Line Type, an embossed Roman alphabet that could be read with the fingers.

It eschewed flourishes and capital letters, but reading it required a lot of training and even then, was likely to be slow going. Howe estimated that reading it would take three times as long as a sighted person would take to read an equivalent amount of traditionally printed text.

Ultimately it proved far less user-friendly than braille.

Text accompanying the exhibition Touch This Page! Making Sense of the Ways We Read, notes that braille had been in use in Great Britain and France for decades before being widely adopted in the US:

The amount of time and money that Perkins and other American schools had invested into Boston Line Type made them resistant to adopting a new system. Boston Line Type was, however, much harder to learn than braille, and only braille allowed individuals with visual impairments to read and write tactilely.

The school used its Boston Line Type press to publish history, grammar, and spelling books, as well as the New Testament, and a complete Bible.

After a visit to the school, Charles Dickens paid to have 250 Boston Line Type copies of his novel The Old Curiosity Shop printed for distribution to blind Americans.

In light of Touch This Page!’s assertion that Boston Line Type’s print forms were “designed to be universally accessible rather than in those [print forms] most accessible to the touch”, we suspect that the school’s 1837 Atlas of the United States offered its readers the best value.

While there were many dense descriptive passages in Boston Line Type to wade through, it also boasted embossed maps to orient geography students with raised outlines of each state.

Rivers were charted as solid raised lines, while oceans were indicated with parallel lines. Sets of triangles represented mountains.

Longitudes, latitudes, and city locations were also noted, but the presence of negative space gave blind and low vision students the opportunity to grasp information quickly.

50 copies were printed, of which four survive.

Explore the Atlas of the United States Printed for the Use of the Blind here.

via Kottke

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Helen Keller Had Impeccable Handwriting: See a Collection of Her Childhood Letters

– Ayun Halliday is the Chief Primatologist of the East Village Inky zine and author, most recently, of Creative, Not Famous: The Small Potato Manifesto and Creative, Not Famous Activity Book. Follow her @AyunHalliday.

Plan Your Trip Across the Roads of the Roman Empire, Using Modern Web Mapping Technology

At the moment, I happen to be planning some time in France, with a side trip to Belgium included. Modern intra-European train travel makes arranging the latter quite convenient: Thalys, the high-speed rail service connecting those two countries, can get you from Paris to Brussels in about an hour and half. This stands in contrast to the time of the Roman Empire, which despite its political power lacked high-speed rail, and indeed lacked rail of any kind. But it did have an expansive network of roads, some of which you can still walk today, imagining what it would have been like to travel Europe two millennia ago. And now, using the website OmnesViae, you can get historically accurate directions as well.

Big Think’s Frank Jacobs describes OmnesViae as “the online route planner the Romans never knew they needed.” It “leans heavily on the Tabula Peutingeriana” — also known as the Peutinger Map, and previously featured here on Open Culture — “the closest thing we have to a genuine itinerarium (‘road map’) of the Roman Empire.”

Though not quite geographically accurate, it does offer a detailed view of which cities in the empire were connected and how. “Geolocating thousands of points from Peutinger, OmnesViae reformats the roads and destinations on the scroll onto a more familiarly landscaped map. The shortest route between two (ancient) points is calculated using the distances traveled over Roman rather than modern roads, also taking into account the rivers and mountains the network must cross.”

You can use OmnesViae just like any other way-finding application, except you enter your origin and destination into fields labeled “ab” and “ad” rather than “from” and “to.” And though “for some cities current day names are understood,” as the instructions note, it works better — and feels so much more authentic — if you type in cities like “Roma” and “Londinio.” The resulting journey between those two great capitals looks arduous indeed, passing at least three mountainous areas, thirteen rivers, and countless smaller settlements. And according to OmnesViae, no roads led to Brussels: the closest an ancient traveler could get to the location of the modern-day seat of the European Union was the Walloon village of Liberchies — which, as the birthplace of Django Reinhardt, remains an important stop for the jazz-loving traveler of Europe today.

via Big Think

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Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

Europe’s Oldest Map: Discover the Saint-Bélec Slab (Circa 2150–1600 BCE)

Image by Paul du Châtellier, via Wikimedia Commons

In 1900, the French prehistorian Paul du Châtellier dug up from a burial ground a fairly sizable stone, broken but covered with engraved markings. Even after he put it back together, neither he nor anyone else could work out what the markings represented. “Some see a human form, others an animal one,” he wrote in a report. “Let’s not let our imagination get the better of us and let us wait for a Champollion to tell us what it says.” Champollion, as Big Think’s Frank Jacobs explains, was “the Egyptologist who in 1822 deciphered the hieroglyphics” — which he did with the aid of a more famous inscription-bearing piece of rock, the Rosetta Stone.

Still, the Saint-Bélec slab, as Châtellier’s discovery is now known, has attained a great deal of recognition in the more than 120 years since he unearthed it. But it did so relatively recently, after a long period of relative obscurity.

“In 1994, researchers revisiting du Châtellier’s original drawing found that the intricate markings on the stone looked a lot like a map,” writes Jacobs. “The stone itself, however, had gone missing.” Only in 2014 was it rediscovered in a cellar below the moat of the chateau in Saint-Germain-en-Laye once owned by du Châtellier, by which time it could be subjected to the kind of high-tech analysis unimagined in his lifetime.

Operating on the theory that the artifact was indeed created as a map, France’s INRAP (the National Institute for Preventive Archaeological Research) “found that the markings on the slab corresponded to the landscape of the Odet Valley” in modern-day Brittany. Then, “using geolocation technology, the researchers established that the territory represented on the slab bears an 80 percent accurate resemblance to an area around a 29-km (18-mi) stretch of the Odet river,” which seems to have been a small kingdom or principality back in the early Bronze Age, between 2150 BC and 1600 BC. This makes the Saint-Bélec slab Europe’s oldest map, and quite possibly the earliest map of any known territory — and certainly the earliest known map of a popular kayaking destination.

Drawing by Paul du Chatellier, via Wikimedia Commons

via Big Think

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Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

Explore the Hereford Mappa Mundi, the Largest Medieval Map Still in Existence (Circa 1300)

If you wanted to see a map of the world in the fourteenth century, you could hardly just pull up Google Earth. But you could, provided you lived somewhere in or near the British Isles, make a pilgrimage to Hereford Cathedral. There you would find the shrine of St. Thomas Cantilupe, the main attraction for the true believer, but also what we now know as the Hereford Mappa Mundi, a large-scale (64″ x 52″) depiction of the entire world — or at least entire world as conceived in the pious English mind of the Middle Ages, which turns out to be almost unrecognizable at first glance today.

Created around 1300, the Hereford Mappa Mundi “serves as a sort of visual encyclopedia of the period, with drawings inspired by Biblical times through the Middle Ages,” write Chris Griffiths and Thomas Buttery at BBC Travel.

“In addition to illustrating events marking the history of humankind and 420 cities and geographical features, the map shows plants, animals, birds and strange or unknown creatures, and people.” These include one “‘Blemmye’ — a war-like creature with no head, but with facial features in its chest,” two “Sciapods,” “men with one large foot,” and “four cave-dwelling Troglodites,” one of whom feasts on a snake.

Amid geography we would now consider severely limited as well as fairly mangled — Europe is labeled as Asia, and vice versa, to name only the most obvious mistake — the map also includes “supernatural scenes from classical Greek and Roman mythology, Biblical tales and a collection of popular legends and stories.” As such, this reflects less about the world itself than about humanity’s worldview in an era that drew fewer lines of demarcation between fact and legend. You can learn more about what it has to tell us in the Modern History TV video below, as well as in the video further down from Youtuber ShūBa̱ck, which asks, “Why are Medieval Maps so Weird?”

The intent of the Hereford Mappa Mundi, ShūBa̱ck says, is to show that “the Bible is right.” To that end, “east is on top, as that’s where they said Jesus would come from on the day of judgment. Jerusalem is, of course, at the center.” Other points of interest include the site of the crucifixion, the Tower of Babel, and the Garden of Eden — not to mention the locations of the Golden Fleece and Mount Olympus. You can examine all of these up close at the Hereford Cathedral’s site, which offers a detailed 3D scan of the map, viewable from every angle, embedded with explanations of all its major features: in other words, a kind of Google Medieval Earth.

via Aeon

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Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

The Rise & Fall of Roman Civilization: Every Year Shown in a Timelapse Map Animation (753 BC -1479 AD)

The Youtuber “EmperorTigerstar” specializes in documenting the unfolding of world historical events by stitching together hundreds of maps into timelapse films. In years past, we’ve featured his “map animations” of the U.S. Civil War (1861-1865), World War I (1914-1918), and World War II (1939-1945). Today, we’re highlighting a more ambitious project, an attempt to visually document the rise and fall of the Romans. The video covers 2,000 years of history, in just ten minutes.

Moving from 753 BC  to 1479 AD, the animated map shows Rome’s territorial boundaries changing as the Roman Kingdom morphs into the Roman Republic and later the Roman Empire. Then the gravity of history takes over and we experience the gradual decline of Roman civilization. We see the bifurcation that splits the Empire into Western and Eastern (Byzantine) parts, until only a little piece remains.

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