The Beiderbecke Connection by Alan Plater (Mandarin 1992)

Prams. Trevor Chaplin decided, were not what they used to be. When he was a lad in the North-East, prams were vehicles of substance, designed by the spiritual descendants of Brunel and Stephenson, and built by time-served craftsmen, wise old welders, blacksmiths and sheet-metal workers with grey-flecked hair. A pram was high, wide and handsome. It would scrape the paintwork on both sides of the hall simultaneously. On the road it would carry, with ease, the designated baby, plus a week's groceries, a couple of footballs, supplementary kids hitching a lift, fish and chips for the family and still have room left over for a bag of coal.

A Working Stiff's Manifesto: A Memoir of Thirty Jobs I Quit, Nine That Fired Me, and Three I Can't Remember by Iain Levison (Random House 2002)

I have a job. Here we go again.

In the last ten years, I’ve had forty-two jobs in six states. I’ve quit thirty of them, been fired from nine, and as for the other three, the line was a little blurry. Sometimes it’s hard to tell exactly what happened, you just know it wouldn’t be right for you to show up any more.

I have become, without realizing it, an itinerant worker, a modern-day Tom Joad. There are differences, though. If you asked Tom Joad what he did for a living, he would say, “I’m a farmworker.” Me, I have no idea. The other difference is that Tom Joad didn’t blow $40,000 getting an English degree.

And the more I travel and look around for work, the more I realize that I am not alone. There are thousands of itinerant workers out there, many of them wearing business suits, many doing construction, many waiting tables or cooking in your favorite restaurants. They are the people who were laid off from companies that promised them a lifetime of security and then changed their minds, the people who walked out of commencement with a $40,000 fly swatter in their hands and got rejected from twenty interviews in a row, then gave up. They’re the people who thought, I’ll just take

this temporary assignment/bartending job/parking lot attendant position/pizza delivery boy job until something better comes up, but something better never does, and life becomes a daily chore of dragging yourself into work and waiting for a paycheck, which you can barely use to survive. Then you listen in fear for the sound of a cracking in your knee, which means a $5,000 medical bill, or a grinding in your car’s engine, which means a $2,000 mechanic’s bill, and you know then that it’s all over, you lose. New car loans, health insurance, and mortgages are out of the question. Wives and children are unimaginable. It’s surviving, but surviving sounds dramatic, and this life lacks drama. It’s scraping by.

It wasn’t supposed to be like this. There was a plan once, but over the years I’ve forgotten what it was. It involved a house and a beautiful wife and a serviceable car and a fenced-in yard, and later a kid or two. Then I’d sit back and write the Great American Novel. There was an unspoken agreement between me and the Fates that, as I lived in the richest country in the history of the world, and was a fairly hard worker, all these things would just come together eventually. The first dose of reality was the military. I remember a recruiter coming to my house, promising to train me in the marketable skill of my choice, which back then was electronics. I remember the recruiter nodding vigorously and describing all the electronics that the army was currently using. They would train me and train me, he said.

The People of Providence: A Housing Estate and Some of Its Inhabitants by Tony Parker (Picador 1983)

A fair-haired young woman in a gaberdine mackintosh crossing the pedestrian shopping precinct in Robins Walk stopped with a polite smile.

— Sorry love but if it’s insurance we’ve got more than enough thanks.

A book? About Providence Estate? Go on, you’re joking! Really? Blimey, that’ll be a job! I must read it, when’s it coming out? Oh I’ll not be here by then I shouldn’t think. Mm? Well, if I could think of one word to tell someone what a place is like. ..

‘Mixed’? Well yes, that’s one word for it, I think that’s about right that is, ‘mixed’. ‘Mixed’ — how do I think he meant? Well you know . . . I mean, there’s all sorts of people here all together, isn't there? I should think that’s what he meant. You’ve got people who do what you might call hard physical sort of jobs, those that work in the docks or on the building sites — the what do you call them, ‘manual workers’ is it? Then you’ve got the people who work in offices and banks and shops and that. Then there’s those who're the sort of posh ones, posh jobs like lawyers, there’s quite a few of that sort lives around here, it's surprising. And teachers — and old people — and families — people living on their own — and kids, a big lot of kids. Happy people and sad people and odd people and peculiar people — a big sort of mixture, so that’s absolutely the right word for it that is, yes . . . ‘mixed’.

An elderly man with the collar of his overcoat turned up, coming out of the library, two books by Hammond Innes under his arm.

— It would be extraordinarily difficult for me to try and summarize a place such as Providence Estate in a hundred or a thousand words, so it would be totally impossible to do it in one.

Certainly if somebody has already said to you ‘mixed’ I would say that was an appropriate word, certainly. I couldn’t say precisely what they might have meant, but I should have thought a moment’s glance round would have made it clear because it is instantly visible, isn’t it, how mixed it is?

You have the group of tower blocks over there, then those long six-storey things, I think they call them linear’ blocks over there; then in that direction there are those small maisonette-type low buildings of flats. And if you go through that way you come to the old houses that have been refurbished; and beyond those, ones that aren’t going to be done up and are scheduled for demolition, though heaven knows when they’re going to get on with it. And the prefabs of course, scattered around here and there. . . . So I’d say yes, high-rise towers, long blocks, modern small flats, old places done up, others dilapidated . . . a large ’mixed’ area very obviously, no one could quarrel with the word. And not at all unpleasing to the eye; all in all, not at all.

You’re welcome sir, good afternoon.

Twelve perhaps thirteen years old, the small boy in a royal blue blazer and grey flannels with a too-small cap on his head and a satchel over his shoulder looked thoughtfully into the distance.

— ‘Mixed’? What did they mean, ‘mixed’ how, what sort of way? Did they mean the people or the buildings or what? Funny word to use about the estate isn’t it, really; could mean all sorts of things couldn’t it, to different people? ‘Mixed’. Mm, yeh. . . .

He went on staring into the distance. After a while he began slowly nodding his head.

— Yeh, well, if you come to think of it, that’s quite a good word. I mean like where we are now, standing on the footpath in the middle of the grass . . . you see over there’s the towers, back that way there’s the flats, then there’s the shops and Robins Walk. So you could say if you wanted to that over there where the buildings are, that’s like town, and here where we are, with the grass and the trees, this is like country isn’t it? I mean if you don’t look that way you can’t see buildings and if you don’t listen too hard you can’t hear traffic. So it’s all like a mixture between town and country, right? Not built over everywhere, but not like out in a wood or something either. ‘Mixed' is a very good word, I’d say that was about right yeh.

Since the Layoffs by Iain Levison (Soho Press 2003)

“How much more time have you got left on benefits? Before the government cuts you off?”

I figure now that we’re going somewhere with this. He’s leading up to something, maybe he’s going to ask me to be one of his henchmen. Hell, I could do that. Drop coke and weed off at people’s doors. Maybe he’ll let me drive one of his SUVs. I could cruise around town and listen to CDs and bring people their daily drug shipments, for which they would exchange their unemployment checks. I don’t have a problem with that. Somebody will be doing it whether I say yes or no. My moral refusal won’t suddenly put a halt to this shattered town’s substance abuse problem. Something like that would tide me over, until the new factory opened. They were already talking about a new factory.

“One year and three months.”

“Then what? You going to starve to death in your apartment?”

“The new factory’ll have opened by then.”

Gardocki shakes his head. “There’s not going to be any new factory. Who the hell would want to open a factory here?”

“I heard Scott Paper was looking at the location.” Tommy had called me up and told me he’d read that in the paper. Big businesses were interested, I knew that. There was a pool of skilled workers, a building already set up to produce machine-tooled parts for tractors. Just a few changes, and it would be up and running, producing something else. We all knew that.

Gardocki laughs again. “Scott Paper.” He shakes his head. “That was a heavy metal factory. You think they’re going to turn it into a paper mill? And go through all that union bullshit again? Nobody wants to deal with unions anymore. They want Mexicans. They want people who’ll appreciate seven dollars an hour, not gripe about seventeen. The factory days here are over, Jake.” He leans back in his chair and lights a cigarette. “What happened to that pretty little girl you were going around with?”

“Fuck you.”

Gardocki adopts an expression of surprise. “Is that off limits?”

“You know my cable’s cut off, but you don’t know my girlfriend moved out?”

“She went off with some used car dealer, huh?” Gardocki is looking sympathetic, so as not to rile me more.

“He was a new car dealer.”

After the factory closed, the car dealerships had left town, too. Jobless people don’t buy a lot of new cars. Kelly had gone with him, to Ypsilanti. Before she left there had been a lot of agonizing, when she went through her touching “What should I do?” phase. Kelly never asked herself what she should do when I was making seventeen dollars an hour. After her seven-dollar-an-hour salary as a receptionist at a car dealership made her the top grosser of the household, I noticed she began asking herself these deep philosophical questions. She told me some salesman was asking her to go to Ypsilanti with him, and whatever should she do? I told her to fuck off, and went and placed a bet on Canadian Football. After she moved out, I never picked up the phone, didn’t return the one letter I got from her and didn’t say goodbye. Someone new would come along, once the new factory opened.

“Jake, I want you to kill my wife.”

I laugh. Then I search Gardocki’s face for signs of humor. But I don’t see any. Gardocki isn’t even looking at me. He is looking at a spot on the wall above my head, expressionless. He smokes his cigarette and stares, waiting for it to sink in.

“I’m not going to kill your wife, Ken.”

Journey Through a Small Planet by Emanuel Litvinoff (Robin Clark Limited 1972)

I drifted into Communism when I was about eleven under the influence of a militant boy called Mickey Lerner. He was thin and undersized, with a chronic cough, and suffered many indignities at the hands of bullying masters and pupils. His father, a presser, also coughed because his lungs had been rotted by the steaming cloth he pressed ten hours a day. In fact, the whole family coughed. They lived in the sooty air of a Brick Lane alley overhung by a railway bridge and had a habit of blinking like troglodytes in full daylight. This made them seem puzzled and defenceless when, in reality, they were tough and stiff-necked tribe. I was led into Communism more by the misery and toughness of the Lerner family than by anything in my own predicament.

Bright Summer - Dark Autumn by Robert Barltrop (Waltham Forest Libraries and Arts Department 1986)

And, in the height of the summer, the 'red' air-raid warnings began in the daytimes. There was a siren on the island in the road junction near us, at the top of a very tall grey post. At the shop we heard the deep metallic growl as it started up, rising to the harsh wail which went on for a couple of minutes. People scurried away, and the shops closed; the streets were nearly empty by the time the siren finished sounding. Nothing happened. As a reminder that it was not a meaningless warning, bombs were dropped on Croydon and killed sixty-two people. Sometimes on cloudy days when the warning was on we would hear the throbbing of an aeroplane engine, hidden and persistent as if hovering not far away.

Yet, in this threatened state, normal activities and recreations went on. On their afternoons off the shop assistants were going to the West End to see Gone With the Wind (they said it was too long - we were used to films which lasted an hour and a half). The dance bands and comedy shows on the radio: Jack Warner playing the Cockney soldier in 'Garrison Theatre', Robb Wilton, 'Itma' with its fund of catchphrases; Bing Crosby, the Andrews Sisters singing 'Bei Mir Bist du Schoen'. Pubs flourished, as did dance halls. There was said to be a boom in reading the classics of English literature, and I suppose the black-out nights were an opportunity which many people had previously lacked for reading. The book I remember from those weeks before the Blitz was a paperback novel called This Bright Summer. Several of my friends were reading it; it was well written, and passionate in places, and in my mind it belongs to the summer of 1940.

The Beiderbecke Tapes by Alan Plater (Mandarin 1986)

Whenever Jill felt the need to recharge her campaigning batteries, she sought out Sylvia. Like many such friendships, it had started on the Aldermaston road, a road that had doubled for Damascus in many people's lives.

They loved to talk about the great heroines, yes, and about the occasional hero too, of their own and earlier times: trading tales of Red Emma Goldman, Annie Besant, Sylvia Pankhurst, the one member of the family who never deviated and whose name Sylvia herself had inherited. On seeing any hostile element, Sylvia would cry out 'No Pasarán' - the famous Republican slogan from the Spanish Civil War, coined by a woman, and translated meaning: 'They shall not pass.' They very rarely did. Sylvia was no phoney. She had gone to Spain in the 1930s and had paid her dues.

Her view of the world was clear-cut: people were marvellous and politicians were shit. Asked for evidence she would say: read a history book. In her younger days, when her activities were more public and noisy, and she occasionally went to prison, the newspapers frequently claimed she was in the pay of Moscow.

'Alas,' she said, ' would that it were so.'

She had written to the Kremlin several times, suggesting that they might slip her the odd bar of gold, if only to add substance to the allegations, and ease her later years; nothing ever arrived - not even a nominal kopek. She suspected her mistake was to add a regular PS about sending dissidents to mental institutions. 

The Beiderbecke Affair by Alan Plater (Mandarin 1985)

The Adult Education Institute was built in the nineteenth century by a paternalistic mill-owner with the stated aim of bringing a spiritual uplift to the artisans of the area. A hundred years later, it still had not succeeded. The building, designed in the Gothic Inspirational manner, was now a hive of small rooms in which groups of predominately earnest people discussed D. H. Lawrence, watched The Battleship Potemkin or threw pots. It was not unusual for six people to be plotting revolution in Room 5, while across the corridor in Room 6, another six people were plotting counter-revolution. All twelve would meet in The Bells afterwards for a pint.