Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen.
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Donald Trump's ancestors came from a tiny German wine village. We asked locals what they think of the US presidential candidate - and found out that the "Drumpfs" are long ...
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The Republicans are waging a war against women, the New York Magazine declares. Perhaps it's because women are so unabashed about reading porn in public - that's according to publisher Beatriz de Moura in El Pais Semanal, at least. Polityka remembers Operation Reinhard. Tensions are growing between Poland and Hungary as Victor Orban spreads his influence, prompting ruminations on East European absurdity from both Elet es Irodalom and salon.eu.sk. Wired is keeping its eyes peeled on the only unassuming sounding Utah Data Center.
Awarded a Silver Bear at this year's Berlinale, Christian Petzold's new film "Barbara" is a GDR drama set in the early 1980s. Colourful and romantic beyond any nostalgia for the East, it relates the situation of female doctor caught in the circumstances of having applied for an exit visa. For Petzold, the film is not only a highly personal story of a woman in conflict but a film about what was lost - especially for women - with the fall of the Wall in 1989.
Western museums are opening their halls for huge state exhibitions in collaboration with non-democratic regimes. The British Museum is currently hosting an exhibition on the Hajj which is funded by Saudi Arabia and reflects the royal family's position on the ritual. Should an institution dedicated to secular learning accommodate such religiously doctrinaire exhibitions? Yes, says Malise Ruthven in the New York Review of Books blog, who evidently believes in the conciliatory effects of such cultural politics. Tagesspiegel author Nicola Kuhn sees the new "Roads of Arabia" exhibition in Berlin's Pergamon Museum more critically. Image © National Museum, Riyadh
Frankfurt's Städelmuseum has just opened its new subterranean contemporary art extension, the culmination of a radical overhaul of the building and its collections. Hans-Joachim Müller ventures down below the surreal domed lawn and is left to meander through a refreshingly idiosyncratic retrospective that turns its back on received ideas about the progress of art. (Image:exterior view of Städel extension by Norbert Miguletz)
A precision engineer of the emotions, Peter Nadas traces the European upheavals of the past century in his colossal and epic novel "Parallel Stories", which was published in English in December. The core and epicentre of the novel is the body, which bears the marks of history and trauma. In his seemingly chaotic intertwining of lives and stories, Nadas penetrates the depths of the human animal with unique insight. A review by Joachim Sartorius 
This year's Berlinale Retrospective "The Red Dream Factory" rediscovers the legendary German-Russian Mezhrabpom-Film (1922-1936). It tells of incredible film successes, ideological misunderstandings and astonishing blindness. By Oksana Bulgakova 
The USA and the USSR should not simply be thought of as arch enemies of the Cold War. Beyond ideology, the two nations were deeply interested in one another. Ilya Ilf and Yevgeny Petrov were thrilled by the American Way of Life in 1935/6, John Steinbeck and Robert Capa praised the sheer vitality of the Russian people in 1947. Historian Karl Schlögel reviews a perfect pair of travel journals. Photo by Ilf and Petrov.
Turkish-born author, actor and director Emine Sevgi Özdamar was recently awarded the Alice Salomon Prize for Poetics. Coming to West Berlin in 1965, Özdamar first learned German at the age of 19. After stage school she went on to become the directorial assistant to Benno Besson and Matthias Langhoff at the Volksbühne in East Berlin while still living in West Berlin. Harald Jähner warmly lauds the author's uniquely visual sense of her acquired language and her ability to overcome the seemingly insurmountable dividing line through the city.
Nadezhda Mandelstam's personal memories of the Russian poet Anna Akhmatova, her intimate friend, offer a unique and moving testimony to friendship and resistance over decades of persecution. Published only after the collapse of the Soviet Union in 1989, the text is still unavailable in English but has recently been translated into German. A unique historical document, celebrating an intellectual icon in an age of horror. Portrait of Akhmatova
Why the Russian youth have tolerated the political situation in their country for so long and why they are no longer tolerant. The poet Natalia Klyuchareva explains the background to the protests on Bolotnaya Square in Moscow on December 10th. Image: Leonid Faerberg
Filmmaker and theatre director Andres Veiel disagrees with the parallels currently being drawn between left-wing and right-wing violence in Germany. The RAF is the wrong model for the Zwickau neo-Nazi group, the so-called "Brown Army Faction" responsible for a series of murders of Turkish small business owners. Unlike the RAF, this group never publicly claimed responsibility for their crimes. Veiel is emphatic - you have to look at the biographies of the perpetrators. An interview with Heike Karen Runge.
Germany has been rocked by the disclosures surrounding the series of neo-Nazi murders of Turkish citizens. In the wake of these events, Former GDR dissident Freya Klier calls for an honest look at the xenophobia cultivated by the policies of the former East Germany, where the core of the so-called "Brown Army Faction" was based. And demands that East Germans finally confront a long-denied past. (Photo: © Nadja Klier)
Read the first English excerpt from historian Goetz Aly's new book "Why the Germans? Why the Jews? Equality, Envy and Racial Hatred 1800 - 1933". In response to this question that has been hanging in the air since the end of WWII, Goetz Aly points to the lack of education and fear of progress in so many German Christians at the turn of the century - and to the contrasting readiness of the Jewish population to embrace the new opportunities and education as the ticket to social mobility. Shamed by their shortcomings, the Germans soon turned to racial theory to conceal their envy and resentment.
In response to the arson attack on the offices of the Parisian satirical magazine Charlie Hebdo on November 2, Danish critic and semiotician Frederik Stjernfelt is nauseated by the opinions voiced against the publication, especially in the British and American media. Why don't they see that Islamism is right-wing extremism?
Andrea Breth has just directed Alban Berg's "Wozzeck" at the Staatsoper in Berlin, to substantial critical acclaim. Mid-rehearsal, she makes time to talk to Niklaus Hablützel about Büchner's word compositions, why only singing beautifully can ruin everything, and the power of curtains.
In 2007 the rap duo Kinderzimmer Productions disbanded with rapper Henrik von Holtum, alias MC Textor, publishing a ranting manifesto against the rap scene in the Tageszeitung. But Kinderzimmer Productions is back with a new live recording of their old songs - with the Vienna Radio Symphony Orchestra. Nina Apin from the taz talks with MC Textor about rap, classical music and the question of aging gracefully. 
Activist and author, Andri Snaer Magnason is among the Icelandic guests of honor at this year's Frankfurt Book Fair. His book and film "Dreamland" is both an ecological call to action and a polemic. "The politicians took one of the most beautiful parts of Iceland and offered it to unscrupulous companies," says the author in a critique of his native country. By Daniela Zinser 
Eugen Ruge has won the German Book Prize with his novel "In Zeiten des abnehmenden Lichts" (In times of fading light), an autobiographical story of an East German family. The award is presented to the best German-language novel just before the start of the Frankfurt Book Fair. Here we present this year's six shortlisted authors and exclusive English translations of excerpts from their novels.
In their book "Lügendes Licht" (lying light) Thomas Worm and Claudia Karstedt explore the darker side of the EU ban on incandescent bulbs. From disposal issues to energy efficiency, the low-energy bulb is not necessarily a beacon of a greener future. By Brigitte Werneburg
The Martin Gropius Bau in Berlin is currently hosting Germany's first major retrospective of the legendary Japanese artist Hokusai, featuring over 430 exhibits, many of which have never left Japan before. It is hard to believe that such
incredible diversity could stem from the hand of just one artist, but it is the product of a lifetime's dedication. By Katrin Wittneven. Image: "Onikojima Yataro and Saihoin Akabozu"© Katsushika Hokusai Museum of Art
No other European city suffered more in World War II than Leningrad under siege, when over a million people lost their lives. Russian literature delivers a rich testimony of the events which have been all but forgotten by the West. Only a few works, though, also do the disaster aesthetic justice. By Oleg Yuriev 
In this apology for the vice of reading, Bora Cosic describes the magnificent and fantastic discoveries of one of its practitioners – revealing how texts contain what we bring to them, how we sometimes read without reading and how books are not only found in books but many other places.Â
The malice of the American media in the case of Dominique Strauss-Kahn is a symptom of sexual uptightness that borders on the sinister, and the feminists have joined forces with the religious Right to see it through. We can learn much from America, but not when it comes to the art of love. By Pascal Bruckner
Searching for new sounds to take the party to new highs, club music is turning to classical and new music. Prominent techno DJs such as Carl Craig and Moritz von Oswald, Ricardo Villalobos and Max Loderbauer are working with the recordings of Deutsche Grammophon and ECM. Alexis Waltz samples some bewitchingly beautiful and psychedelically absurd results. Photo Ricardo Villalobos © Stefan Stern
We should be playing more and working less, according to philosopher and author Byung-Chul Han. He argues from the standpoint of Asian thinking yet is firmly rooted in the Western tradition. Ronald Düker visits Byung-Chul Han at the University of Arts and Design in Karlsruhe to find out how to make our minds more supple.
Update: after the resignation of Christian Wulff, meet Germany's new president. Joachim Gauck was a leading oppositional figure in the GDR. After the fall of the Wall he became the first Federal Commissioner for the Stasi Files. He talks to Joachim Günther about Ossis and Wessis, opposition, conformism, and the long-term psychological effects of a dictatorial regime.
This year is the 200th anniversary of the death of German writer Heinrich von Kleist. The author Gertrud Leutenegger has a very Kleistian afternoon on Elba, when she encounters the Marquise von O in the waiting room of a very strange eye doctor. 
If geniuses still exist in Germany, then Friedrich Kittler, who died at the age of 68 on 18 October, was one of them. The literary scholar and media theorist wrote as much about drugs as he did about weapons, and he was as interested in war as he was in love. One of his PhD students is a Eurofighter pilot in Afghanistan. Andreas Rosenfelder talked with him in his Berlin apartment at the beginning of the year.
No sooner were the fires put out than was the government reelected that bore the than Greek votersbrunt of responsibility for the tragedy. Did those who suffered so much learn no lesson from their distress? Crime writer Petros Markaris looks at why the Greeks have failed to find their way out of the political crisis rocking their country. 
Ernst Tugendhat, philosopher and critic of German pseudo-profundity, talks to Ulrike Herrmann about the fear of death, Heidegger, anti-Semitism and unfounded speculations in brain research.
The legendary German poets, Ingeborg Bachmann and Paul Celan, met and fell in love in Vienna 1948. Their electric and torturous correspondence, which continued until 1961, has now been collected in book form for the first time. Ina Hartwig on what was probably the most complicated love story in post-war Germany.
It was only with the end of the Soviet Union that Russians got the chance to get discover their own 20th century literature. Forbidden authors like Nabokov, Mandelstam, Brodsky and Kharms became hugely popular. But until today the most enduring are the Oberiuts, a group of avant-garde poets from the 20s and 30s. By Olga Martynova