• Film and TV

    What to Watch

    The Stars Are Hollow: On Gilmore Girls as “Normporn”

    Karen Tongson Ventures to the WB Backlot for a “Gilmore Girls Holiday”

     
    By Karen Tongson  November 22, 2023
    What to Watch

    On the Jealous Rivalry Between Nicolas Cage and His Uncle, Francis Ford Coppola

    By Zach Schonfeld  November 20, 2023
    What to Watch

    How the Publicity Campaign for Killers of the Flower Moon Recalls Rosebud Yellow Robe’s 1950 Hollywood Tour

    By Paul Morton  November 20, 2023
    Design

    The Pyschedelic Life and Art of David Edward Byrd

    By Robert von Goeben  November 20, 2023
    What to Watch

    Leave the World Behind is a Tense, Uneasy Thriller

    By Olivia Rutigliano  November 17, 2023
    What to Watch

    How Siskel & Ebert Brought Movies to the People

    By Matt Singer  November 17, 2023
    Book Marks: What the Critics Are Saying
    What to Watch

    Why Maurice is Still a Resonant Text for the Queer Audience

    By David Greven  November 15, 2023
    News and Culture

    Dream Scenario is a Worthwhile Head Trip

    By Olivia Rutigliano  November 10, 2023
    What to Watch

    Sweet Nothings: On the Emptiness of Sofia Coppola’s Priscilla

    By Hannah Bonner  November 10, 2023
    What to Watch

    Maestro Slips into Easy Conversation with A Star is Born

    Frank Falisi on the New Leonard Bernstein Biopic and Its Director-Star Bradley Cooper

    By Frank Falisi  November 22, 2023
    Antifascism

    Laughing At Evil: When Charlie Chaplin Brought Hitler to the Big Screen

    By Scott Eyman  November 3, 2023
    Hollywood

    How 1950s Hollywood Tried (and Failed) to Make Literary Adaptations Big

    By Foster Hirsch  November 3, 2023
    What to Watch

    We Almost Got a Superhero Movie from The Exorcist Director William Friedkin

    By Paul Morton  November 3, 2023
    Love and Romance

    Love and Looking: On What We (Don’t) See Together

    Devorah Baum Considers the Role of Observation in Art and Romance

    By Devorah Baum  November 2, 2023
    What to Watch

    Kristen Roupenian and Susanna Fogel on Adapting “Cat Person” for Film

    By Literary Hub  November 2, 2023
    What to Watch

    What to Read Before and After Seeing Orlando, My Political Biography

    By Literary Hub  November 1, 2023
    Dracula

    Silvia Garcia-Moreno on Dracula’s Depictions and Descendants

    By Silvia Moreno-Garcia  October 31, 2023
    Horror

    Something Is Rotten in Horror’s Use of Pedagogy

    Tyler Malone on the Canker in the Classroom

    By Tyler Malone  October 31, 2023
    Horror

    “Leisure, Labor, Reticence, Violence”: What Horror Films Can Teach Us About Poetry

    By Justin Phillip Reed  October 31, 2023
    Film and TV

    The Holdovers is a Revelation

    By Olivia Rutigliano  October 27, 2023
    What to Watch

    50 Years Later, Terrence Malick’s Badlands Remains a Pure Encapsulation of American Violence

    By Gus Mitchell  October 27, 2023
    What to Watch

    Evan Hughes on Writing the Book Behind Pain Hustlers

    “The saga I’m obsessed with is getting another life.”

    By Evan Hughes  October 27, 2023
    What to Watch

    Goosebumps Remixes Its Source Material to Satisfying Results

    By Michael Kraus  October 27, 2023
    What to Watch

    The Literary Film & TV You Need to Stream in November

    By Emily Temple  October 27, 2023
    What to Watch

    The Most Unlikable Woman: On Sofia Coppola’s Stymied Quest to Bring Undine Spragg to Screen

    By Emily J. Orlando  November 8, 2023
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