Slow Horses (2022)

 

To Catch a Spy by Stuart M. Kaminsky (Mysterious Press 2002)

 

When there were no other visitors around, I talked to the gorillas or the chimps. The gorillas paid more attention. I leaned on the railing and looked through the bars.

“I’ve had a hell of a day,” I told the big gorilla.

He kept eating, but he looked at me intelligently. I took it as a sign that he didn’t mind if I continued.

“Someone tried to kill me,” I said. “Someone is threatening to kill a couple of my friends. A Nazi. I mean the guy holding them who tried to kill me is a Nazi.”

“That’s how you got all scratched up?” came a raspy voice at my side.

“Yeah.”

The gorilla found a banana and delicately peeled it, still looking at me.

“You think you had a bad day,” came a raspy voice again.

A thin woman in a cloth coat too warm for the afternoon had moved up to the railing without my seeing her. Her hair was white and wild. She had clear light blue eyes and a smooth face. I couldn’t tell how old she was. She clutched a big blue purse to her chest.

“I slept in the park, a little shed behind the Greek Theater,” she said.

I wasn’t sure what to say, so I just nodded and went back to looking at the gorilla. He was now staring at the thin woman.

“Look at them,” she said. “Place to sleep every night. Someone feeds ’em. Don’t have to work, worry about where the next meal is coming, where to bed down.”

“They give up their freedom for that,” I said.

She cackled.

“Put me in a cage with a place to sleep and three squares and you can come and talk to me whenever you like about Nazis trying to kill you.”

“I was talking to the gorilla. I mean, about the Nazis.”

She shrugged and leaned her chin on the purse.

“Go on,” she said. “I talk to ’em too. Say, if a cop comes by, don’t tell him I tried to put the bite on you.”

“You didn’t,” I said.

“I’m working up to it,” she said. “Cop comes and real polite ushers me out of the zoo if I’m puttin’ on the bite.”

“We’re just fellow animal lovers,” I said.

“And both maybe a little nuts,” she said. “Nazis trying to kill you. You come back from the war shell-shocked, something?"

“Too old for the war,” I said.

“So was Milton,” she said, “but he volunteered and they took him. Want to know why?”

“Why?” I asked, and the gorilla and I waited for an answer.

“Because he had a special skill, my Milton, which is something I don’t got. Milton knew barometers, thermometers, all kinds of meters. Worked for the city. Not this one, Newark, New Jersey. Then he got himself killed on a ship somewhere and left me bubkas.”

She looked at me.

“Is that a sad story?”

“Very,” I said.

“Sad enough to make you kick in a few bucks?” she asked.

“Sad enough,” I said, pulling out my wallet and fishing out two singles.

She took them and plunked them into her purse.

“That’s one of my better stories,” she said. “Depends on the customer which story I use. True story is even too sad for me to tell myself. Won’t tell that one for five, even ten bucks. Rather starve. This is the point where you tell me you gotta go. You’re late for something.”

“I’m not late for anything,” I said.

She was looking at the gorilla again.

“Got any kids?” she asked softly.

“No.”

“Good,” she said. “You lose ’em, you lose your heart. Know what I mean?”

“I think so,” I said.

“Gorillas,” she said, looking back at the two animals. “They look so smart. Like they’re thinking, working out some big problem. You think?”

“Maybe.”

“Maybe,” she repeated and ran a hand through her wild hair. “Listen, I gotta go get something to eat. It’s been good talkin’ to you.”

“Same here,” I said.

“And stay away from those Nazis. They’re bad news.”

She walked away, a slight limp. I watched her head down the hill, her eyes toward the ground. I looked at the gorilla. He was watching her too.

“You could have offered her a carrot,” I said.”

Northline by Willy Vlautin (P.S. 2008)

 

Well, the lady fired me after the second time so I didn’t get another job or anything for the rest of the summer. I just laid around with the A/C on in the dark and rented movies. I saw Paul Newman first in Slap Shot, and I thought he was the funniest guy I’d ever seen. Plus he was so handsome. Then I started renting all his movies. When he’s young, like in Cool Hand Luke, he’s amazing. He’s really really handsome in that. Or in Butch Cassidy and the Sundance Kid. But if you’ve ever seen Fort Apache, the Bronx, then you’d understand him. You ever seen that one?’

‘No, I don’t think so.’

‘He’s older in it and he falls in love with a nurse. She’s really beautiful, but she’s a junkie and lives in a horrible part of New York City. But she’s a good person, she’s just had a hard life. Paul Newman is a cop and he’s tough and strong, but he’s also really nice. He’s just tired and worn out ’cause being a policeman in New York City is an awful job. Anyway, there’s this scene where the nurse and him are together, and she’s really exhausted so he makes her a bath. He puts bubbles in it and shakes the water so the bubbles get extra bubbly and he sits with her while she lays in the water. It’s hard to explain, but it just kills me. As sad as it is to admit, he’s probably the greatest thing that ever happened to me.’

‘Paul Newman?’

‘Any time I get worried or my anxieties start in, I just think about Paul Newman. Sometimes it’s hard to get him here, but most of the time he shows up. Ever since that summer, it’s been like that.

Smart Moves by Stuart M. Kaminsky (Mysterious Press 1986)

The bathroom was small, a towel on the floor, the medicine cabinet partly opened. I opened it all the way and found an old straight razor, with a pearl handle and something written on it in German. I lathered, shaved without cutting my throat, looked at myself in the mirror, wiped the drops of soap from my shirt and grinned a horrible lopsided grin at the pug in the mirror who looked as if he were having a good time. It was then I decided for the two-hundredth time that the guy in the mirror was some kind of looney. My ex-wife Anne had seen it in my face long before I did, that young-old face with dancing brown eyes and a smashed nose, smiling when things were complicated and people with assorted weapons were trying to take him apart for scrap.

“This is what it’s all about,” I told the grinning fool in the mirror, not knowing what I was talking about but knowing I meant it and it was the truth. I waited for an echo to answer “Fraud,” or “Nevermore,” but there was no echo and no answer.

Nazis in the Metro by Didier Daeninckx (Melville International Crime 1997)

Alaric unzipped the front pocket of his overalls and dug out a Gauloise Light from a dented packet.

—Isn’t it obvious? I’m out of here.

He offered Gabriel a cigarette.

—Thanks, but I haven’t quit quitting ... You’re really leaving? Closing up shop? Is business that bad?

Smoke streamed from his nostrils in two jets that merged into one.

—You kidding? I’ve got a list of orders as long as a day without bread ... No, the new owner’s kicking me out. There’s no romance in table legs anymore. He wants to gut the place and turn it into a gallery-cafe ...

—Another cafe! Well, we don’t have to worry about dying of hunger in this neighborhood anymore ... And where will you go? Back to Brittany?

Alaric nearly choked.

—Brittany, me? Never! I don’t even go there for vacation! I need streets, bars, cars, subways! The older generations might’ve had a hard time adapting, but I’m completely at home ...

Gabriel leaned his long frame against the wall.

—Of course, it’s been a long time ... The Alaric name has been on this shack forever ...

—You can say that again! Now we’re out on the street... It was my great-grandfather who came here first, from Finistere-Nord, at the end of the last century ... The recruiters arrived and sent whole villages into exile, giving advances to parents and wives ... Reimbursable from the first year’s pay. It was a little like Citroen and Bouygues with the Moroccans and the Turks ... But with us it was for the first Delaunay-Belleville cars. The plant was in Saint-Denis, not far from Briche. Steel frames, spoked wheels, wood interiors, all-leather upholstery ... They needed the best craftsmen in the country, and they went looking for them in Brittany and Auvergne ... I never had the chance to know my great-grandfather, but my grandfather lived basically the same shitty life as he did ... At first he didn’t speak a word of French, and on Saturday nights, after their shifts, Parisian workers would unwind by chasing down “foreigners” ... Because they spoke Meteque, because they were unmarried, because they didn’t eat the food everyone else ate. He was systematically beat up ... And you know what the bastards called those raids?

-No.

With an expert flick, Alaric propelled his cigarette butt into the clear waters of the gutter.

—Bretonnades! Can you imagine? Forty years before the ratonnades* against the Arabs ... It’s only proof that nothing ever changes: we just get used to it...

—And where will you go?

—When they ruin the provinces for you and then kick you out of the city, what’s left?

Gabriel Lecouvreur’s eyebrows rearranged themselves into a circumflex.

—I don’t know ...

—It’s obvious: the outskirts ... They’re sticking me with three thousand square meters in Montreuil, along the highway. It’s called Mosinor ... Twelve stories surrounded by a truck route. Three-quarters of the building is occupied by sweatshops, and the courtyard is used as a parking lot for those green dumpsters from the Department of Household Waste! It’s a dream come true!

—You do make it sound appealing ... You should reinvent yourself as a real-estate agent. Is there anywhere to get a drink, at least?

—Oh sure, these are civilized people, after all: they just opened a Burger King on the ground floor ... I’m going to have to get used to soft drinks ...

Footnote:

* The term ratonnade, deriving from “raton” (rat), a racial slur, referred originally to acts of violence in France against people of North African descent during the years of the French-Algerian war (1954-1962). By extension, the term has been used since then to refer to other racially motivated acts of violence.

The Leader by Gillian Freeman (J. B. Lippincott Company 1965)

"Fox?"

"Who's that? Jessop?"

"Yes. I'm at the house. It's happened."

"You mean Pearman?"

"You were quite right. He's played himself out. He's just taken an overdose. The ambulance is on its way."

"Why didn't you let him die?"

"What's the point? He's nothing. Nothing. Just pathetic. comic. Let them pump him out. Are you listening?"

"Yes."

"Well, we've got quite a salvaging job to do. I want you to handle the press. As soon as the ambulance men remove him, I'm going up to Birmingham. You can report to me there. All they need is the right leader."

The bell on the ambulance, growing louder, stopped outside the house. It was replaced by the urgent ringing of the doorbell. Jessop went to answer it.

Days Like These by Nigel Fountain (Ink Monkey Books 1985)

Ferret wasn't on the phone. His real name is Jack Murray, but he is always known as Ferret; a friend of the old mole, the revolution, he said. I reckoned it was because of his pointed nose and scuttling manner. He is thirty-four, small and dark. He had left Glasgow six years ago to continue a disastrous liaison with a woman who had come down to seek her fortune, and, I suspect, to escape from Ferret. It took her two years to lose Ferret and three to find the pot of gold in every TV researcher's knapsack.

I'd met him at a party and we had got on. He took to me, I suspected, because he liked to have someone to flagellate politically. He was a walking anthology of the left, having tried Labour, the Communists, the Nats for two days, the Socialist Workers, a short-lived Maoist group, the International Marxists, and had finally settled down with a cosy little group of Trotskyists who were apparently based in Stockport and were attempting to Bolshevise that town. This had the double advantage of allowing him to spin romantic stories of the proletarian upsurge there, whilst ensuring that he and the mass base of the organisation were kept at a safe distance from each other. The group were called Workers for Revolutionary Change, or 'those creeps the Wircs'. It was an unwieldy title, but this was common in such groups and represented a satisfactory permutation of the key syntax of red vocabulary. Ferret was effectively the London branch.

He lived in Stoke Newington. It took me an hour to get there.

He blinked at me from behind his door.

'Christ, haven't you had enough?'

His room was in a house of reds of varying shades, who met to abuse one another on the stairway on their way to work, the duplicator and the pub. Ferret had made a marriage of convenience with that section of the radical lower middle classes questing timidly for the proletariat. Occasionally he would go and ham up his days in the Gorbals, particularly when drunk, but otherwise would happily sneak off to the National Film Theatre. He was a sharp man, and a good organiser when he could be bothered.

I followed him upstairs, past a Paris May 1968 'REFORMES CHLOROFORME' poster. It was held in place by a flightless dart.

He paused on the landing to cough. I was vaguely nauseated to see that he was swallowing the phlegm, but that was preferable to spraying me with it, I supposed.

Wigs on the Green by Nancy Mitford (Vintage Books 1935)

'The Union Jack Movement is a youth movement,'  Eugenia cried passionately, 'we are tired of the old. We see things through their eyes no longer. We see nothing admirable in that debating society of aged and corrupt men called Parliament which muddles our great Empire into wars or treaties, dropping one by one the jewels from its crown, casting away its glorious Colonies, its hitherto undenied supremacy at sea, its prestige abroad, its prosperity at home, and all according to each vacillating whim of some octogenarian statesman's mistress -'

At this point a very old lady came up to the crowd, pushed her way through it and began twitching at Eugenia's shirt. 'Eugenia, my child,' she said brokenly, 'do get off that tub, pray, please get down at once. Oh! when her ladyship hears of this I don't know what will happen.'

'Go away Nanny,' said Eugenia, who in the rising tide of oratory seemed scarcely aware that she had been interrupted. 'How could anyone,' she continued, 'feel loyalty for these ignoble dotards, how can the sacred fire of patriotism glow in any breast for a State which is guided by such apathetic nonentities? Britons, I beseech you to take action. Oh! British lion, shake off the nets that bind you.' Here the old lady again plucked Eugenia's skirt. This time however, Eugenia turned round and roared at her, 'Get out you filthy Pacifist, get out I say, and take your yellow razor gang with you. I will have free speech at my meetings. Now will you go of your own accord or must I tell the Comrades to fling you out? Where are my Union Jackshirts?' Two hobbledehoys also dressed in red, white and blue shirts here came forward, saluted Eugenia and each taking one of the Nanny's hands they led her to a neighbouring bench where she sat rather sadly but unresistingly during the rest of the speech.

'We Union Jackshirts,' remarked Eugenia to the company at large, 'insist upon the right to be heard without interruption at our own meetings. Let the Pacifists' - here she gave her Nanny a very nasty look - 'hold their own meetings, we shall not interfere with them at all, but if they try to break up our meetings they do so at their own risk . . .'

Children of the Sun by Max Schaefer (Soft Skull Press 2010)

As he put his coat on Philip said, 'You know what you've done? Speaking of history: it's exactly what you've lost sight of. Nicky wasn't an Übermensch conjured up in a black mass on some moor. Skinheads were produced by socioeconomic circumstance, like every bloody thing else. The Blitz. The redevelopment of the East End, which dismantled old social networks. Post-war immigration. Teddy boys, mods and rockers, rude boys, hippies, punks. Unemployment. The collapse of the social contract.'

'I know that. It's why I was reading about the strikes. But it's not enough. It explains why people like Nicky existed but not what it was like to be Nicky.'

'Then focus on that. Not the bloody occult. Nicky's out with his mates and they start queer-bashing. What goes through his head? He's in a club and sees a black and a white man snogging. What does he think? No, fuck "think": what does he feel? Does he feel sick, does it turn him on? Both? What's it like to be Nicky in his body - fucking and fighting? But enough with the magick, because if one thing's obvious from that programme, Nicky was a very pedestrian kind of nazi.'

'What do you mean,' I said, '"was"?'

Philip stared at me.

'The Register Office can't find his death certificate.'

'Oh for God's sake.'

'Funny, though, isn't it? Look, all I'm saying is you can't separate ideas from reality that neatly. Ideas create reality. It's all connected.'

'Everything's fucking connected. We know that by now, surely? Chaos theory: you have a wank and there's an earthquake off Sumatra. Doesn't tell us anything, apart from maybe you should wank less. I think I'm drunk. Come on, darling,' he said to Tom. 'Let's go.'

pages 175-176

'All right Tony?'

'What are you doing here?'
'Coppers can't tell the difference can they?' says Glenn. 'All just skinheads to them.' He smiles. He has somehow got right next to Tony; he speaks quietly, but does not whisper.

Tony can't hack the look in his eyes and turns away. 'Wanker.'

'There's a few of us here, not just me. Well, we're on CCTV now aren't we, don't want to do nothing heavy. But the nice officers are going to walk us all outside for your safety and that. And there's no cameras out there.'

'You're a fucking race traitor Glenn.' Tony, because he doesn't know what would happen otherwise, collaborates in the conversational hush: they could be queuing at a supermarket checkout. 'You're worse than a fucking nigger.'

'If you like. I just wanted to tell you before it kicks off. There's a truce between us as far as I'm concerned. For old time's sake. But I can't speak for the other lads, so I'd run if I was you. When you get the chance. Is this bonehead wanker a friend of yours?

He kicks both ankles of the man in front, who stiffens.

'Know him Tony do you?' mutters Glenn.

'No.'

'Good, because when we get out of here he's dead. Did you hear me you daft nazi cunt?' Glenn kicks him again. 'When we get outside I'm going to kill you.' The man is visibly shaking.

Slowly the police begin to move the group towards the far end of the concourse. Beyond the cordon, watching reds yell taunts and insults. Some get a chant going, 'Police protect - nazi scum!,' until the objects of their criticism set dogs on them. Near the driveway for postal vans two men in donkey jackets conduct - amazingly - a paper sale. 'Buy a copy, officer?' one calls as the tense formation troops past. 'Read about how workers pay for the government failures. One pound solidarity price.' He waves it after them : Workers' Power', it says on a red background, and on black, hands off iraq!

Glenn mutters: 'How's your love life then?'

'Fuck off all right.'

'Touchy aren't you? Don't they know you're a poof these mates of yours?'

Tony says nothing. They are nearly at the closed-off bit where the new station is being built. In two minutes they will be outside.

'Bound to be some likely shags in this lot Tony. You know what these Europeans are like.'

From behind, Tony watches the face of the man Glenn has threatened to kill. He is listening; his pupil trembles against the corner of his eye.

'I can big you up if you like,' Glenn offers. 'You always were good in bed.'

The subdued shuffle of the skins' boots as they are herded sounds like rain against the roof.

'Better than Nicky if I had to be honest. To my taste anyway. Probably because in your own way you were even more fucked up. Did you see him on telly the other week? Bet that upset a few people.

pages 333-335