Showing posts with label Punk. Show all posts
Showing posts with label Punk. Show all posts
4.7.12
Pussy Riot
http://pussy-riot.livejournal.com/
Here's a compilation of 8 tracks and an interview that I've put together from free sources:
http://d01.megashares.com/dl/xpTpnZ0/Riot.rar
Follow the link to free download of a 45 track Riot Grrrl compilation that includes a Free Pussy Riot action kit - flyers, stencils etc.
http://riotgrrrlberlin.tumblr.com/compilation03
Labels:
Punk,
Pussy Riot,
Russia,
Русский
28.4.12
The Clash- Live at Shea Stadium 1982 (2008)
The Clash opening for The Who, 13th October 1982 at Shea Stadium, New York City.
Terry Chimes back on drums, Topper Headon having had the old heave-ho due to his heroin addiction (though officially due to 'exhaustion').
Kosmo Vinyl Introduction, London Calling, Police on My Back, The Guns of Brixton, Tommy Gun, The Magnificent Seven, Armagideon Time, The Magnificent Seven (Return), Rock the Casbah, Train in Vain, Career Opportunities, Spanish Bombs, Clampdown, English Civil War, Should I Stay or Should I Go, I Fought the Law
or divided up into separate tracks:
Part1:http://d01.megashares.com/dl/iKxKqPK/The Clash Shea.part1.rar
Part 2: http://d01.megashares.com/dl/F0V1S6u/The Clash Shea.part2.rar
22.4.12
Nick Cave and The Bad Seeds -There She Goes , My Beautiful World : Johnny Thunders & The Heartbreakers, Dee Dee Ramone,The Ramones- Chinese Rocks
Big fan of Nick Cave ever since I first heard The Birthday Party. But, me being a true pedant, even Nick is not immune to my fernickittiness. Although it hasn't tainted my love of Nick's work in general, this has been bugging me since September 2004. In the song There She Goes, My Beautiful World from the album Abattoir Blues/The Lyre of Orpheus Cave declares:
JohnnyThunders was half alive
when he wrote Chinese Rocks...
As any fule kno Douglas Glenn Colvin (1951-2002) aka Dee Dee Ramone and Richard Lester Meyers (b1949) aka Richard Hell, wrote the song Chinese Rock(s) in 1976.
What happened is really clear, and the songwriting credits can all be checked at BMI. The song is by me and Dee Dee, but Dee Dee did 75 percent of it. I mean, all I did was write two verses out of three. Dee Dee wrote the music, the concept was his. He's basically responsible for it. But he brought me the song; he didn't even know Johnny and Jerry, but we were friends and he thought the band was great. And when the Ramones didn't want to do the song he said, 'Look, I've written one verse of this song with the chorus and it's about heroin, how about you write the rest of it and it's yours?
Richard Hell (2005)
Dee Dee gives us a version 2:30 into the video...
JohnnyThunders was half alive
when he wrote Chinese Rocks...
As any fule kno Douglas Glenn Colvin (1951-2002) aka Dee Dee Ramone and Richard Lester Meyers (b1949) aka Richard Hell, wrote the song Chinese Rock(s) in 1976.
What happened is really clear, and the songwriting credits can all be checked at BMI. The song is by me and Dee Dee, but Dee Dee did 75 percent of it. I mean, all I did was write two verses out of three. Dee Dee wrote the music, the concept was his. He's basically responsible for it. But he brought me the song; he didn't even know Johnny and Jerry, but we were friends and he thought the band was great. And when the Ramones didn't want to do the song he said, 'Look, I've written one verse of this song with the chorus and it's about heroin, how about you write the rest of it and it's yours?
Richard Hell (2005)
Dee Dee gives us a version 2:30 into the video...
19.4.12
The Nips n Nipple Erectors- Bops, Babes, Booze & Bovver (1987- recorded 1978-1980)
I keep referring back to Jon Savage's England's Dreaming- a truly marvelous study of punk. In it Shanne Bradley (who was known as Shanne Hasler when Savage interviewed her) is described as being one of the Sex Pistols' earliest fans. A disillusioned art student who saw the band play at St Albans, Bradley took the D.I.Y ethos of early punk to heart, and in 1976 she formed her own band- The Nipple Erectors. The singer was an Irishman called Shane O'Hooligan , who, as if you didn't know, was none other than Shane MacGowan.
MacGowan, to quote Wikipedia- 'got his first taste of fame in 1976 at a concert by English punk band The Clash, when his earlobe was damaged by Jane Crockford, later to be a member of The Mo-dettes'. He also created the fanzine Bondage.
Bradley went on to form The Men They Couldn't Hang, a 'folk punk' outfit who were often compared to the Pogues...
http://d01.megashares.com/dl/PNmp8dW/Nipple Erectors.rar
Labels:
Punk,
Shane MacGowan,
Shanne Bradley,
The Nipple Erectors,
The Nips
9.4.12
Johnny Thunders & The Heartbreakers- L.A.M.F (Like A Motherfucker) - The Lost 77 Mixes (1977/1994)
In May 1975 two of the most influential bands in the nascent punk scene underwent personnel changes. Johnny Thunders (1952 –1991) and Jerry Nolan (1946–1992) left the New York Dolls, whilst Richard Hell (1949-) left Television.
This trio were soon performing under the name of The Heartbreakers. Walter Lure completed the line up.
Richard Hell left the group in 1976 and was replaced by Billy Rath.
Johnny Thunders - vocals, guitar
Walter Lure - vocals, guitar
Billy Rath - bass
Jerry Nolan - drums, vocals
http://d01.megashares.com/dl/tTKAkWK/Johnny Thunders.rar
This trio were soon performing under the name of The Heartbreakers. Walter Lure completed the line up.
Richard Hell left the group in 1976 and was replaced by Billy Rath.
Johnny Thunders - vocals, guitar
Walter Lure - vocals, guitar
Billy Rath - bass
Jerry Nolan - drums, vocals
http://d01.megashares.com/dl/tTKAkWK/Johnny Thunders.rar
Labels:
Johnny Thunders,
Punk,
The Heartbreakers
4.4.12
Crass -There Is No Authority But Yourself -dir.Alexander Oey (2006)
When I was proudly parading my anarchism in 81-85 (after that it was in my head rather than on my chest) people were forever telling me that Crass were, in fact, a bunch of 'old hippies'. This observation was made both by old school counterculturalists (themselves often derided as hippies) and punks of other stripes and colours.
There was a Class War (not just the paper) in the 80's. We lost it and our lives remain blighted by this defeat. Global Capitalism has been kicking the prostrate body of the working class ever since, and governments have grown ever more sinister and cynical.
I suspect that, like myself, many of Crass' youthful audience at the time were largely unaware of The Situationists, The Angry Brigade and the like.
Penny Rimbaud makes an observation in this film along the lines of there being no distinction between hippies, beatniks, punks etc. Here here. As my old headmaster used to say, are you with me boys? well, no sir, we are against you, and we come in many shapes and forms.
He also comes across as the ultimate 'old hippy', and I mean this as an unparalleled compliment.
I've never met him, but he remains one of the most influential people in my life.
Here's an earlier snippet of Rimbaud, comes right at the end of some nauseating antics from the 'Fab' Four.
3.4.12
The Slits- Cut (1979)
Girl Power? I'll show you Girl Power, sonny...
Cracking cover picture from Pennie Smith. No sign of Budgie there though, is there? The record is just as invigorating. Fractured funky dub sound created out of chaos by the masterful Dennis Bovell.
Ari Up - vocals
Viv Albertine - guitar
Tessa Pollitt - bass guitar
Budgie - drums
Dennis Bovell - sound effects
We’re just not interested in questions about Women’s Liberation… You either think chauvinism’s shit or you don’t. We think it’s shit… Girls shouldn’t hang around with people who give them aggro about what they want to do. If they do they’re idiots... Viv Albertine, June 1977
Ari Up, quoted in Typical Girls?: The Story of the Slits
by Zoe Street Howe
http://d01.megashares.com/dl/WvVCQTA/The Slits.rar
Cracking cover picture from Pennie Smith. No sign of Budgie there though, is there? The record is just as invigorating. Fractured funky dub sound created out of chaos by the masterful Dennis Bovell.
Ari Up - vocals
Viv Albertine - guitar
Tessa Pollitt - bass guitar
Budgie - drums
Dennis Bovell - sound effects
We’re just not interested in questions about Women’s Liberation… You either think chauvinism’s shit or you don’t. We think it’s shit… Girls shouldn’t hang around with people who give them aggro about what they want to do. If they do they’re idiots... Viv Albertine, June 1977
Ari Up, quoted in Typical Girls?: The Story of the Slits
by Zoe Street Howe
http://d01.megashares.com/dl/WvVCQTA/The Slits.rar
27.2.12
Dead Kennedys-Demos (1978) Fresh Fruit For Rotting Vegetables (1980) plus Bonus disc (1980-81)- In God We Trust Inc. (1981)
Kepone Kids; Forward to Death; California Über Alles; Your Emotions; Kill the Poor; Holiday in Cambodia; Kidnap; Man With the Dogs; I Kill Children; Dreadlocks of the Suburbs; Rawhide; Mutations of Today; Cold Fish; Forward to Death; Viva Las Vegas
http://d01.megashares.com/dl/kiTJ5VF/Dead Kennedys 1978 Demo.rar
http://d01.megashares.com/dl/DO2aYlV/Dead Kennedys Fresh Fruit for Rotting Vegetables.rar | ||||
http://d01.megashares.com/dl/RxWm3rW/Dead Kennedys [Bonus Disc].rar | ||||
http://d01.megashares.com/dl/DdwBVI2/Dead Kennedys - In God We Trust Inc.rar
Dead Kennedys ticked all the boxes for me. Punk greats.
Labels:
Dead Kennedys,
demo,
Punk,
The Dead Kennedys
24.2.12
Millions of Dead Cops (MDC) - More Dead Cops (1988)
Part of the West Coast Hardcore scene in the early '80s (though originally from Texas), MDC with, in my opinion, the best variation of their ever changing name. This is a compilation of their early EPs, released between 1980 -84.
http://d01.megashares.com/dl/ecQFjHj/MDC - Millions of Dead Cops-More Dead Cops.rar
Labels:
MDC,
Millions of Dead Cops,
Punk
6.2.12
YouTube to MP3 Converter. Young Charlatans- Shivers (1978)
If you can still put up with 128kbps why not grab some sounds off YouTube? Very straightforward.
http://www.youtube-mp3.org/
And here's the track as an MP3: http://d01.megashares.com/dl/fYtRRLL/Young Charlatans - Shivers.mp3
http://www.youtube-mp3.org/
And here's the track as an MP3: http://d01.megashares.com/dl/fYtRRLL/Young Charlatans - Shivers.mp3
Labels:
Punk,
Rowland S Howard,
Young Charlatans
4.2.12
Ramones- It's Alive (1979- recorded 1977)
Here's a repost: This is for Roy (check out his excellent Rocket Remnants blog)- enjoy the music, man!
Anything on the 'old' Burning Aquarium will be reposted if you leave a request in the comments on the original post. I'll then reply with a new link within a few days.
Hey, ho, let’s go…
If a traveller from another planet ever lands here at Walker Towers and asks the question what’s this rock n roll thing I’ll play him some Ramones.
Simple simple stuff. The brilliance lies in the simplicity, the raw energy.
The minimalism of the music is matched by the purity of the imagery:
Biker jackets, torn jeans, T shirts and Chuck Taylors.
Johnny and his Mosrite guitar. Bubblegum and John Holmstrom cartoon strips…
Recorded on December 31st 1977 at The Rainbow Theatre, London.
Line up:
Joey Ramone - vocals
Johnny Ramone - guitar
Dee Dee Ramone - bass, backing vocals
Tommy Ramone - drums
http://d01.megashares.com/dl/VLJRfbB/The Ramones-Its Alive.rar
Anything on the 'old' Burning Aquarium will be reposted if you leave a request in the comments on the original post. I'll then reply with a new link within a few days.
Hey, ho, let’s go…
If a traveller from another planet ever lands here at Walker Towers and asks the question what’s this rock n roll thing I’ll play him some Ramones.
Simple simple stuff. The brilliance lies in the simplicity, the raw energy.
The minimalism of the music is matched by the purity of the imagery:
Biker jackets, torn jeans, T shirts and Chuck Taylors.
Johnny and his Mosrite guitar. Bubblegum and John Holmstrom cartoon strips…
Recorded on December 31st 1977 at The Rainbow Theatre, London.
Line up:
Joey Ramone - vocals
Johnny Ramone - guitar
Dee Dee Ramone - bass, backing vocals
Tommy Ramone - drums
http://d01.megashares.com/dl/VLJRfbB/The Ramones-Its Alive.rar
Labels:
live,
Punk,
Ramones,
The Ramones
3.2.12
Ramones (1976), Leave Home (1977), Rocket To Russia (1977)
Nothing rare about these but I thought I'd post something tempting in order to get some feedback on the Megashares links, so let me know how you get on with the downloads.
Review from Punk magazineVolume 1 – Number 2, March 1976
http://d01.megashares.com/dl/HZc5mQB/Ramones Leave Home.rar *
* Includes Carbona Not Glue, Babysitter and Sheena Is A Punk Rocker, all of which in turn featured on various releases of the LP.
* Includes Carbona Not Glue, Babysitter and Sheena Is A Punk Rocker, all of which in turn featured on various releases of the LP.
From Ramones by Nicholas Rombes:
Rombes also described the Ramones as making short, fast songs about nothing.These 3 albums were released in the space of 20 months- the 30 odd songs that the Ramones had together early in 1976 recorded in the order that they were written. Massively important records that, hard as it may be to believe now, were not commercial smashes. Joey Ramone (Jeffry Ross Hyman 1951 – 2001) - vocals
Johnny Ramone (John William Cummings 1948 – 2004) - guitar
Dee Dee Ramone (Douglas Glenn Colvin 1951 – 2002) - bass, backing vocals
Tommy Ramone (Erdélyi Tamás 1952-) - drums
Review from Punk magazineVolume 1 – Number 2, March 1976
Labels:
Punk,
Ramones,
The Ramones
30.1.12
Сергeй Геннaдиевич Нечaев - Катехизис Pеволюционера (1869) Generation X- Your Generation (1977)
The revolutionary knows that in the very depths of his being, not
only in words but also in deeds, he has broken all the bonds which
tie him to the social order and the civilized world with all its
laws, moralities, and customs, and with all its generally accepted
conventions. He is their implacable enemy, and if he continues to
live with them it is only in order to destroy them more speedily.
from: SG Nechaev- The Catechism of a Revolutionary (1869)
In connection with the extreme maximalist tendencies of the end of the (eighteen) 'sixties the
sinister, grim, and characteristically Russian figure of Nechaev is of particular interest.
He was the founder of the revolutionary society called 'The Axe or the People's Justice'.
Nechaev composed the 'Revolutionary Catechism', a document of unusual interest,
unique of its kind. In this document is to be found the extreme expression of the
principles of atheistic revolutionary asceticism. They are the rules by which the genuine revolutionary should be guided, his manual, as it were, of the spiritual life. Nechaev's catechism is reminiscent to
a grim degree of Orthodox asceticism turned inside out and mixed with Jesuitism. He was
a sort of Isaac the Syrian and Ignatius Loyola of revolutionary socialism, the extremist
form of the revolutionary ascetic denial of the world. Nechaev was, of course, absolutely
sincere, and his fanaticism was of the extremest kind. His was the psychology of the
sectarian. He was prepared to burn his neighbour, but he was ready at any moment to be
burned himself. Nechaev alarmed everybody. Revolutionaries and socialists of all shades
rejected him and found that he was compromising the work of revolution and socialism.
Even Bakunin repudiated Nechaev.
sinister, grim, and characteristically Russian figure of Nechaev is of particular interest.
He was the founder of the revolutionary society called 'The Axe or the People's Justice'.
Nechaev composed the 'Revolutionary Catechism', a document of unusual interest,
unique of its kind. In this document is to be found the extreme expression of the
principles of atheistic revolutionary asceticism. They are the rules by which the genuine revolutionary should be guided, his manual, as it were, of the spiritual life. Nechaev's catechism is reminiscent to
a grim degree of Orthodox asceticism turned inside out and mixed with Jesuitism. He was
a sort of Isaac the Syrian and Ignatius Loyola of revolutionary socialism, the extremist
form of the revolutionary ascetic denial of the world. Nechaev was, of course, absolutely
sincere, and his fanaticism was of the extremest kind. His was the psychology of the
sectarian. He was prepared to burn his neighbour, but he was ready at any moment to be
burned himself. Nechaev alarmed everybody. Revolutionaries and socialists of all shades
rejected him and found that he was compromising the work of revolution and socialism.
Even Bakunin repudiated Nechaev.
from: Nicolas Berdayev -The Origin Of Russian Communism (1937)
Here are some links to The Catechism of a Revolutionary, written by Nechaev in 1869:
http://for-freedom.ucoz.com/blog/s_g_nechaev_katekhizis_revoljucionera/2010-05-21-2
Thanks to the original posters.
Thanks to the original posters.
In Your Generation (1977) Generation X pay homage to the consequentialism that was the backbone of Nechaev's nihilist philosophy:
Labels:
clip,
Generation X,
Nechaev,
Punk
17.1.12
Streets (Beggars Banquet Compilation)- (1977)
I remember this LP, the first ever release on Beggars Banquet. It's a great compilation.
Must have sold my copy years ago, but thanks to the excellent 666 Music For Life
blog you can get it here:
Must have sold my copy years ago, but thanks to the excellent 666 Music For Life
blog you can get it here:
Labels:
Punk,
Various Artists
11.1.12
The Dictators Go Girl Crazy (1975)
My name is Malcolm McLaren
I have brought you many things in my time but the most successful of all
was an invention of mine they called punk rock.
So Malcolm Mclaren tells us in his movie The Great Rock n Roll Swindle that he invented Punk Rock.
Jon Savage, in his excellent study of Punk, England's' Dreaming, states:
In the autumn of 1975 British Punk had begun at 430 Kings Road...
The earliest reference to print to 'punk rock' came in the early 70's, and the Garage bands of the 60's were retrospectively given the label by Lenny Kaye, writing the sleeve notes for the Nuggets album in the autumn of 1972. For the etymology of the term punk rock see Jon Savage's blog.
The Ramones made their vinyl debut in the USA in April 1976, but of course, no homegrown 'Punk' records appeared in the UK until the Damned released New Rose in October 1976 .
Listening to John Peel's Punk Rock Special (December 1976) we can hear the sort of things that punks were listening to, and much of it had been around a while (in rock n roll terms) by the time the Pistols released their debut (Anarchy in the UK) in November 1976.
Look at the first few (pre Sex Pistols) issues of Punk (which first appeared in January 1976); the mag covers Lou Reed, The Ramones, Talking Heads, Patti Smith, Television, David Johansen, Richard Hell, The Heartbreakers, Blondie, Iggy Pop, The Dictators and Eddie and The Hotrods...
Ah, whatever. Looks like there were two things happening at the same time, New York and London. Both trying to put a bit of life back into rock, probably the first post modernist take on pop music (although Ziggy Stardust has a valid claim to this). And at some point (the release of The Ramones?) they inevitably came together.
Here's a great American LP from the pre- punk days:
I have brought you many things in my time but the most successful of all
was an invention of mine they called punk rock.
So Malcolm Mclaren tells us in his movie The Great Rock n Roll Swindle that he invented Punk Rock.
Jon Savage, in his excellent study of Punk, England's' Dreaming, states:
In the autumn of 1975 British Punk had begun at 430 Kings Road...
The earliest reference to print to 'punk rock' came in the early 70's, and the Garage bands of the 60's were retrospectively given the label by Lenny Kaye, writing the sleeve notes for the Nuggets album in the autumn of 1972. For the etymology of the term punk rock see Jon Savage's blog.
The Ramones made their vinyl debut in the USA in April 1976, but of course, no homegrown 'Punk' records appeared in the UK until the Damned released New Rose in October 1976 .
Listening to John Peel's Punk Rock Special (December 1976) we can hear the sort of things that punks were listening to, and much of it had been around a while (in rock n roll terms) by the time the Pistols released their debut (Anarchy in the UK) in November 1976.
Look at the first few (pre Sex Pistols) issues of Punk (which first appeared in January 1976); the mag covers Lou Reed, The Ramones, Talking Heads, Patti Smith, Television, David Johansen, Richard Hell, The Heartbreakers, Blondie, Iggy Pop, The Dictators and Eddie and The Hotrods...
Ah, whatever. Looks like there were two things happening at the same time, New York and London. Both trying to put a bit of life back into rock, probably the first post modernist take on pop music (although Ziggy Stardust has a valid claim to this). And at some point (the release of The Ramones?) they inevitably came together.
Here's a great American LP from the pre- punk days:
Review from Punk
The Dictators were formed in New York City in 1973.
There's a rehash of John Holmstrom's 1977 write up on The Dictators here: http://www.thedictators.com/punkmag.html.
Labels:
Jon Savage,
Malcolm McLaren,
Punk,
The Dictators
1.1.12
Бригадный подряд (1986)
Kolya Mikhailov — vocals, guitar
Dima Babich — bass
Sasha (Santer) Lukyanov — guitar
Igor (Said) Sayikin — drums
Fedya (Hippo) Lavrov — percussion, sound effects.
Leningrad, The Soviet Union, 1986. The city was at the forefront of the Soviet underground music scene.
Cracking, raw hardcore sound here, heavy distorted guitars, some Oi type chanted vocals. Only 192 kbps but hey, this was Leningrad.
The group's name transliterates as Brigadni Podryad , which is, by my reckoning, something like 'mercenaries' (hired brigades)?
Dima Babich — bass
Sasha (Santer) Lukyanov — guitar
Igor (Said) Sayikin — drums
Fedya (Hippo) Lavrov — percussion, sound effects.
Leningrad, The Soviet Union, 1986. The city was at the forefront of the Soviet underground music scene.
Cracking, raw hardcore sound here, heavy distorted guitars, some Oi type chanted vocals. Only 192 kbps but hey, this was Leningrad.
The group's name transliterates as Brigadni Podryad , which is, by my reckoning, something like 'mercenaries' (hired brigades)?
Labels:
CCCP,
Punk,
Бригадный подряд,
Русский
24.10.11
Bad Brains (1982) Fixed Link.
Hardcore punk. Speed, energy, directness. Bad Brains, African American devotees of Rastafari.
Massively influential- one of the classic albums of any genre.
At their best, Bad Brains are a band to make the hairs on the back of your neck ripple in awe. Rastafarians from Washington DC by way of New York City, Bad Brains play a groundbreaking, incendiary mixture of raging hardcore punk, deftly thudding metal and heartfelt, liquid reggae, bristling with spiritual fervor. Visionary frontman H.R. (Paul Hudson) has the lungs of a lion, able to morph from sweetly soulful crooner to fiery banshee wailer; guitar wizard Dr. Know erupts with serpentine squealing leads and charging, crunching chords; the churning heartbeat rhythms are forged by limber bassist Darryl Jenifer and stoic drummer (and H.R.'s brother) Earl Hudson. Trouser Press
The unlikely influence of the pioneer of personal success lit, author of Success Through a Positive Mental Attitude (1960) Napoleon Hill...
Attitude
Don't care what they may say we got that attitude.
Don't care what they may do we got that attitude.
Hey we got that PMA
Bad Brains peaked early...This ...showcases the BB's (sic) at their furious peak, and every single note on this record is clasic. The Brains flawlessly shift between revved-up punk and spaced out dub. Indespensable.
Chris Knowles Clash City Showdown
H.R. - vocals
Dr. Know - guitar, backing vocals
Darryl Jenifer - bass guitar, backing vocals
Earl Hudson - drums, backing vocals
http://d01.megashares.com/dl/sgL766F/Bad Brains.rar
Labels:
Bad Brains,
Hardcore,
Punk,
Reggae
15.10.11
Stiff Little Fingers- The Complete John Peel Sessions (recorded 1978-1980)
- Johnny Was
- Law And Order
- Barbed Wire Love
- Suspect Device
- Wait And See
- At The Edge
- Nobody's Hero
- Straw Dogs
- No Change
- I Don't Like You
- Fly The Flag
- Doesn't Make It All Right
- Jake Burns - Guitar, Lead Vocals
- Henry Cluney - Rhythm Guitar, Backing Vocals (Lead Vocals on No Change )
- Ali Mcmordie - Bass, Backing Vocals
- Brian Faloon - Drums, Concussion (tracks 1-4)
- Jim Reilly - Drums(tracks 5-12)
Labels:
Covers,
Peel Session,
Punk,
Stiff Little Fingers
21.6.11
The Clash - Rat Patrol From Fort Bragg (1981) Fixed Link.
All I can add to the billions of words written about the greatest band ever are my personal recollections of the way in which their music brought a bit of light into a gloomy adolescence in the late 70's and early 80's.
I've always held Combat Rock by The Clash in the very highest esteem. The release of London Calling was the high point in my life as a consumer of music- everything being perfectly right at the time - the eager anticipation, the discussion of the songs on the schoolyard, the sense of belonging to some huge gang whose members were spread across space and time.
I know that a lot of 'purists' felt that The Clash lost their way (and Sandinista was a bit of an effort) but I was absolutely bowled over by the lyricism and funky groove of Combat Rock.
Here's the album as produced by Mick Jones in 1981, a famous bootleg.
http://d01.megashares.com/dl/h94Pl7s/The Clash Rat Patrol From Fort Bragg.rar
17.6.11
Chumbawamba- English Rebel Songs 1381-1984 (2003)
An album of folk songs by an anarcho punk group. Minimal accompaniment or acapella singing. Very pleasing it is too. The songs range from the time of the Peasants Revolt up to the Miners Strike of 1984 (I'm sure you've worked that out from the title...).
I'm not going to write about the songs- there's a wiki page about the album and the details are on there.
Anyone who cares to indulge in a bit of pedantry can delight in the inclusion of a Welsh and an Irish song...
Labels:
Chumbawamba,
Folk Music,
Punk
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