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Showing posts with label t-coy. Show all posts
Showing posts with label t-coy. Show all posts

Saturday 7 October 2023

Saturday Live


Last Saturday's Saturday Live slot had Happy Mondays in seriously fine form on Tony Wilson's legendary Granada TV music programme The Other Side Of Midnight. Wilson had a certain amount of sway by the late 80s but his bosses were still pushing his music programmes to the late night slots, out of harm's way. The Other Side Of Midnight ran from June 1988 through to July 1989. The end of series party, broadcast on 23rd July 1989, was filmed at the Quay Street studios, Wilson introducing the show and the set transformed into a full blown 061 rave. Wilson tries to flog a OSM t- shirt and then we're into T- Coy, the Mancunian/ Latin house trio of Mike Pickering, Simon Topping (ex- ACR) and Ritchie Close, and their superb Carino. As was often the case at the time, the crowd are the stars as much as those on stage, the shots of the dancers bringing 1989 right back. 

T- Coy are followed by A Guy Called Gerald and and the British house record that beats all others, Voodoo Ray. Then we have the Mondays, Shaun slurring instructions in broadest Salfordian, 'turn it up, I said I like that, turn it up'. Later on they play Wrote For Luck, the corwd full of hair being grown out, whistles being blown and limbs waving. This all took place on an afternoon at the bottom end of Castlefield. 

Sunday 24 November 2019

Carino


Two random and unconnected pieces of Twentieth century pop culture for Sunday. The picture is a photograph/mixed media collage by Man Ray from 1941 titled Les Filles des Noix (Nut Girls). Forty five years later came the song below- Carino by T-Coy- a delicious marriage of Mancunian house and Latin music, created by the magic hands and imaginations of Mike Pickering, Richie Close and Simon Topping. It still sounds as fresh as you like. Carino, which has the honour of being the first UK house release and existed as early as 1985 before being released on Pickering's fledgling Deconstruction label in 1987.

Carino


Friday 6 October 2017

I Like That, Turn It Up


Yargo have appeared in my social media timelines a couple of times recently so it's time to revisit them here. I've written about them before, a band barely known outside Manchester but who really should have been bigger. There's a dearth of decent pictures on the internet too and while searching for an image for this post I found the one above, a ticket for a 1990 gig at Manchester International 1 where they were supported by Rig (who I wrote about at the start of this year here and who had my mate Darren on guitar).

Yargo were a four piece who defied pigeonholing mixing blues, soul, funk and reggae, and a singer (Basil Clarke) with the voice of an angel. Several of them had previously been in Biting Tongues, another unsung Manchester band. This song, from the album Bodybeat, has brushed drums and jazzy guitar licks before moving into a sort of dub/film soundtrack area.

Another Moss Side Night

In 1988 they put out a single with singer Zoe Griffin called The Love Revolution (Manchester, 1988- 'ten thousand people committing no crime... we're dancing away'). Basil's voice floats over an ACR style house groove on this very nice Justin Robertson remix.

The Love Revolution (Justin Robertson's Scream Team Remix)

They received their most widespread coverage in 1989 when their song The Other Side Of Midnight was used as the theme tune to Tony Wilson's late night Granada music TV show of the same name. As well as some legendary appearances by some definitive Manchester guitar bands OSM enabled Tony to broadcast a party from Victoria Baths soundtracked by A Guy Called Gerald (starting at 6.15 with Voodoo Ray).



And from the end of the series in July 89 a stunning show from the old Granada Studios building, a live rave with Gerald again, T-Coy (Mike Pickering and ex-ACR man Simon Topping) and the Happy Mondays at their chaotic peak. But you know,  it's 1989, the crowd are the real stars.

Friday 22 January 2016

Dream Slumber


Dream Slumber is a remix of Annette by T-Coy. In other words Mike Pickering and Simon Topping remixing themselves. It's a fantastic piece of 1988 Mancunian acid house that could fit in with both Drew's Friday series and by Pickering's association with Factory my 2015 Factory Friday series. The sequenced bassline is a dream and the record glides towards it's stuttering sample conclusion... 'that's a baaaaaad record'.

Dream Slumber (T Coy Mix)

Saturday 29 August 2015

Midnight


I found this twenty four minute time capsule while looking for this morning's Yargo clip- a special edition of Tony Wilson's The Other Side Of Midnight TV show from the summer of 1989. Mike Pickering's T-Coy, A Guy Called Gerald and Happy Mondays playing live down at Granada Studios. A party, as Wilson says, with the emphasis on part-E. As ever, the crowd (their clothes, hairstyles and dancing) are the real stars.




Thursday 20 August 2015

Carino


Mike Pickering is one of the key people in the Manchester/Factory/Hacienda story- a mate of Rob Gretton's via Man City away games he started putting on club nights in abandoned buildings in Rotterdam and formed Quando Quango. He was the man who shaped the music policy of the Hacienda from its early days. He ripped the microphone out of the dj booth so they couldn't talk over the records and began to create the vibe he'd been so impressed by at New York's dance music clubs. He was the bookings manager for the Hacienda. He played house music at the Nude and Hot nights which in no small part invented the house scene of the late 80s. He signed the Happy Mondays to Factory. He told Factory he wanted to set up a dance offshoot label and when knocked back set up DeConstruction, one of the 90s key dance music labels. In 1987 he formed T-Coy to make house music (along with ex-ACR man Simon Topping) and they made this classic record.

Carino

He still djs today. This set from a night at Manchester's Albert Halls from earlier this month shows him in fine ravey house form, albeit with less hair than he had in the photo above.