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Showing posts with label jnr poon. Show all posts
Showing posts with label jnr poon. Show all posts
Saturday 12 October 2019
The Hidden Library
A reader request today from someone called Boshed who found my Hidden Library post from 2012 and asked if the songs could be re- uploaded. First some background. Back in the early 21st century Andrew Weatherall had a short run of limited 7" single releases under the name Hidden Library. At the time there was a Rotters Golf Club website with a virtual club house you could explore and poke around in using your mouse and dial up internet connection. In the library there was a secret door which took you through to the hidden library from where a pair of singles could be ordered, limited to 500 copies. They were among the first things I ever bought off the internet and my ineptitude meant that I bought two copies of one of them and couldn't work out how to change my order. This was in the days when Weatherall and Keith Tenniswood were deep underground, making seriously purist electronic music. Breakbeats via turntables and laptops, abstract electro with a heavy whiff of skunk in the air.
The first single, Hidden Library 001, doesn't exist. Apparently it was mispressed and binned. Weatherall has said on the radio that he has a couple of OK copies that he'll sell on the internet when times are hard. The first release was Hidden Library 002. Both sides of the single are untitled but written and produced by Weatherall and Tenniswood.
Hidden Library 002 A
Hidden Library 002 B
Hidden Library 003 was a cover of Hawkwind man Robert Calvert's 1985 song Lord Of The Hornets. Both sides of the single are credited to Jnr. Poon. Eventually it came to light that Jnr. Poon, who made only these two songs, was Duncan Gray and Jim Wren. Duncan Gray has recently been releasing a slew of excellent, long chuggy monsters, some of which have been posted here and here.
Lord Of The Hornets is a buzzing, wired, electronic killer of a track, worth the price of admission alone.
Lord Of the Hornets
The B- side is scratchy and dusty with a stark drumbeat, sounds a bit like it was recorded in an underpass beneath a dual carriageway at night, and has Weatherall on distorted spoken word vocals. Unfortunately the use of the word 'retard' really hasn't aged well.
My Backward Cousin Mark
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