Forty Five Minutes of Speaking Voices

I had the misfortune recently to see an advert on TV with the voice of Alan Watts is being used to sell cruises for the Cunard shipping company. Watts was a writer, speaker and philosopher who did much in the 1950s and 60s to popularise Eastern philosophies in the west. His lectures and speeches have been widely available for a long time, not least since the rise of Youtube. His son tries to control the use of them through an Alan Watts website where they can be downloaded when paid for, so presumably Cunard paid for the use of Alan's voice rather than just ripping it from Youtube. The advert chops up Watts' speech and misses the end section entirely, not surprisingly, (knowingly) misrepresenting the message of the original, selling a luxury cruise on the high seas as the dream Watts speaks of. I'm not here to complain about advertising, it's a bit late in the day for that. Watts' voice and speeches are instantly recognisable and catnip for use in media where his message, accent and speaking voice and rhythms are striking and attention grabbing. 

I came across this clip this week too, writer Paul Bowles interviewed in 1970 about a trance dance and self mutilation he witnessed while resident in Morocco. Bowles left the USA in 1947 and settled in Tangier, recording local musicians and writing. His novel The Sheltering Sky came out in 1949, turned into an epic film by Bernardo Bertolucci in 1990 (I read the book and saw the film at the time and enjoyed both but don't remember much about either now so need to revisit). Bowles' speaking voice, like Alan Watts, very much lends itself to being set to music, not just the content but the tone and timbre and patterns of speech. Which led to think that speaking voices set to music would make a good longform mix.

The mix below is forty five minutes of speaking voices set to music, sometimes where voice and music have been specifically made for and recorded with each other and sometimes where the voice has been taken from earlier recordings and sampled. I could probably find enough to make a second at some point in the future. 

Forty Five Minutes Of Speaking Voices

• Jon Hopkins, Ram Dass and East Forest: Sit Around The Fire
• 10:40: The First Step
• Coyote: The Outsider
• David Holmes and Jon Hopkins ft. Stephen Rea: Elsewhere Anchises
• Rude Audio and Dan Wainwright: Be Love
• Steve Queralt and Michael Smith: Chaldean Oracle
• Steve Queralt and Michael Smith: Glitches (Flug 8 Remix)
• Fireflies and Joe Duggan: Leonard Cohen Knows

Sit Around The Fire is the closing track on Jon Hopkins 2022 Music For Psychedelic Therapy, the voice of guru and writer Ram Dass talking about spiritual discovery through sitting round the fire and staring at the flames, while Hopkins' slow piano chords and sound of wood burning and crackling drift by. 

The First Step came out on Higher Love Vol. 2 last year, a 10:40 track that borrows a Bertrand Russell interview and layers a slow burning groove and wash around it, growing in emotion with nods to Elvis and Spiritualized. Russell speaks of acting and of doing in spite of doubt and in the absence of religion.  Magical stuff. 

Coyote are masters of sampling voices and building beautiful Balearic songs around them. This one takes Alan Watts talking about artists, work, states of evolution and sane and insane societies, adds some lovely acoustic guitar, and pays tribute to Andrew Weatherall (who styled himself as The Outsider when writing for Boy's Own back in the late 80s). The Outsider is the last song on their 2021 album The Mystery Light, a highly recommended record. 

Elsewhere Anchises is from David Holmes' Late Night Tales, a stunning 2016 compilation album that pulled together nineteen songs of life and loss, spanning Buddy Holly and David Crosby to Eat Light Become Light and songs David made for the album. On Elsewhere Anchises actor Stephen Rea speaks the words of Seamus Heaney over David's ambient backdrop, the sound of something quite special taking place. 

Rude Audio and Dan Wainwright have released one of this year's best dub/ dub techno/ psychedelia albums, Psychedelic Science. Be Love opens the album with the voice of Ram Dass making his second appearance on this mix. 

Steve Queralt and Michael Smith released the four track EP Sun Moon Town last year, Ride bassist Steve writing and recording four very different pieces of music and Hartlepool born writer and flaneur Michael narrating his own tales of adventures and wanderings in the 21st century, a place and time that seems quite bewildering to him. The Flug 8 remix comes from this year's remix package, a dissection of late stage capitalism and advertising agency dreams you can dance to.  

Fireflies is one of Nina Walsh's musical outlets, a South London based collective. The voice is that of Joe Duggan, Derry born and resident of Crystal Palace. 'If anyone knows', Joe says, 'Leonard Cohen knows'. 

Fitzroy Avenue

Joe Duggan is a poet from Northern Ireland, currently in Crystal Palace, whose work I'm a big fan of. He writes about every day life and the lives of others, writing about the little details and the big themes. As well as a gifted writer he has a distinctive voice. Out today on Paisley Dark is a poem set to music by Warriors Of The Dystotheque. Fitzroy Avenue describes a party taking place at 47 Fitzroy, Belfast, 'various substances, Stella Artois and the vague outside chance of a result tonight'. Joe's Northern Irish accent, his use of repetition and the cosmic disco chug of the music are a perfect blend. 'It's all happening here'. Fitzroy Avenue, the video and not one but six remixes are all available today at Bandcamp. 

The BFP Acid- Flex Mix is a beauty, the throb and buzz of the bassline and Joe's voice, some echo and some distorted synth sounds, combining over seven and a half minutes in a sweet spot of poetry and acid house.

Joe has previously recorded with Nina Walsh and Andrew Weatherall. He recorded Downhill with Andrew and Nina in their Woodleigh Research Facility guise, a collective based in the Crystal Palace environs. Downhill came out in March 2020, just weeks after Andrew died. 'From where I live', Joe declares over the wobble of synth bass and a kick drum, 'It's downhill all the way/ To the pubs of Waterloo Street/ Derry just kind of tilts me', the phrase, 'Has anyone seen Joe? Where'd he go?' repeated again and again. 

Joe also put his words over WRF's music on Play Bingo With Me, more dystopic future machine music with Joe's voice revealing slices of everyday life.

In 2019 Joe recorded with Fireflies, another Crystal Palace based group (who also recorded a single for Andrew Weatherall's Moine Dubh 7" singles club). Fireflies are Nina, guitarist Franck Alba and Dani Cali. The five track EP, Surrounded On All Sides, opens with Joe's poem Falling Man, the tale of a man who fell 3, 500 feet from the wheel arch a plane over South London, from a flight that took off in Kenya. It's is a dark and affecting poem, full of empathy for someone who took an enormous, fatal, risk to find a better life and died trying. There is light and shade on the EP too- Leonard Cohen Knows is more reflective. You can buy Surrounded On All Sides here. Stick all of today's poetry/ music into one playlist/ onto one CD for a Joe Duggan Friday festival.

On The Mountainside

Nina Walsh and Franck Alba's Fireflies have a new song out, a squally, banjo driven stomp riding on a huge bass part, and Nina in imperious voice. It sounds like something bad has gone down, a ritual gone wrong, a friend abandoned in the woods, 'that morning/ when skies were grey/ I left you lying and slipped away'. The video starts with a minute and a half of quiet sounds, whistles and a drone, the sound of the woods, leaves crunching and the stream bubbling and the ever present menace of the British countryside in the winter, before it all kicks off at one forty- one. Buy it at Bandcamp

Gotta Get Out Now

Fresh from contributing to the soundtrack Killing Eve South London's Fireflies released an e.p. at the start of the month called The Machine Stops. Recorded at Nina Walsh's Facility 4 the e.p. is led by their spooked cover of Kip Tyler's She's My Witch. Tucked away at the end of the four songs is the fuzzed up, smouldering garage rock of Heidi, four minutes of snarl and menace, a song which blows my cobwebs away each time I play it, thumping drums, a vicious guitar solo and lyrics about escape.  The Machine Stops is at Bandcamp and there's a video for Heidi here which isn't available to embed at the moment.

Isolation Mix Three

It's over halfway through April already. The weeks seem to be flying by even though some of the days seem very long. This is Isolation Mix Three. I thought I'd do something different from the ambient, blissed out, opiated sounds of the first two mixes and this mix is something that I first wrote about doing in a post here about three years ago. This is an hour and three minutes of spoken word and poetry and music. Andrew Weatherall features in various guises and with various poets, the Beat Generation and The Clash are represented, there's some reggae and the unmistakable voice of John Cooper Clarke.

Jack Kerouac/Joe Strummer: MacDougal Street Blues

John Cooper Clarke: Twat

Misty In Roots: Introduction to Live At The Counter Eurovision

Linton Kwesi Johnson: Inglan Is A Bitch

The Clash (and Allen Ginsberg): Ghetto Defendant (Extended Version)

Allen Ginsberg/ Tom Waits: Closing Time/America

Andrew Weatherall and Michael Smith: The Deep Hum (At The Heart Of It All)

Joe Gideon and The Shark: Civilisation

Woodleigh Research Facility and Joe Duggan: Downhill

Fireflies and Joe Duggan: Leonard Cohen Knows

BP Fallon and David Holmes: Henry McCullough (Andrew Weatherall Remix)

Mike Garry and Joe Duddell: St Anthony: An Ode To Anthony H Wilson (Andrew Weatherall Remix)

Allen Ginsberg: I Am A Victim Of Telephone

She's My Witch

Alderley Edge has a long association with the mystical and esoteric. Legend has it King Arthur sleeps below the ground, inside the cliff at the Edge, waiting for the moment England needs him to come back and save it. 'Yo, Arthur- think that moment might be coming' you might be thinking. Merlin, Arthur's wizard, is associated with the site too. This little house is on the side of the road near The Wizard Pub, a strange little one up, one down affair. Today Alderley Edge is mainly associated with footballers, who live in enormous houses dotted around the village and frequent the wine bars and brasseries. People say the charity shops often have excellent, barely worn stock as a result. This may be rumour though- like Arthur's supposed return. Maybe if he does emerge he'll come bedecked in Balenciaga and Prada on his way to tackle Johnson and Farage with Excalibur.

Fireflies have a single out, a spooky, slow and smokey cover of a Kip Tyler song- She's My Witch, a song Arthur and Merlin could have sung. In this case vocals are from Dani Cali with Nina Walsh and Franck Alba. It's in the new series of Killing Eve (which I haven't seen but people are saying isn't as good as the first one. Ain't it always that way).

Kip Tyler featured here many years ago, back in the Friday night rockabilly series, a 50s rock 'n' roller and bongo player.

A Vision Of Duncan Sharp

Fireflies are Nina Walsh and Frank Alba and have recorded some weird, spooky folk music in the recent past. This song is something else though, a post punk bassline and some electronic atmospherics over which author Gareth E. Rees gives a compelling spoken word performance, a vision of Duncan Sharp, becoming increasingly intense over its seven minutes. The track was recorded live at Weird Shit in Hastings last year and is as good a way to disturb your Saturday morning as any.

Moine Dubh

Andrew Weatherall's new folk influenced record label Moine Dubh is open for business. The vinyl-only subscription cost is £50. This gets you five 7" singles, released monthly starting in September, working out at a tenner a single. The record label was launched in London last month with the various artists playing live. A recording of this event, an hour and half long, is below. Dark, electronic-flecked folk from the dusty corners of the minds and imaginations of Andrew Weatherall, Nina Walsh, Franck Alba, Fireflies, Echowood, Dani Cali, Lowroad and Barry Woolnough.

Stoney Lane

Stoney Lane by The Fireflies is strange electric psyche-folk, slowburning, smoky and mysterious, with some real subtlety to the playing and vocals. It sounds like the song the band were playing late at night in a stone wall pub, after a weird night out in the English countryside.

Stoney Lane is coming out soon on Moine Dubh, a new label from Andrew Weatherall. 7" vinyl only, via subscription. He knows how to draw us in.