Ennio Morricone

I've posted music by Ennio Morricone recently, back in May as part of a tribute to his Spaghetti Western soundtracks and the sampling of them by various bands (which you can find here) and also as part of at least two of my Isolation mixes. His death was announced yesterday. Ennio died aged 91 in hospital following a fall a few days earlier. It's fair to say that his soundtrack scores for Sergio Leone's Man With No Name trilogy redefined what a composer could do in cinema and Morricone went on to score over 500 films. In a lot of ways, for people around my age, his work was one of the sounds of our youth- the whip cracks, the whistling, the twangy guitars, the sweeping strings and the chanting. The songs stand alone too, as pieces of music to listen to away from the brilliance of Leone's films. A pioneer. RIP Ennio.

Watch Chimes  (From For A Few Dollars More)

Isolation Mix Twelve

I'm not sure that the title of these mixes holds true any more but onward we go. This week's hour of music is coming from the punk and post- punk world and the long tail that snakes from the plugging of a guitar into an amplifier and someone with something to say stepping up to the microphone. Some Spaghetti Western as an intro, some friendship, some politics, some anger, some exhilaration, some questions, some disillusionment, some psychedelic exploration and some optimism to end with.

In History Lesson Part 2 D. Boon explains his friendship with Mike Watt, the importance of punk in changing their lives, the singers and players in the bands that inspired him and, in the first line, the essence of punk as he experienced it.

'Our band could be your life
Real names'd be proof
Me and Mike Watt played for years
Punk rock changed our lives

We learned punk rock in Hollywood
Drove up from Pedro
We were fucking corn dogs
We'd go drink and pogo

Mr. Narrator
This is Bob Dylan to me
My story could be his songs
I'm his soldier child

Our band is scientist rock
But I was E. Bloom and Richard Hell
Joe Strummer and John Doe
Me and Mike Watt, playing guitar'

Ennio Morricone: For A Few Dollars More

Minutemen: History Lesson Part 2

Joe Strummer/Electric Dog House: Generations

X: In This House That I Call Home

The Replacements: Can’t Hardly Wait (Tim Outtake Version)

Husker Du: Keep Hanging On

The Redskins: Kick Over The Statues

The Woodentops: Why (Live)

The Vacant Lots: Bells

The Third Sound: For A While

Spacemen 3: Revolution

Poltergeist: Your Mind Is A Box (Let Us Fill It With Wonder)

Echo And The Bunnymen: Ocean Rain (Alt Version)

Pete Wylie: Sinful

Carbon/Silicon: Big Surprise

Get Three Coffins Ready

One of the defining features of popular culture for those of us who grew up in the 1960s and 1970s was the Western. My Mum was/is a Western obsessive, a huge fan of Bonanza, The High Chaparral and the whole gamut of Western films. The theme tunes to those TV shows are some of my earliest musical memories and the actors from those shows singing country 'n' western songs ran through my Mum's record collection (along with The Beatles and Nancy Sinatra). Musically, Lorne Greene singing cowboy songs hasn't really stuck with me but the partnership between Sergio Leone and Ennio Morricone has. The Spaghetti Western films, especially the core Dollar trilogy films made in the 1960s- A Fistful Of Dollars (1964), For A few Dollars More (1965) and The Good, The Bad And The Ugly (1966)- were late night BBC2 films, taped and re-watched. The style of the films, hard boiled anti- heroic, Clint Eastwood's poncho wearing Man With No Name, Mexicans, feuds over gold, bounty hunters, Lee van Cleef, changed the popular view of the Western completely, from the clean living, homespun, family oriented shows to something grittier and ambiguous. The music, scored by composer Ennio Morricone, was something else as well, no rousing orchestral fanfares or campfire singalongs but sparse, dramatic, low budget tunes with whipcracks, gunshots, chanting voices and whistling.

The Good, The Bad And The Ugly

The Ecstasy Of Gold

The various Morricone songs from the soundtracks have re-appeared throughout pop culture ever since. The Clash used it as their walk on theme and the Ramones as their walk off stage music. They've been sampled by widely including by Bomb The Bass, Cameo, various hip hop artists and Big Audio Dynamite. Two lesser known versions of Medicine Show for you...

Medicine Show (UK Remix)

Medicine Show (New York Remix)

'Wanted in fourteen counties of this state, the condemned is found guilty of the crimes of murder; armed robbery of citizens, state banks, and post offices; the theft of sacred objects; arson in a state prison; perjury; bigamy; deserting his wife and children; inciting prostitution; kidnapping; extortion; receiving stolen goods; selling stolen goods; passing counterfeit money; and, contrary to the laws of this state, the condemned is guilty of using marked cards and loaded dice. Therefore, according to the power invested in us, we sentence the accused here before us, Tuco Benedicto Pacifico Juan Maria Ramirez..."
"...known as the Rat..."
"...and any other aliases he might have, to hang by the neck until dead. May God have mercy on his soul. Proceed!'

Return To Brixton

Paul Simonon realised after a while that the money was in songwriting. During the sessions for what became London Calling he worked up a tune into what would become one of the group's most recognisable and best-loved songs, thanks in large part to 'the bassline of the twentieth century'. The swagger of Guns Of Brixton comes from the swing of the bassline and Paul's rough and ready vocal, the ripping sound at the start (velcro being peeled off the studio chairs apparently) and the chanted backing vocals. One of my favourites.

In 1990 Norman Cook borrowed the bassline for his number one hit Dub Be Good To Me. Without asking permission. Paul and Norman settled in a cafe and according to Paul at the time the cash injection was much needed. I happen to love Dub Be Good To Me, an updating of The SOS Band's Just Be Good To Me with harmonica pinched from Ennio Morricone and the rap half-inched from Johnny Dynell.



CBS, sensing a hit, decided to get a top dj to remix Guns Of Brixton, for the club scene. Jeremy Healy was the dj and a 12" single with three new versions (two are below) was put out. It stormed into the charts reaching number 57. I don't remember the clubs and bars of 1990 being awash with this version either. Well done CBS, good work.

To be honest I quite like the remixes, they present the song a bit differently, give it something else. They're not as good as the original no, and yes, they're probably for completists and the curious only.

Return To Brixton (Extended Mix)

Return To Brixton (SW2 Dub)

Jeremy Healy was in Haysi Fantayzee previous to his dj career. I've been watching the Top Of The Pops re-runs from 1983 this year and the January editions had Haysi Fantayzee on several times doing Shiny Shiny,a sort of pirate, nursery rhyme, tribal, glam, anti-nuclear thumper. Having recorded it, I re-watched it a few times too. Two words- Kate Garner.

The Good, The Bad And The Ugly

Johnny Marr and Billy Duffy were mates from Wythenshawe, south Manchester before either of them got famous. Billy, a few years older, sold Johnny his first amp and gave him a pink shirt stuffed in the back of the amp that Johnny had been pestering him about. Marr formed The Smiths (Duffy having introduced him a couple of years earlier to Morrissey at a Patti Smith gig at the Apollo). Duffy became guitar-slinger in The Cult. The picture above shows the pair reunited in 1990 backstage at a Depeche Mode gig at a baseball stadium in L.A. Electronic were about to play support, despite not having worked out how all the songs went. The pair recorded a cover version of Ennio Morricone's famous spaghetti western theme in 1992 for an NME cassette celebrating the music paper's 40th birthday, the two duelling it out over a drum machine.

The Good, The Bad And The Ugly

Sacco e Vanzetti

I love a rummage in a good charity shop vinyl box. In an Oxfam record and book shop the other day (Nantwich as it happens, visiting family) I found an album which intrigued me- a Spanish pressing of an Italian film soundtrack, Sacco e Vanzetti, by Ennio Morricone and Joan Baez. At £6.99 I couldn't resist and a bit of research on Discogs and elsewhere shows mint copies selling for upwards of £30. Mine isn't mint but apart from some crackle on the first song plays really well and the sleeve's in good condition too.

Sacco and Vanzetti were two Italian immigrants executed in the USA in 1925 for murder, on flimsy, politically and racially motivated evidence. One witness said he could tell the pair were foreign 'by the way they ran'. Neither man spoke English and the judge was well known for anti-Communist, anti-anarchist, anti-foreigner prejudices. I think I may have typed these exact words before in a different post.

The soundtrack is rather nice, understated in parts, dramatic and filmic in others with some typically Morricone touches and flourishes, and Joan Baez's cut glass voice on half the songs. I find her an acquired taste to be honest but Morricone's music carries the whole thing off regardless. Try this one...

La Ballatta Di Sacco E Vanzetti II Parte (Italian grammar corrected, grazie Luca)