Duncan Gray has a story to tell in the musical world that orbits around Andrew Weatherall. As a DJ and producer and as a member of Sons Of Slough (with Andrew's brother Ian- they also released a 12" as IWDG, a cover of New Order's In A Lonely Place), as Jnr. Poon (who released the first 7" on Andrew's Hidden Library label) and as part of The Summerisle Trio with Sean Johnston and Sarah Rebecca. As well as all of that Duncan founded the label tici taci, ten years ago this year, a label that consistently releases superb leftfield dance music- chuggy, slinky, dubby, wonky floor filling dance music. Uz Pa Gaz's Tiranan Balearica Omo Can was featured here in April and various tici taci artists, including Duncan himself, Rude Audio and Dan Wainwright, Boy Division, The Long Champs, Jack Butters, Mystic Thug, Mr BC and Fjordfunk have graced these pages in the past.
Tici Taci is celebrating its tenth birthday with a slew of releases including Tici Taci Decade Volume One. Duncan asked me if he could take over Bagging Area for a day and say a few words about his favourite releases on the label. He was happy to answer a few questions too, about his musical life, his work with Andrew and Tici Taci.
Bagging Area: Where
did it all start for you musically?
Duncan: I'll be 60 this year, so my appreciation of music starts back in the 1970s. The
first band I ever saw was Tangerine Dream. It sounds cool to say that now but
at the time it kind of went over my head. I was in bands from the age of 16,
but what really stimulated me creatively was the advent of home recording and
the purchase of a cassette based porta-studio. That's where a lifelong
obsession with making music really started. Music has led me into all sorts of
scrapes over the years. I've made decisions which were (financially) poor in
order to pursue music. My life has been much more interesting as a result,
although there have been many times when I had to borrow money to pay the rent.
I started tici taci with the final scrapings of redundancy money from my last
proper job.
Bagging Area: tici taci is 10 years old. What’s the best thing about running a label?
Duncan: The best thing has to be watching it grow in popularity and gaining its own
identity, to the point where like-minded producers naturally want to get their
music released on the label. Then it becomes a case of other people making me
look good. Also there's been the DJing. I really thought my DJ days were over
when I started Tici Taci, but I was offered my first return gig at Slide
in Brixton almost right away, and from there the offers started coming in from
all over the place. It's a real shame how Brexit has killed the opportunities
to DJ in Europe. I used to get more Euro gigs than UK but now it's the other
way around.
Bagging Area: There’s
an Albanian connection with Tici Taci, artists from Tirana seem to feature
heavily and make some wonderful music (your remix of Pines In The Sun and the
recent Uj Pa Gaz release both come to mind). How did that connection come
about?
Duncan: Lindi (Uj Pa Gaz) was the original connection. I guess he heard the label
through Soundcloud and sent in a couple of tracks for consideration. Almost
more than any other producer on Tici Taci Lindi really understood the sound of
the label from the word go. From there, Genti Aliaj got in touch to see if I
would be interested in DJing in Tirana. Genti is Albanian but has lived in the
UK for 25 years, and offered to travel with me and chaperone me on my first
visit. Albania has this terrible cartoon reputation of being a dangerous place
based on tired Hollywood cliches in general and the Taken movies in
particular. In fact Tirana is one of THE friendliest places I've ever been.
I've had so many great weekends there, including the opportunity to play bass
for Damo Suzuki in a pick-up band which included both Lindi and Genti and the
very talented Bledi Boraku. The last time I spent any significant time with The
Guv was when he came to Tirana to DJ at Discobox in January 2020. A truly
memorable weekend.
Bagging Area: What’s next for tici taci?
Duncan: We have a ton of stuff to release this year. It being the ten year anniversary, I'm hoping to have releases from all of our regular featured artists, plus a couple of new signings. Our next release (after Decade Vol 1) is the debut from Rule Six which is going down a storm, and at the end of June we have something from another producer who is new to the label. Watch this space. There will be an EP from the Long Champs, one from Mr BC, something from Jack Butters, more from myself, a couple of new tracks from Sons of Slough, and maybe even something from Boy Division. That lot should take us through to the end of the year.
Bagging Area: Some questions outside tici taci if I can…
Your guitar and bass are all over a lot of Andrew Weatherall remixes and
releases from a few years ago. What was working with Andrew like? What memories
do you have of him? What’s your favourite remix/ production you worked on with
Andrew?
Duncan: When Andrew invited me to play on some remixes it came at a very crucial time
in my life. I had been made redundant from the work I was doing in TV and film
post production, and could not find another job. Andrew really helped me get
through that time firstly by encouraging me and then helping me to set up the
label, and then by inviting me to play on some remixes. The first one was his
rework of Craig Bratley's Obsession where he asked me to add some punk-funk
scratchy guitar. It was a lot of fun working with him and Tim Fairplay at the
Bunker in Scrutton Street, and my playing seemed to fit well with the
Asphodells sound. I ended up playing on maybe half a dozen remixes until the
eviction from Scrutton Steet drew a line under that. The cool thing was that
Andrew really encouraged me to "play the sound" - it wasn't about
being a great guitarist (which is just as well because I am, at best, average),
it was about using the guitar and effects as a sound source, and that has
influenced my playing ever since. My personal favourites from those remix
sessions are Emiliana Torrini's "Speed of Dark" and Rock Section's
"Dayglo Maradonna" which, as many of you will know, is Julian Cope.
If someone had told my younger self that one day I would end up playing guitar
on an Andrew Weatherall remix of Moby I would not have believed it.
[coincidentally, this Andrew remix of Emilia Torrini's Speed Of Dark was spun by Mark from Rude Audio when we were DJing at The Golden Lion last weekend so Duncan picking it to feature here is a nice touch]
Bagging Area: What else is going on outside tici taci? You seem to have a few projects on the go, the dubtastic Hardway- Monkton remixes and Sons Of Slough are about to return I believe….
Duncan: Since we lost Andrew, Sean Johnston and I have grown a lot closer and after some initial dabblings we really found our collaborative voice with the Hardway meets Monkton remixes. Uptown for Dub, Downtown for Disco. I think we've both learned a lot from each other and I think it's fair to say we've produced some pretty decent remixes and collaborations over the last three years, including last year's "Enjoy the Day" for Phil Kieran and Green Velvet. We keep talking about compiling our best work for release on a limited edition CD but we've not managed to make that a reality yet. Soon come. We've also had the opportunity to DJ together with 4 decks and effects (what we call "the uptown thing") and I'm hoping we get to do a bit more of that. And yes, the Sons of Slough are indeed a working unit once again. After we returned to the studio a couple of years ago (for the mini album "Bring me Sunshine") we did the tribute to Andrew as IWDG ("In A Lonely Place") and then thought we would retire the Sons of Slough brand but continue under a different name, however.... We have been encouraged out of retirement by the offer of some live work. We thought long and hard about it but, I think I the cat is out of the bag on this one, we are going to be playing some live shows together for the first time in 18 years. I can't say too much more at this stage but we've been rehearsing and it is all systems go.
[again, coincidentally, I had a conversation with Ian Weatherall in The Golden Lion on Sunday about Sons Of Slough playing live last weekend- more news when we get it]
That's the interview. Now I'm handing over the rest of this post to Duncan...
Tici Taci Decade Volume One
The ten year anniversary of the label is the first time I'd considered putting
out a various artists compilation, so I went back through the archive to choose
my personal favourites. It's very Duncan Gray heavy, this release, because initially that's what the label was for - to put out my own tracks. There will be three
more compilations coming this year and the artist roster gets way more
diverse the further we go. But for now, here are my favourites from the first
two and a bit years of Tici Taci's history.
Duncan Gray - Electric Plum (2023 remaster)
Electric Plum was the first release on tici taci - initially it was vinyl only
and came with a remix from Kieran Holden. The original vinyl cut wasn't so
great so this version has been freshly remastered by Rich Lane in 2023. It's
never sounded so good.
Duncan Gray - Lychee (2023 mixdown and remaster)
The original version of Lychee was the first thing of mine that I heard Andrew
play at an ALFOS, back in 2013. Tim Dorney (of Flowered Up and Republica fame)
put in an extraordinary effort for his remix which, I think it's fair to say,
may have been overlooked by the tici taci faithful. Employing the services of
Republica drummer Conor Lawrence, Tim turbocharged the original and has done a
fresh mixdown from the original multitrack for this 2023 remaster by Rich Lane.
Future Bones - What U Want
I couldn't believe it when Leo and Stephen of Future Bones agreed to let me put out their
first EP on tici taci. All three tracks are absolute gems, and this low-slung
groover is probably the most sparkling of all. Signing Future Bones to the
label really cemented my belief in what I was doing and if they made any more
tracks together I would put them out in a heartbeat.
Will
Piecey - Jolt
Will's Jolt was the first outside signing to tici taci, although it was
released after the Future Bones EP, I am eternally grateful to Will for putting
his faith in my fledgling label. This track was championed by Ewan Pearson
which was another much appreciated show of support.
Future Bones - Pain Killer (Duncan Gray remix)
Future Bones' second remix and probably the first of my own remixes that I was truly
proud of. Initially it was released as a "tici taci remix" before I
realised that was pointlessly modest.
Mr Cogs - Wizard Prang
Mr Cogs was my nom de plume for stuff which was a bit more techno sounding.
Again, the whole alias thing didn't last long and I hardly listened to this
since release, but when exploring the back catalogue for lost gems I was
delighted to find out just how chunky this one sounded.
Future Bones - Dirty Profit (Mr Cogs remix)
Another tough sounding remix under the Mr Cogs moniker. Easy to get a decent
remix when the source material is so strong.
Duncan Gray - Chugboat (Rich Lane remix)
The first of the bona fide ALFOS classics. Rich Lane set the standard with this
one. It still sounds great, I played it at AW60 in Glasgow and it still rocks
the boat.
Duncan Gray - Slidden (Club Bizarre remix)
A remix of a track which never got released, but this magnificent rework from
Philippe and Sam became another ALFOS winner upon release. There's some great
video of Andrew and Sean playing it in Leeds with some amazing projected
visuals.
Tronik Youth - Suicide Doors (Inaigo Vontier remix)
Nein and tici taci were both founded in 2013 and Neil and I exchanged tracks
for each other's labels. An easy decision when Neil's original came with this
head fizzing remix from Iniago Vontier.
Future Bones - Gone Again (Rich Lane remix)
The killer combination of the Bones and Rich Lane. This is so down and dirty.
It just bubbles away with a huge sense of menace until it it finally kicks the
doors in.
A Best Man Dead - Follow The Shoe
This acid nugget is as close as we'll ever get to a tici taci version of Winx'
Higher State. Play it in a set now. It will not disappoint. A stone tici taci
classic.
Kieran Holden - Parakeet
I love Kieran's work. I just wish he'd make more tunes! This is such an oddball
mix of bleep and ambience, there's really nothing like it.
Iko & Gibb - Praying Mantis (Peza remix)
The first of three releases by Maxime Iko and Markus Gibb - they're all great
cuts, but this one is particularly notable for being the first time I manged to
persuade Peza to get on the remix roster for tici taci. Needless to say all the
Peza hallmarks are there from all the way back in 2014.
Gemini Brothers - Eridu Eridu (Duncan Gray remix)
These two Romanian brothers were all over everything back in 2014 and 2015 and
boy were they keen to get a track out on tici taci. When we finally found
something everybody was happy with, it came out with (I think) 5 remixes. And
rather immodestly I have selected my own version as a favourite because (a) I
was dead pleased with how it came out (it changes direction in an unexpected
manner) and (b) because it was another one that the Guv really liked.
Thank you Duncan- it's been a pleasure. There's a sampler mix at Soundcloud you can listen to here, an hour of premium grade machine funk and quality chug, and this is the very latest Hardway- Monkton release, an eight minute disco- dub remix of Hardway Bros Here's To The Wild.
