Unhappy-Go-Lucky by Ian Pattison (Tindal Street Press 2013)

 

When people die, their memories die with them. But their memories are not their exclusive domain, encompassing as they must, the lives of others. Contained within our memorabilia, other people walk and speak, inhabiting our dreams and anecdotes. The only person one never sees in a memory is one’s self, since we are otherwise engaged, crouched behind our mental camera. Memories, therefore, are not only a personal but a social history. One of the things Vaughan had said to me that day on Byres Road was: ‘I wish I’d got it all down before she died.’ He was talking about his own mother. I’d heard that same utterance several times from different people. But why didn’t anyone ever take their own advice? The reason, in my case, was simple: who the hell ever listens to their mother? Like a Facebook home page, they talk in an ever-flowing, unedited stream of trivia, gossip, local news, repetition, received opinion, stale myth, whimsy and spite. To listen out for items of true interest amid the babble is to risk turning oneself into a crazed prospector panning for decades through murky silt in the hope of turning over a golden nugget or two.

I tried though.

I found out that in Tradeston Church, Kathleen Cairns had married Ivan Moss. The bride wore a white dress with matching white skin, patent black shoes and a discreetly visible foetus. Father looked dashing in his naval uniform with its braided cuffs and faint reek of engine oil. Father’s brother Rolf was granted shore leave to attend as best man. Father was overjoyed at the prospect of fatherhood.

'Are you sure it’s mine?’

‘Of course it’s yours,’ protested Mother. ‘Who else’s would it be?’

‘I was away for months, anything could’ve happened.’

‘That cuts both ways – do you want to swap separation stories?'

Father demurred. Though back on dry land, my guess was that he would have felt himself all at sea – things were changing too quickly, too decisively, for him to keep a telling grip on life’s rudder.

Mother was close to tears. Father tried to put her at her ease, with silken words.

‘If it’s backward, we can always bung it into an orphanage.’

Mother grew alarmed. ‘Why would it be backward?’

‘It’s a precaution. A first child’s either the pick of the bunch or the worst.’

‘You’re a middle child,’ observed Mother.

‘I know,’ mused Father, darkly.

May God Forgive by Alan Parks (Canongate Books 2022)

 

Miss Drummond took a sip. ‘Did you know my brother?’ she asked. ‘Before yesterday I mean?’

‘Not well,’ said McCoy ‘But we ran into each other every now and again.’ Wondered if she knew what Ally did for a living.

‘At Paddy’s Market?’ she asked. Then smiled. ‘No need to be discreet, Mr McCoy. I was well aware of what Ally got up to.’ She stirred her tea. ‘I wish you had known him when he was younger. He was different then, vibrant, full of life.'

'What happened?’ asked McCoy before he could stop himself. ‘Sorry to be blunt.’

‘Don’t worry,’ she said. ‘Disappointment happened. My brother studied at Glasgow University, English Literature. Was very good at it, even got a first-class honours.’

The shock must have been written on McCoy’s face.

‘Not what you were expecting to hear, I imagine. He was a brilliant young man, Mr McCoy. Everyone had high expectations, thought he would become a lecturer at the university, but he didn’t want to do that. He spent the next two years writing a novel. Put all he had into it. Every publisher told him how brilliant it was but none of them would publish it.’ She smiled again. ‘These were the days before the Lady Chatterley trial. My brother’s book dealt in sexual obsession, pulled no punches. They asked him to amend it, tone it down a bit, but, ever the artist, he refused. Eventually he got it published by Olympia Press in Paris. Do you know them?’

McCoy shook his head.

‘They published the more controversial novels: Alexander Trocchi, Henry Miller, that sort of thing. They also published books with the sexual content but none of the art. Those ones financed the books they thought were of literary value. My brother’s was one of the artistic ones. The Love Chamber it was called.'

The April Dead by Alan Parks (Canongate Books 2021)

They turned into Old Shettleston Road, forge on the left, and Shettleston was revealed in all its glory. McCoy didn’t know if it was because of the forge but this bit of Glasgow always seemed dirty, tenements black with smoke and soot. Even the pavements looked grimy. They were firmly in the East End now, not McCoy’s normal stomping ground. Knew it a bit from his beat days. Walking up and down Shettleston Road on a Friday night wasn’t an experience he ever wanted to repeat. Could get wild here. Gangs, pubs on every second corner, gangsters defending their turf. Maybe he was just getting too soft in his old age. This was the Glasgow he started in, should be able to take what it threw at them.

Bobby March Will Live Forever by Alan Parks (Canongate Books 2020)

 

13th July 1973

The door to the Gents opened and the one person McCoy didn’t want to see came out, wiping his hands on a paper towel. Bernie Raeburn in all his portly glory. Raeburn was one of those men that took a bit too much care over what they looked like. Brylcreemed hair, neat moustache, silver tie pin, shoes shined. Probably thought he looked quite the thing. To McCoy, he just looked like what he was: a wide boy. Raeburn dropped the paper towel into a bin by one of the tables and peered over at McCoy. Didn’t look happy to see him. Didn’t look happy at all.

‘What you doing here?’ he asked.

‘Was at a call round the corner. Just came to see if there was anything I could do?’ said McCoy.

‘Did you now?’ said Raeburn, looking amused. ‘Think we’ll manage. Plenty of us boys here already.’

‘Okay.’ McCoy resisted the urge to tell Raeburn exactly where to shove his boys. 

'Any news?’

‘Getting there,’ said Raeburn. ‘Getting there . . .’

He held his finger up. Wait. Took his suit jacket off, smoothed down his pale blue shirt. Decided he was ready to speak.

‘Actually, McCoy, there is something you can do to help. Need you to go back to the shop, tell Billy on the front desk to start calling round. Want anyone who hasn’t already gone on their holidays back in, soon as. Need the manpower for the door-to-doors.’

McCoy nodded, kept his temper. Tried not to look at the row of new telephones on the bar.

'So the sooner the better, eh?’ added Raeburn, looking at the door.

McCoy stood there for a minute, trying to decide what to do. The pub had suddenly gone silent, could even hear the big black flies buzzing against the windows. Knew everyone was watching, waiting to see what would happen. Round twenty-odds in the continuing fight between Raeburn and McCoy. They’d even opened a book back at the shop: how long will it take before one lamps the other? Current best bet was about a week.

The Red Road by Denise Mina (Orion Books 2013)

Morrow shrugged and looked up at the flats. The body was gone and that was good. A body was always a distraction at a murder scene. It tended to draw the eye and evoke sparks of empathy, or, for Morrow at least, distracting ponderings on why she wasn't feeling empathy. The site was so spectacular, it would be hard enough to focus on details.

The Red Road flats were twenty-seven storeys tall, five hundred yards wide and being stripped for demolition. All the walls, the casing and especially the windows were being removed before the explosives were set, to avoid a glass storm. They couldn't get into the scene of the murder before this  morning: without health and safety paperwork she couldn't even pass through the protective fencing. Morrow didn't like heights terribly much.

Early in her career Morrow had policed the crowd when the high flats in the Gorbals were demolished. The officers had to stand with their backs to the show, watching the crowd for three or so hours. People brought food, drinks, things to sit on. The fevered atmosphere was unsettling. Morrow watched the crowd swell and grow boisterous, scanning for drunks and trouble and pickpockets. Over the afternoon she listened as people tried to explain away their excitement. It's a bit of history, they said, history of the city. But that didn't satisfy, it didn't explain the buzz of anticipation running through the crowd so they began to falsify complaints against the high flats: we had damp, my auntie died there, I saw a man go out a window. Excuses, because they knew there was something venal about their lip-licking excitement. It was a modern public hanging. They were there to see something bigger than them die, to participate in an irreversible act of destruction.

The End of the Wasp Season by Denise Mina (Orion Books 2011)

Thomas was watching a wasp die on the window ledge when Goering came for him. The sun burned hot through the windows, a shaft of yellow like a pathway to heaven, lying low over the long lawn in front of the old house, burning in through the glass that gravity had warped and two hundred years had tinged yellow. The wasp was struggling to get onto its stomach, antennae writhing, the little comma body contracting, the essential shape of it the trap that killed it.

End of the wasp season.

The Borough by Michael Cannon (Serpent's Tail 1995)

I came here by accident. It took me a while to realise that the Borough was unique, even for Glasgow. It is poor, and yet it lives cheek-by-jowl with the wealthiest districts which ring the University precincts. This is a strange symbiosis. The University surmounts the hill, its Gothic pile silhouetted by day and floodlight by night. The spire is a landmark for miles. Many of the academics live within walking distance. Small mews flats off cobbled lanes now fetch exorbitant prices. People with more money than sense pay for the prestige of living where a horse was once stalled. This is the city's Bohemia. Across the Kelvin immense town houses, built for the tobacco barons when Glasgow was still the second city of the empire, have been converted into student residences.