The Gorbals Story (1950)

 

My Old School (2023)

 

Heavenly Pursuits (1986)

 

The Book Group (2002)

 

Play For Today: Just Another Saturday (1975)

 

High Times (2008)

 

High Times (2004)

 

Sir Alex Ferguson: Never Give In (2021)

 

Comfort and Joy (1984)

 

That Sinking Feeling (1979)

 

In the All-Night Café: A Memoir of Belle and Sebastian's Formative Year by Stuart David (Chicago Review Press 2015)

 

At the end of the last day we had a play-through of everything in its finished state, and Stuart, Chris and 

Bel got up to dance behind the mixing desk during the playback of ‘I Could Be Dreaming’. They all had their own dancing styles. Chris was Northern-Soul-Boy, Bel School-Disco, with her pigtails and white knee socks. Stuart was somewhere between Punk and gym hall jogging.

It was joyful to watch, a shy celebration of what we’d achieved, but there was a bittersweet quality to it too – everyone knowing that our tenure at Cava was over. We’d packed our instruments away, all the microphones and patch leads had been dismantled and the live room had been tidied up and prepared for whoever was coming in next. All the mixes had been bounced down onto two-inch tape, and when the playback was over there was nothing much left to do except say our sad farewells to Gregor and Geoff and then go home.

Chris, Bel and me also had our respects to pay to the water-cooler at the bottom of the stairs, the symbol for us of everything that had been great about the week. Then, with that done, Chris said to me, ‘This has been the best week of my life. But I’m not sure if it’s just because I’ve had a shite life up till now or not.’

He disappeared up the stairs, while I went back along the corridor to pick up my bass, and before I got outside a rumour had begun to circulate that Chris was crying.

The Accidental Footballer by Pat Nevin (Monoray 2021)

 

Another room was swiftly bypassed on the stairs with a flick of the wrist and a ‘You wouldn’t be interested in that one’ comment. Like hell I wouldn’t be interested, that was the one I wanted to see most, now that he had dismissed it with just a little too much disdain! I was already envisaging a picture of Dorian Gray, but with an ageing Morrissey in the frame. He changed his mind and then relented again after some gentle persuasion. He turned the key in the lock so sluggishly and opened the door to the room so slowly that it was even more obvious that he was embarrassed about its contents. I just wanted to push past him at this point, it was such a painstaking palaver.

The door finally opened to reveal the very last thing I expected to see: a fully kitted-out multigym with all the most modern equipment.

Divided City by Theresa Breslin (Random House 2005)

 

Footsteps.

Running.

Graham didn’t hear them at first.

He was walking fast, eating from his bag of hot chips as he went. Taking a detour via Reglan Street. The kind of street his parents had warned him never to be in. The kind of street where your footsteps echoed loud, too loud – because there was no one else about.

From either side the dark openings of the tenement building mawed at him. It was the beginning of May and fairly light at this time in the evening. But even so . . . Graham glanced around. The sky was densely overcast and shadows were gathering. He shouldn’t have lingered so long after football training.

Graham dug deep into the bag to find the last chips, the little crispy ones soaked in vinegar that always nestled in the folds of paper at the bottom. He wiped his mouth and, scrunching up the chip paper, he threw it into the air. When it came down he sent it rocketing upwards, powered by his own quality header. The paper ball spun high above him. Graham made a half turn.

Wait for it . . . wait for it . . .

Now.

‘Yes!’ Graham shouted out loud as his chip bag bounced off a lamppost ten metres away. An ace back-heeler! With a shot like that he could zap a ball past any keeper right into the back of the net. He grinned and thrust his hands in the air to acknowledge the applause of the fans.

At that moment noise and shouting erupted behind him, and Graham knew right away that he was in trouble.

Footsteps.

Running.

Coming down Reglan Street. Hard. Desperate.

Pounding on the ground. Beyond them, further away, whooping yells and shouts.

‘Get the scum! Asylum scum!

30 Day Song Challenge - Day 12

A song from your preteen years.

As a kid, it was such a big deal that they mentioned Glasgow in the lyric. The glamour . . . Agnetha . . . Be still my beating heart . . .

Abba - Super Trouper (1980)

Ya stoater

A triple score and 77 points for 'Steamie'. Thank you, Mr. Tony Roper.

I bet my American opponent is scratching his head in bemusement right now. "A fucking what? He just made that shit up".

The Glasgow School (2016)

Orphans (1998)

Simply Thrilled: The Preposterous Story of Postcard Records by Simon Goddard (Ebury Press 2014)

In need of cheap soup and rich gossip, most lunch times Alan would wander to the Victoria Cafe, the social heart of the art school, open to students and casual interlopers, where the vain and resplendent gathered in conspicuous segregation according to their different artistic disciplines. Alan and Edwyn's catchpenny clothes stirred scornful laughs from the puffy new romantic posters of  the fashion school, but complemented the surrounding second-hand fixtures and fittings, plucked from an original site in Govanhill which had been due for demolition until rescued and reinstalled by the architecture students. The queen of the Vic was a big Irish woman called Mona, who specialised in assuring all patrons that the soup was vegetarian as she hauled the thigh bone of some poor slain unspecified beast from the same bubbling cauldron, and whose short-fuse hospitality blew at regular intervals in her cutlery-bending yell, 'Get outta ma cafe!'

The aloof fashion fops and their equilateral hair-dos aside, the art-school crowd and those who buzzed around its cafe and weekend discos were a sweet, oblivious antidote to the nice bores Alan had suffered at university. They were funny, nutty, fascinating and, to Steven's barely concealed annoyance, invariably 'greeeeeeat!'

The roll call of human specimens read as follows:

A candied darling who called himself 'Lucy Lastic'; who knew 'they' could never touch him for dragging up Sauchiehall Street as long as he didn't wear women's knickers; who knew no fear when it came to roaring 'fab doll!' at men the size of shipyards; who knew no shame when it came to recounting the gory details of his latest straight-corrupting conquest with his starter for ten, 'I've just been shafted'; and whose ultimate destiny in certain surgical procedures was beyond all reasonable doubt.

Jill Bryson, a pretty polka-dot Alice looking as if she'd missed the bus for Wonderland and ended up in Glasgow by mistake, living on the Great Western Road with her boyfriend and the rampant 'Lucy' in a flat below a dentist's surgery which rattled daily to the sound of drilling enamel.

Peter McArthur, Jill's boyfriend, a photography student and Southside punk who'd first befriended Edwyn at Glasgow College of Building and Printing, and later bewitched Alan with his shared love of Fellini, Pasolini, Cabaret and his unused ticket stub for the Pistols' phantom Apollo show. 

Drew McDowall, a performance poet from Paisley, and his young wife Rose from The Wee Scone Shop. When not surreptitiously handing out free pies to fellow punks under her boss's nose, Ross also played drums in Drew's band The Poems, once joined on stage by Edwyn and James for 'a musical recitation' of the hunting scene from War And Peace.

Gerry Hanley, Alan's usual lunchtime companion, who allowed him to join her cafe table of angry women in boiler suits, monkey boots and cropped hair, who shared a flat with the painter Adrian Wiszniewski and who herself, sometimes, could be coaxed on stage by Alan for a spot of performance art.

The tweedy man out of time called Malcolm Fisher, sufferer of untold allergies and pianist of unending jazz flourishes, who danced with his hands glued inside his raincoat pockets, whose flat, a chintz flock and floral eyesore like something from 101 Dalmatians, he shared with his similarly allergic sister.

And a punk graphic designer called Robbie Kelly, whose brother had very briefly strummed chords for the mythical Oscar Wild, and whose girlfriend, Anne, was usually seen pushing a shopping trolley down the street with a doll sat up front like a genuine baby.

As far as Alan was concerned, his new art school associates' rapturous reception to Orange Juice was an exploding plastic inevitability. He wouldn't be disappointed.

Detonation date was Friday 20 April 1979, as James Callaghan took forlorn stock of his final hours in Number 10 and as Art Garfunkel's 'Bright Eyes' bunny-hopped at number one somewhere above the shaking body of Michael Jackson, the wondering why of Sister Sledge and recently deposed yet eternally resilient Gloria Gaynor. The 1980s were but one catastrophic landslide victory and a few spins of the  glitterball away. The perfect time for Orange Juice, a name so wrong that it had to be right, to yodel their first Lifebuoy-scrubbed 'hello' to the universe.

The Busconductor Hines by James Kelman (Phoenix 1984)

On the platform the two entertainers in red trousers, tartan waistcoats and red bowties, singing a song and accompanying themselves on accordion and rhythm guitar. At the next table Sandra was smiling at something being said by McCulloch's wife; and she smiled at Hines when she noticed him watching. He prised the lid off the tin. The waitress had arrived again, her face perspired; quickly she transferred the drinks from tray to table and collected the empties. Why don't you join the Foreign Legion, he grinned. Either she failed to hear or she ignored him. He reached for the water jug and added a measure to his whisky.

Reilly was talking. He was saying. No chance, they'll never give in without a fight. Look at that last bother we had over the rise; I mean after the autumn agreement it was supposed to be a formality, but was it? was it fuck?

Aye and we're still waiting for the backpay, said Colin.

What they'll do is toss it into us at Christmas week then every cunt'll think they've had a bonus!

Hines laughed with the others.

McCulloch shook his head at Stewart. You're just encouraging them.

Ah you cant escape politics.

Dead right Stewart, but it's no good telling this yin.

What you want to do is get a transfer down to our garage, said Hines, then you'll find out: bunch of fucking houdinis so they are.

They laughed again. Rab's right but, continued Reilly. It's murder polis. You've just got to mention the word strike and no cunt'll speak to you for six months.

No wonder. Union union union, muttered McCulloch.

See what I mean?

Aye well fuck sake if I started talking about the job yous mob'd soon be shooting me down in flames.

Hines frowned. That's actually true.

I know it's fucking true!

The Gospel According to Vic (1986)