Black Teeth and a Brilliant Smile by Adelle Stripe (Wrecking Ball Press 2017)

This is a work of fiction and is an alternative version of historic events.

It has been manipulated, re-structured and embellished. Real people rub shoulders with fictional characters, some utter words from letters and scripts; others are gleaned from occasional references, newspaper cuttings, hearsay or fractured memory.

It is not the truth and exists purely within the realm of speculation.

Darts Greatest Games: Fifty Finest Matches from the World of Darts by Matt Bozeat (Pitch Publishing 2017)

 

Sid Waddell told the armchair enthusiasts that Deller was “not just an underdog, he’s an underpuppy” and asked: “Can Deller do the unthinkable and beat Bristow in the world final?”

For Deller, who threw spring-loaded darts designed to avoid bounce-outs, reaching the final, a fine achievement for a qualifier, wasn’t enough.

He was there to win the World Championship and predicted a 6-3 victory.

He blew six darts at a double to make it happen…

Earlier, the match had swung this way – Deller led 3-1 – then the other – Bristow levelled at 3-3 – then back again.

Deller won the seventh and eighth sets, taking him into a 5-3 lead and just one set away from the World Championship.

In the ninth set, Deller was 64 points away, then 18, then eight, then four…

Six darts at a match-winning double were missed and Deller spent the next two sets “shaking my head. I should have been world champion.”

Ever the opportunist, Bristow showed why commentator Dave Lanning described him as “a burglar” on the oche.

In his youth, Bristow had burgled houses and the North London ne’er-do-well-turned-king-of-darts brought his street cunning to darts. Knowing Deller was vulnerable, his mind elsewhere, Bristow smoothly upped his average by a few points and plundered five legs without reply while Deller chewed over those missed match-winning chances.

When he claimed the opening leg of the 11th and deciding set, Bristow led for the first time in the match and that realisation, the possibility of defeat, snapped Deller out of his ruminations. Either he started throwing his best darts again or he would lose – and he hadn’t come here to lose.

The spell broken, he rediscovered his fluency to break back immediately with a 121 checkout, then hold his throw to leave Bristow needing to do the same to save the match.

Bristow got to a finish first in that fourth leg.

He took aim at 121 with Deller also on a three-dart finish, 138.

Bristow threw 17, then treble 18 and with 50 left, everyone zoomed in on the bull’s-eye. Everyone apart from Bristow, that is. Rather than go for the bull’s-eye to win the leg, Bristow was so sure Deller wouldn’t take out 138 for the match, he threw 18 to leave his favourite double 16.

This wasn’t hubris. Bristow had thought it all through. He reckoned Deller’s mental mastication – “He could have beaten me earlier, he had his chance” – and the awkwardness of the 138 finish – “it was all over the place” – guaranteed he would come back to the oche and have three darts at his favourite double.

Years later, he would think otherwise, saying the pressure would have been greater on Deller had he been faced with a smaller finish. “If he had 58 left he would have been standing behind me thinking: ‘I’ve got two more darts for the title,’” he said, but still, nobody, not just Bristow, really expected Deller to take out 138.

“He’s banking on Deller not doing this!” cried Waddell excitedly and when Deller’s first dart landed in treble 20, there was a chance Bristow had got it wrong.

Deller had taken out big finishes in the earlier rounds of the championship and knew what he was doing. “I didn’t stop,” he said. “There was no way I was going to think about it.”

Had he thought about the importance of the darts he was throwing, his arm would surely have twitched, so Deller ignored the crowd’s growing excitement when he nailed treble 18 and coolly switched across the board to fire his final dart into double 12.

“I have never seen anything like it in my life,” said Waddell while Deller shook his fists above his head in sheer joy.

“It was perhaps the next best thing that could happen to me,” Deller would tell Darts World, “… next to playing for Ipswich Town.”

Bloody January by Alan Parks (Canongate Books 2017)

 

1st January 1973

McCoy headed along the corridor towards the stairs, heels clicking on the metal walkway, breath clouding out in front of him. Never changed, Barlinnie. Freezing in the winter, boiling in the summer. The old Victorian building was on its last legs. Wasn’t built for the number of prisoners they had stuffed into it now. Three, sometimes four of them locked up in a cell made for two. No wonder the whole prison stank. The smell of overflowing slop buckets and stale sweat was so thick it caught in the back of your throat soon as the big doors opened; stuck to your clothes when you left.

He’d been coming up here since his first weeks on the beat. Only good thing about Barlinnie was that it saved you going anywhere else. The whole spectrum of Glasgow’s wrongdoers ended up in here. From rapists and murderers, nonces and kiddie fiddlers to bewildered old men caught coming out the Co-op with two tins of salmon stuffed up their jumpers and their wives not long in the ground. Barlinnie wasn’t fussy, it took them all in.

He leant over the balcony rail, peered through the netting and the fug of tobacco smoke at the rec hall below. Usual crowd milling about in their denims and white plimsolls. Couple of boys whose names he couldn’t remember playing ping-pong. Low-level troops from the gangs in the Milton gathered round the pool table, all long hair, moustaches and borstal tattoos. One of them pointed with his cue as Jack Thomson was wheeled in front of the TV, started sniggering. A year ago he would have been too scared to even look at someone like Thomson. Now the poor bastard had a dent in his head so deep it was visible from up here. That’s what happens when someone takes a sledgehammer to each knee and then gives you a few whacks on the head for luck. Can’t walk and your brain’s so scrambled you don’t even know where you are.

He buttoned up his trench coat, blew in his hands. Really was fucking freezing in here. A year ago he would have been too scared to even look at someone like Thomson. Now the poor bastard had a dent in his head so deep it was visible from up here. That’s what happens when someone takes a sledgehammer to each knee and then gives you a few whacks on the head for luck. Can’t walk and your brain’s so scrambled you don’t even know where you are.

Steak Diana Ross II: Further Diaries of a Football Nobody by David McVay (Reid Publishing 2017)

 

During my first two years as a sports journalist for the Nottingham Evening Post I managed to do something for Notts County that not even six years of blood, sweat and toil as a player could achieve. I guided them to two successive relegations.

It was not entirely my own fault. The players and management did their bit to transform Notts from a tabletopping First Division side (two games into the 1983-84 season) into a team humbled 4-0 by Brentford in front of 3,857 fans at Meadow Lane in the Football League's third tier (March 4, 1986).

In that respect, I have always been indebted to Larry Lloyd during his brief but unsuccessful tenure at Meadow Lane. It was a time when many of my former team-mates were still active in the pro game, for Notts or elsewhere, so it was not uncommon for people to inquire about my current status as a journalist and why any semblance of a playing career was now at an end so relatively soon.

If Larry was in earshot, and strangely enough he seemed almost ubiquitous when that question was posed, before I could even muster a mumble of a lamentable excuse the answer would be provided by the current Notts manager: "Lack of ability. That's right isn't it David?"

Well, given Larry's glittering prizes gained primarily with Nottingham Forest, it was difficult to argue, and given his expanding girth and frame back then, it was also unwise.

It's probably one of the reasons for Steak Diana Ross II, some sort of purgative endeavour to remind myself that I could at least kick a football in a straight line. Now and again.

Oddly and sad to report, the more I re-read some of the notes I made during my last two seasons with the Magpies, the more I could see that Larry's pithy barb contained more than an element of truth.

The Diary of a Bookseller by Shaun Bythell (Profile Books 2017)

FEBRUARY

Would I like to be a bookseller de métier? On the whole – in spite of my employer’s kindness to me, and some happy days I spent in the shop – no.

George Orwell, ‘Bookshop Memories’, London, November 1936

Orwell’s reluctance to commit to bookselling is understandable. There is a stereotype of the impatient, intolerant, antisocial proprietor – played so perfectly by Dylan Moran in Black Books – and it seems (on the whole) to be true. There are exceptions of course, and many booksellers do not conform to this type. Sadly, I do. It was not always thus, though, and before buying the shop I recall being quite amenable and friendly. The constant barrage of dull questions, the parlous finances of the business, the incessant arguments with staff and the unending, exhausting, haggling customers have reduced me to this. Would I change any of it? No.

Out of the Shadows: The Story of the 1982 England World Cup Team by Gary Jordan (Pitch Publishing 2017)

A few short minutes later, Keegan’s moment came. Mariner moved the ball quickly inside the box, Robson was forced a little wide on the left but a clever touch gave him space and, when he looked up, he couldn’t believe his luck. There was Keegan unmarked, ten yards out and racing towards goal. Robson chipped a perfectly weighted ball that was right into the substitute’s path. Keegan was eight yards from goal. Arconada had misjudged Robson’s cross and was in no man’s land. Keegan had to score. He didn’t. Maybe he tried to be too precise and direct the ball with his head rather than just run through and power it in. Whatever the reason, the ball skewed off his head and went a yard or so wide of the gaping, empty net. Sinking to his knees, his face contorted in the pain his miss caused. Mariner was the first to him and tried to half console him/half get him up off the ground. Keegan shrugged the attention away.

My British Invasion: The Inside Story on The Yardbirds, The Dave Clark Five, Manfred Mann, Herman's Hermits, The Hollies, The Troggs, The Kinks, The Zombies, and More by Harold Bronson (Rare Bird Books 2017)

Members of almost every English rock band of that time—The Beatles, The Rolling Stones, The Who, The Kinks, The Zombies, The Animals, The Yardbirds—had gone to art school. The Yardbirds and The Who even described their music as “pop art.” This exposure inspired progressive and creative concepts and helped to magnify and color the resulting sound. For instance, when The Who debuted their second single, “Anyway Anyhow Anywhere,” many were confused by the purposeful inclusion of feedback. Pete Townshend had attended Ealing Art College, as had Freddie Mercury, Ronnie Wood, and Thunderclap Newman’s John Keene. In interviews Pete kept referring to Gustav Metzger and his auto-destructive art as an influence. Other effects were more nuanced. At Hornsey College of Art and Crafts, Ray Davies watched people in train stations and sketched them. This helped shape his writing, where many of his songs, like “Waterloo Sunset,” placed him in the role of the detached observer.

Ruth and Martin's Album Club by Martin Fitzgerald (Unbound 2017)

So, over to you Peter. Why haven’t you listened to it? WHAT’S WRONG WITH YOU?????

What’s wrong with me is a puritanical desire to be serious, and an actual inability to take popular music seriously. I pretty much gave up listening to pop music round about the time Radio London (Big L, 266 on the medium wave band, not the BBC one) went off the air in 1967, and absolutely gave up soon after I crashed my motorbike in the late summer of 1969, an event that strengthened my wish to be serious.

I’d been listening to Tin Pan Alley, I can now work out, since about 1963 (Pick of the Pops on Sunday afternoons was eventually permitted by my boarding school headmaster who until then had insisted nobody could listen to the radio unless he could make his own set, which a couple of my schoolfellows did, so subverting the ban). So I was in on the beginning of it, and it was all catchy, memorable singles which quickly came and quickly went, and the waters closed over them. I don’t think anyone ever expected to hear them again once they’d dropped off the charts, and it was amazing how quickly singles vanished from the shops once they had stopped selling.

As a result, they’re great memory-joggers, instantly taking me back to certain long-ago moments. But most of them are pretty artless. I never thought it was anything more than an ephemeral pleasure, and I still don’t, though one or two singles, e.g. ‘We’ve Gotta Get Out of This Place’ and ‘Meet on the Ledge’, appealed to my gloomy instincts more than the rest.