On Tuesday evenings I drive my daughter and three of her friends to choir practice. As they warm their voices up by talking fast or screaming simultaneously, four 12-year-old girls generate an unbelievable amount of noise, especially within the confines of a Passat. Once I’ve dropped them off, the drive home is a more relaxed, solitary affair, with no chorus of negative comment on my choice of music.
One of the traffic lights I stop at affords me a perfect view into the second floor headquarters of the Arthur Murray Dance Center in Bethesda. Between 7 and 8pm, it hosts what looks like a formal ballroom dancing class. Post-youth couples move gently around the room. This week they danced to Near Dark by Burial, at least from where I was sitting with my foot on the brake. The rhythm was slightly out of sync with the dancing, but that didn’t matter. For once in my day, I was not impatient for the light to turn green.
There are too many traffic lights, and way too few forms of entertainment to go with them.
One of the traffic lights I stop at affords me a perfect view into the second floor headquarters of the Arthur Murray Dance Center in Bethesda. Between 7 and 8pm, it hosts what looks like a formal ballroom dancing class. Post-youth couples move gently around the room. This week they danced to Near Dark by Burial, at least from where I was sitting with my foot on the brake. The rhythm was slightly out of sync with the dancing, but that didn’t matter. For once in my day, I was not impatient for the light to turn green.
There are too many traffic lights, and way too few forms of entertainment to go with them.
