Unauthorised item in the bagging area
Showing posts with label the asphodells. Show all posts
Showing posts with label the asphodells. Show all posts

Saturday 29 April 2023

AW60 The Golden Lion

Today is the final leg of the AW60 events, the month of celebrations of what would have been Andrew Weatherall’s 60th birthday. Following nights in London, Glasgow and Belfast the fourth event is at The Golden Lion in Todmorden. The Golden Lion is a special place, ‘a portal’, as a man standing at the bar told me last time I was there, ‘outside it’s Tod, in here it’s another world’. The Golden Lion is a pub in the hills, on the Lancashire/ West Yorkshire border that hosts gigs, events and DJ nights, hosted by Richard and Gig. Andrew played there regularly. In 2018 he hosted a weekend of events in West Yorkshire, Weatherall in the Calder Valley, playing a gig in Hebden Bridge with A Certain Ratio and DJ events at the Lion. His travelling cosmic disco, A Love From Outer Space, with Sean Johnston often appeared at the Lion.

The turn of events that has led to me and four friends actually being part of the celebrations and DJing in the Lion today, from 1pm through until Justin Robertson taking over as headliner at 10pm is as baffling to me as it is to others. We started out administering the Flightpath Estate Facebook group (a place for Andrew’s fans to share music and news). It grew slowly and then when Andrew died in February 2020 became a place for people to be, to share stories and enjoy the music. At some point Richard asked us if we’d like to DJ at the Lion and in what I can only describe as a sudden escalation of events, towards the end of last year we were asked to be part of AW60. Much of this is due to the internet and the way it has brought people together, made connections and turned online friendships into real life ones. My involvement comes ultimately because of this blog, the hundreds of posts I've written about Andrew and his music and the connections made through it, something I started back in 2010 with no real idea what I was doing and ending up here. 

Today’s celebrations have us playing in turn and back-to-back throughout the afternoon and evening, handing over to Justin Robertson around 10. At 9, in the upstairs room Timothy J. Fairplay will play live with a battery of synths and drum machines. Across the road old friends of Andrew’s Dave Beer and Bernie Connor will play records. Tomorrow, Andrew’s friends Curley and Sherman are both DJing at the Golden Lion (admission is free if you’re in the area) with a live set by Chris Rotter and Andy Bell in the evening where they will play the songs Chris played guitar on and helped create on Andrew's Pox On The Pioneers solo album. Later on, as bank holiday Monday beckons, Heidi Lawden and Lovefingers will be on.

Back in October we were invited to play with David Holmes, warming up for him. The afternoon was fairly quiet and were more or less playing songs for ourselves and each other plus a few afternoon drinkers. As the evening drew on the pub filled up a little and then in a way that still causes me to pinch myself, I was in the booth at 8.45 as David Holmes turned up, said hello and told me to keep playing. A few records later I handed over to him, the sort of thing that I never really expected to happen- why would I end up DJing with David Holmes? I can’t even mix very well. Today we have a long slot, will be taking it in turns with an hour each and then as the pub turns to a ticketed (and sold out) event, we’ll switch on and off with each other, three tracks each back to back, no doubt with someone putting on a record that is unfollowable or unmixable, with a knowing smile. I have become more nervous about this gig as the week has gone on, playing a DJ set in a pub filled with Andrew Weatherall’s friends, family and fans. I’ve woken up every morning fretting about track selection, technical details, general performance anxiety. And I’ve told myself too to relax and enjoy it- the room will be full of lovely people who just want to socialise, hear good music and have a good time.

‘Just what is it that you want to do?’

‘We want to be free to do what we wanna do… and we wanna get loaded and we wanna have a good time.’


What Andrew would have made of all of this, I have no idea. A chuckle, a shake of the head, a grimace at a messed up transition between one record and the next as his fans try to emulate him. 

Andrew and Justin remixed each other several times. In 2013 Andrew along with Timothy J. Fairplay as The Asphodells remixed Justin's Deadstock 33s track The Circular Path- crunchy sci fi electronic house music for the future. 

The Circular Path (Asphodells Remix)

Three years later Justin remixed The Confidence Man, a song from Andrew's solo album Convenanza (the original version I plan to play at some point today). Justin's remix goes full on with the squelchy bass and slo- mo space action.

The Confidence Man (Justin Robertson's Deadstock 33s Remix)

Anyway, wish us luck, we're going in. 



Sunday 26 March 2023

An Hour Of Weatherall Covers

We all love a good cover version don't we? The reconstructing of a familiar song in a new form, the buzz of hearing someone do a song differently, irreverently or lovingly, and the nodding of the head to influences and inspirations. At times cover versions can also seem a bit lazy, a way out of writer's block or something thrown together for B-side at a late hour and under pressure, but when done well and with the right intent, they're a joy. 

In two weeks time it would have been Andrew Weatherall's 60th birthday had he lived. There are a series of events taking place nationally throughout April to celebrate this- a full on night at Fabric in London with a huge line up of DJ talent together with nights in Glasgow, Belfast and Todmorden, all places with strong Weatherall connections and crowds. I'll come back to the Todmorden one nearer the time (29th April) with more details but it does include a second ride out for The Flightpath Estate DJ team (which includes yours truly). I expect to run several Weatherall posts over the next few weeks- that's probably not much different to usual round here, he does tend to feature fairly often- and thought I'd kick off with this one, a mix for Sunday of cover versions Andrew either recorded as an artist himself or other other artists he remixed. It is not surprisingly a fairly eclectic bunch of songs and artists. It now occurs to me that I should have put the originals together as a mix too so maybe that will follow at some point a companion piece.

Fifty Five Minutes Of Andrew Weatherall Cover Versions

  • Carry Me Home
  • Only Love Can Break Your Heart (A Mix Of Two Halves)
  • Witchi Tai To (2 Lone Swordsmen Remix)
  • The Drum (Andrew Weatherall Remix)
  • A Love From Outer Space (Version 2)
  • Sex Beat
  • Slip Inside This House
  • Goodbye Johnny (Andrew Weatherall's Nyabinghi Noir Mix)
  • Faux/ Whole Wide World
Carry Me Home is a cover of a Dennis Wilson song from 1973, a wracked funereal blues for a dying soldier in Vietnam that was written for the 1973 album Holland but was left off. 'Life is meant to live/ I'm afraid to die', he sings. Primal Scream's version which Andrew produced is from the Dixie- Narco EP, a very downbeat and beautiful way to pay homage. Andrew and Hugo Nicolson's mix of instruments and production is stunning, Duffy's electric piano at the start and the acoustic guitar and cello in the end section especially so. 

Only Love Can Break Your Heart is a Saint Etienne cover of a Neil Young song. I'm sure you don't need me to tell you that. Andrew's remix sent the song into a dubbed out bliss, Augustus Pablo- esque melodica in the first half (played by Pete Astor of The Weather Prophets), the Jean Binta Breeze dub poetry sample in the middle cutting the track in half, and then the song appearing in the second (along with the Jean 'cool and deadly' sample). 

Witchi Tai To was a 2007 single by X- Press 2, the Two Lone Swordsmen remix adding the live drums of their sound from that period and matching the Wrong Meeting albums of the same year. The original was a a 1971 single by Jim Pepper, a Native American singer and saxophonist who took a peyote chant his grandfather taught him and turned it into a hybrid jazz/ Native American song. X- Press 2's cover was sung by Tim de Laughter of The Polyphonic Spree. 

The Drum was a single for The Impossibles, an Edinburgh duo who made early 90s jangly indie- pop. The original is a Slapp Happy song from 1974. Weatherall's remix, from 1991, is a lesser known one from his early 90s hot streak, a tour de force of throwing whatever is at hand in the studio/ imagination at a remix and it working. Andrew was ably assisted by Hugo Nicolson on this one too. 

A Love From Outer Space was the calling card from the 2013 album by The Asphodells, the outfit he formed with Timothy J. Fairplay after they had bene working together on remixes and their own material and realised they had enough for an album. Andrew's vocals were a big feature of The Asphodells (following on from the Two Lone Swordsmen records of the previous few years where he stepped up to the mic for the first time since the early 80s). A Love From Outer Space also became the name of his traveling club night, with compadre Sean Johnstone, a night never knowingly exceeding 122 bpm. The original song is by late 80s one offs A.R. Kane, a duo of dreads who made spaced out dub/ dreampop. 

Sex Beat was a Two Lone Swordsmen single in 2004 and on the From The Double Gone Chapel album of the same year, a radical shift in sound and style after the pure electro of 2000's Tiny Reminders. Andrew and Keith Tenniswood becoming a garage band with Nick Burton on drums and Chris Mackin on guitar. Sex Beat was such a blast when it came out in 2004, an energetic swerve in the road to somewhere new. Sex Beat was on The Gun Club's 1981 debut Fire Of Love, a blues/ rockabilly/ Southern Gothic classic. Leader, singer and writer Jeffrey Lee Pierce pops up again in this mix in the form of Goodbye Johnny.

Slip Inside This House is a cover of The 3th Floor Elevators song from their 1967 album Easter Everywhere, the second song on Primal Scream's 1991 opus Screamadelica, a juddering statement of acid house intent after the rock n' roll opening of Moving On Up. Hypnotone's Tony Martin was involved in the production of this track too. It was sung by Throb. Bobby Gillespie is said to have bene suffering from 'acid house flu'.

Goodbye Johnny was on Primal Scream's 2013 album More Light. It came from a covers project that paid tribute to Jeffrey Lee Pierce. Weatherall's spaced out remix tips its hat to the Nyabinghi sound of African Head Charge, a big influence on Andrew. 

Faux/ Whole Wide World comes from a Radio One session from 2004. Faux was the first single ahead of From The Double Gone Chapel, a scuzzed up slice of electro- rockabilly, combining rapid programmed drums and fuzz guitars with Weatherall vocals and lyrics about the love of his life, Elizabeth Walker. As a touring band Two Lone Swordsmen had a habit of working Faux into Wreckless Eric's Whole Wide World, a peerless 1977 single. At the time Andrew was recommending the new album then just released by Eric, Bungalow Hi, a record Andrew described as 'like Duane Eddy meets Aphex Twin'. The recording here is ripped from a radio session, never officially released. There was a version on the Rotters Golf Club website for a while too, part of a three song session they recorded playing at the Bloc Weekender. Of all the lyrics that swirl around Andrew's world and outlook, 'I don't do faux', is as good as any. 

Sunday 12 March 2023

Forty Minutes Of The Asphodells

The Asphodells formed when Andrew Weatherall and Timothy J. Fairplay realised that they had recorded enough material for an album, songs that eventually became Ruled By Passion, Destroyed By Lust (named after a poster for a shlocky 50s gay gladiators film). The album came out in 2012, a fully realised collection of tracks with a typically diverse and eclectic set of Weatherall interests- dubby leftfield disco with New Order- esque basslines, John Betjeman, Tony Wilson quotes and AR Kane. Around the time of the album there were a slew of remixes by The Asphodells, alongside other ones from the same period but credited to Andrew Weatherall with Tim co- producing and engineering (the difference between a Weatherall remix and an Asphodells remix largely depending on who was paying and how big the cheque was apparently). 

Ruled By Passion, Destroyed By Lust took up semi- permanent possession of my turntable for a while, an album that still rewards a decade later. It was followed by a remix album with members of the Scrutton Street Axis and wider Weatherall network on remix manoeuvres- Scott Fraser, Phil Kieran, Black Merlin, Hardway Bros, Justin Robertson, Richard Sen, Ivan Smagghe, Daniel Avery, Daniele Baldelli and DJ Rocco and Group Rhoda plus Wooden Shjips for a Record Shop Day 12". There was way too much material to cover all of this in one Sunday mix so this is a just a selection for today. 

Forty Minutes Of The Asphodells

  • 200 (Asphodells Dub)
  • Glock'd (The Asphodells Remix)
  • Beglammered (Justin Robertson's Deadstock 33s Remix)
  • Another Lonely City
  • Needed You (The Asphodells Remix)
  • Songs Of Pressure (The Asphodells remix)

200 a single by Baris K, a DJ and producer from Istanbul with an interest in disco and 60s Turkish psyche. The 12" came out in 2013. The remix and dub are trippy, Middle Eastern chug of the highest order with a huge synth arpeggio and whooshes riding on top of a particularly gnarly bassline. 

Glock'd is by C.A.R., Chloe Raunet's musical outlet. Chloe was previously in Battant with Tim. Andrew and Tim's remix is one of the highlights of the entire period, a slow motion, glam rock/ sci fi stomp with Chloe's French accented vocal on top. Retro but utterly modern too. 

Beglammered was the opening track from Ruled By Passion, Destroyed By Lust, remixed by Justin and released on the remix album. Another Lonely City with its Power, Corruption And Lies bassline (played by Andy Baxter) came from the album too. 

Needed You was a remix of Berlin based band She Lies, post- punk/ dark disco. There are some lovely wobbly, throbbing sequencers and synths on this one. 

Songs Of Pressure was by Richard Sen whose links with Andrew went back to Sabres Of Paradise (he painted the sleeve art for Theme). For the dubbed out splendour of the remix Andrew added a vocal part- Andrew's vocals were a distinctive part of The Asphodells, and it seemed right that they should finish this mix off. 


Sunday 9 October 2022

Forty Five Minutes Of Justin Robertson

Justin Robertson is a DJ, producer, artist, writer and natty dresser and hat wearer who started out behind the counter at  Manchester's Eastern Bloc records shop while studying at the university and in Spice and Most Excellent was at the centre of two of the city's late 80s/ early 90s Balearic clubs. The mix below is based around his recent musical adventures, in his Deadstock 33s guise (which he adopted circa 2009) and his Formerlover project with his wife Sofia Hedblum (a trawl through his 90s back catalogue as Lionrock and his remixes for everyone who was anyone in the 90s would be a very different mix). Some of the tracks in this Sunday mix are among my favourites of the last few years, Justin finding a sound that pulls in dub, acid house, Nigerian house, post punk and dark pop. 

Forty Five Minutes Of Justin Robertson

  • Formerlover: Correction Dub
  • Formerlover: Discomfort (Dub)
  • Justin Robertson's Deadstock 33s and Brix Smith: Brix Goes Tubular (Dub Version)
  • The Deadstock 33s: The Circular Path (Asphodells Remix)
  • Daniel Avery and The Deadstock 33s: Magnetic
  • Justin Robertson's Deadstock 33s Feat. Formerlover: Dark Endless
  • Justin Robertson's Deadstock 33s: Numerical Discord Swap
Formerlover is a lockdown born project, Justin and his wife Sofia Hedblom, marrying Lagos beats, dub and a sleazy underbelly. Correction Dub came out on a Galactic Service Broadcasting compilation and Discomfort on Bandcamp in 2020. The Deadstock 33s and Brix Smith single is from only a few weeks ago, a 2022 treasure. The Asphodells remix of The Circular Path came out in 2013. The Daniel Avery and Deadstocks collaboration was a four track EP on Optimo in 2012. Dark Endless is from a compilation from earlier this year, put together by the Spun Out Agency called More Of That Frightful Oompty Boompty Music, the stand out track to these ears, nine minutes of dubby/ cosmic Balearica. Numerical Discord Swap was the A- side of a 7" on Paradise Palms in 2017, a fantastic slice of upfront acid disco. 

Sunday 25 September 2022

Forty Minutes Of Andrew Weatherall Remixes For Convenanza

The Convenanza festival held at Carcasonne in south west France is in its third day today, the first festival since 2019 and the first since Andrew Weatherall died in February 2020. Convenanza started as an Andrew Weatherall and friends three day festival held inside the walls of the Medieval castle, organised by Bernie Fabre with a hand picked line up reflecting Weatherall's singular and eclectic worldview- acid house, dub, space rock, gnostic sonics, leftfield literature, artists painting the castle walls in trippy yellow stripes and performances from Andrew as DJ and as Woodleigh Research Facility with sets over the years from the likes of Silver Apples, The Liminanas, Red Axes, Baris K and Curses. This year the three nights have seen headlining sets by David Holmes with support including Glok, Ian Svenonius, The Utopia Strong, Manfredas and Sean Johnston/ ALFOS. I've never been to Convenanza, it's the wrong time of year for a teacher to be flying to south west France for a weekend of debauchery, but one day I shall no longer be bound by school holidays and if Bernie still puts Convenanza on, I shall be there. In the meantime I live Convenanza vicariously through updates from friends who are there. In tribute to the festival and Andrew Weatherall todays forty minute mix is a Convenanza friendly set of Weatherall remixes from the last decade, the hissy drum machine, space echo, arpeggiator and sequencers all deployed, setting the controls for the heart of le sol.

Forty Minutes Of Andrew Weatherall Remixes

  • Group Rhoda: King (The Asphodells Remix)
  • Richard Sen: Songs Of Pressure (The Asphodells Remix)
  • The Venetians: Son Sur Son (Andrew Weatherall Edition Uno)
  • Silver Apples: Edge Of Wonder (Andrew Weatherall Remix)
  • Heretic: Pollux (Andrew Weatherall Remix)
  • The Twilight Sad: Videograms (Andrew Weatherall Remix)
  • Andrew Weatherall: Intro
We are making our own pilgrimage today, to Childhood Wood on the edge of Sherwood Forest, Nottinghamshire. The MPS Society, the charity who look after children and adults born with the set of genetic diseases, have a piece of woodland where they invite families to plant a tree in memory of those who have died. We're going there today to plant an oak sapling for Isaac and to see him added to the memory board. Another moment of grief and remembrance in a year full of them. 


Wednesday 23 December 2020

I Cry Glory And Wave My Flag

Back at the start of the year it was announced that Andrew Weatherall and Nina Walsh's Woodleigh Research Facility would be releasing a year long series of three track digital only EPs, one a month. The first one at the end of January was an EP called Into The Cosmic Hole. When it came out it was a fascinating piece of work, three sonic messages from Facility 2- the weird, shamanic title track, the robotic machine science fiction- electro of Phonox Special No 1 (Outer Space) and the homage to Stockholm Monsters and Martin Hannett of Birthday Three. Eleven more of these would be a superb way to mark the passing of the year, a year long advent calendar of the weird, the wired and the wonderful. Sadly, by the time the second release came out at the end of February he was gone. 

2020 has been coloured by Andrew's passing for me, even with everything else that has happened. It's a strange thing to be moved by the death of a person you don't know and it's not anything compared to what his family and close friends felt and are feeling still. His sudden death on February 17th brought a stream of loss and grief across social media. My Facebook and Twitter timelines were almost nothing but Andrew Weatherall for days. The broadsheet newspapers and the BBC news covered his life and career (he always baulked at that word when interviewed). Then the world then shut down. Events to celebrate Andrew's life were shelved. The Flightpath Estate (a Facebook group I co- moderate with another fan, Martin Brannagan) began to grow, from three hundred fans to well over a thousand. People from Andrew's real life began to join the group, the boundaries between fans and family and friends dissolving. Part of the increasing membership came from some press interest in the Weatherdrive, an online resource of Weatherall DJ mixes spanning the period from 1990 to 2020, from the heyday of acid house to ALFOS. Mixmag picked up on it and asked The Flightpath Estate if we'd like to write an article about the 10 best of Andrew's DJ sets on the Weatherdrive. 

The Woodleigh Research Facility release campaign continued, updates from Andrew's studio life, a monthly reminder that he was gone but still there. The recordings present a vast range of sounds but are clearly the work of the same people, Andrew's intuitive nature and vision along with Nina's creativity and studio production skills. As the months have ticked by I've played these EPs, some more than others admittedly, and noticed how the W.R.F. releases seem to echo music he made in the previous three decades, reverberations from the past into the present. The lengthy running times, like the remixes of the early 90s where the music has space and time to unfold at its own pace. David Harrow said that when they were in the studio making music as Blood Sugar listening to what they'd done, he'd often be ready to change the drum pattern or bring a new element in, and Andrew would say, 'let it go round again', and the track would be extended out for another pattern/ 12 bars. The trademark hissing drum machines and mechanical rhythms point back to the music he released on his three Emissions labels in the 1990s and the stranger, more abstract, one off recordings he made, such as the Glowing Trees 12" he put out as Meek. The topline melodies point to the sound of Sabres of Paradise, especially the Haunted Dancehall album, and the bass- heavy mutant electro of Two Lone Swordsmen records. The metallic hi- hats and rattling snares sound like the ones on the TLS remixes of twenty years ago. The dub influence resonates through the Woodleigh EPs and through so much of his previous work (and DJ sets). The esoteric song titles could come from any point in his back catalogue. 

The monthly EPs will have given us thirty six tracks by the end of the year, a huge amount of music from someone whose creative flow was clearly in full swing. Looking back, even if you pick four songs from completely different parts of his back pages, there's clearly a line running through everything. He reinvented his sound and moved from one identity to another, zigging when others zagged, from the remixes accompanied by Hugo Nicolson to Sabres of Paradise to Two Lone Swordsmen to The Asphodells to his solo records to WRF, but it's all part of a body of work with common themes and a unifying vision. Even the stuff that is outlying and on the fringes- the secret side projects, the machine funk aliases like Rude Solo and Frisch und Munter, the panel beating techno of Lords Of Afford, the odd folk music of his Moine Dubh label, the shadowy collective Fort Beulah N.U. who made five one sided white label 12" singles- fits into the world he created. He'd often play it down, be self- deprecating and modest, saying he was just a grand amateur, but the music is endlessly inventive. Even when he seemed to have driven himself down a one way road he'd manage to pull off a deft three point turn and come back with something else, something new. 

Jockey Slut, started in Manchester as a dance music fanzine and then became something much bigger, and interviewed the man many times. In the summer they announced they were going to publish a special edition book, Andrew's interviews for the magazine compiled along with some new material (including an oral history of the acid house and Sabres years and a Richard Norris article). The book began to drop through letterboxes last week. Towards the back there is a double page spread about The Flightpath Estate and the Weatherdrive and its thousand hours of DJ mixes spanning Weatherall's career, based around an interview with Martin. Towards the bottom of the page, and this was a surprise to me as I leafed through it for the first time, is my name and this blog's name. 

Which, as that man on The Fast Show used to say, was nice. 


It was more than nice, it was incredible. A few people have since commented on social media that they were drawn back into the orbit of Andrew's music because of this blog, which is amazing and lovely to hear. It's what music blogging is for, to share the music and the world it's created in with other people. In a way music blogs are just an updated version of the fanzines of the 1980s, but with far less photocopying and Letraset. That this blog has become a minor footnote in the story is crazy, humbling and when I think about it, a bit mind-blowing too. 

In an attempt to close the year in which he left I started to put together a mix of some of Andrew's music. I wondered if I could somehow manage to summarise his vast and varied back catalogue into one handy hour long compilation but I realised almost immediately this would be an impossible task. In the end I chose a couple of  Two Lone Swordsmen tracks as a starting point and then went where it took me, throwing in quite a few of the ones he sings on, some remixes, some tracks that only came out on compilations and often just went with whatever the previous track seemed to suggest as a follow up. It ended up being a little over ninety minutes long and you can find it at Mixcloud

Audrey Witherspoon’s Blues

  • Two Lone Swordsmen: Constant Reminder
  • Two Lone Swordsmen: Light The Last Flare
  • X- Press 2: Witchi Tai To (Two Lone Swordsmen Remix)
  • Two Lone Swordsmen: Patient Saints
  • Andrew Weatherall: The Confidence Man
  • Woodleigh Research Facility: Birthday Three
  • The Asphodells: One Minute’s Silence (Wooden Shjips Remix)
  • Andrew Weatherall: Kaif
  • Michael Smith and Andrew Weatherall: Water Music
  • Radioactive Man: Fed- Ex To Munchen (Andrew Weatherall Remix)
  • Andrew Weatherall: Youth Ozone Machine
  • Andrew Weatherall: Cosmonautrix
  • Andrew Weatherall: Saturday International
  • Two Lone Swordsmen: Tiny Reminder No 3 (Calexico Remix)
  • Two Lone Swordsmen: Sex Beat
  • Andrew Weatherall: Privately Electrified
  • Two Lone Swordsmen: Get Out Of My Kingdom

Monday 13 April 2020

Bank Holiday Monday's Long Songs


Andrew Weatherall's back catalogue (his productions, own material, remixes and collaborations) is so vast that I keep re- discovering things I'd forgotten about. In 2017 he remixed an Australian duo called Heart People, Rachel Rutt and Ryan Grieve. The internet doesn't give much away about them- an interview with i-D Magazine in 2015 and a handful of releases in 2017. Weatherall's remix is a fast moving, sci- fi affair, lots of rattling snare drums and acid squiggles and bleeps with Rachel's vocals layered over the top. Weatherall remixed fellow Australians Confidence Man at the same time (twice in fact, Bubblegum in 2017 and ecstatic Out The Window a year later). He took an annual DJing jaunt to Oz around that time so I'm guessing the Heart People connection came via one of those trips. The remix has bags of energy and should kick start your morning if you're looking for something to plug you back in.

Voices (Andrew Weatherall Remix)

In 2014 while still during his Asphodells project with Timothy J. Fairplay they remixed She Lies, a  Berlin post- punk disco band- the internet again offering up little more in the way of information or background. This sounds very like a version of Berlin in the early 80s but with Weatherall and Fairplay's trademark drum machine rhythms and some lovely wobbly synth sounds and pulsing bassline. Waves of hypnotic sound and chilly, detached vocals. Sehr gut.

Needed You (Asphodells Remix)


Saturday 18 January 2020

Remix Exchange


I found this again recently, a very smart piece of digital dub from 2013. Group Rhoda is/was the solo electronic project for Oakland, California artist Mara Barenbaum. King was a track on Group Rhoda's 12th House album (the original version of King is available from Bandcamp here). It was remixed by The Asphodells. Weatherall and Fairplay set the controls for the heart of the bass frequencies, echo- drenched bleeps punctuate the synths and Mara's vocals ride over the top.

King (Asphodells Remix)

Group Rhoda returned the favour, the second leg of a remix exchange, by reworking Another Lonely City from The Asphodells only album Ruled By Passion, Destroyed By Love. There were a bunch of remixes of tracks from Ruled By Passion... from the likes of Phil Kieran, Justin Robertson, Ivan Smagghe, Hardway Bros, Daniel Avery, Richard Sen and Scott Fraser, all released as a companion album. Played back to back these pair of remixes complement each other really well (unsurprisingly) and give you ten minutes of digital dubbed out pleasure for Saturday.

Another Lonely City (Group Rhoda Remix)

Wednesday 30 November 2016

The Circular Path



This came out back in 2013 to little fanfare which is a shame as it's a rather good remix job done by Weatherall and Fairplay on Justin Robertson's Deadstock 33s, a sort of hypnotic, space age, techno remix. Some lovely melodies reveal themselves set off against the breakbeat. Best description I can manage right now.


The Circular Path (Asphodells remix)

Friday 10 June 2016

Audrey In Dub


A chance back-to-back playing of two Weatherall tunes on the pod in the car led me to thinking about what an Andrew Weatherall dub compilation album might look like. Much of his work is to a greater or lesser degree informed by dub and dub production but from his earliest remixes through Sabres Of Paradise and into the recent solo work and The Asphodells there are plenty of pretty much pure dubwise tunes that work really well together burnt onto a disc or compiled on a playlist. These ones work at the moment for me and in this order.

S.O.P 'Ysaebud' (a one sided 7" single from 1994, credited as S.O.P. From The Vaults)
Saint Etienne 'Only Love Can Break Your Heart' A Mix Of Two Halves
Sabres Of Paradise 'Edge 6' (B-side of Theme 12")
New Order 'Regret' Sabres Slo 'n' Lo Mix
Sabres Of Paradise 'RSD'
The Orb Perpetual Dawn Ultrabass II
Sabres Of Paradise 'Return Of Carter' (B-side of Theme 12")
Steve Mason 'Boys Outside' Dub Mix 1
Madness 'The Death Of A Rude Boy' Andrew Weatherall Remix
Group Rhoda 'King' Asphodells Remix
Two Lone Swordsmen 'As Worldly Pleasures Wave Goodbye' (from Stay Down- this isn't really dub per se, it's just a lovely way to close the album)

Saturday 28 February 2015

What Are We Doing Here?


That was fortuitous- two days ago I posted C.A.R.'s new single Glock'd and yesterday The Asphodells remix appeared on Soundcloud. Ten minutes long with a slo-mo electro-glam stomp, a massive wobbly two note bassline, some 80s atmospherics and a cool vocal on top. There's a really great guitar riff at around six minutes fifty where the whole thing shifts a bit. I like this a lot- it beats wondering whether that dress is black and blue or gold and white.

Sunday 14 December 2014

Weatherallbomb



I haven't finished my 2014 list yet- apologies for the tardiness, I know you're all waiting eagerly for my annual run down. As a sort of pre-list, a bowl of soup before the main course, here's a list of Andrew Weatherall's best remixes of 2014. A top nine (to the best of my knowledge there have only been nine remixes this year, which makes 2014 a bit of a quiet year for Lord Sabre). The links will take you to either Youtube or Soundcloud. I can't give away nine downloads in one post. Disappointingly to date only two of these have had a vinyl release, another two are available on cds. The internet only remix trailer is a sign of the times.

9. Primal Scream 'Goodbye Johnny' Andrew Weatherall's Nyabinghi Noir Mix
Dark and unsettling, stripped back with a sax and guitar stabs.

8. Noel Gallagher 'In The Heat Of The Moment' Andrew Weatherall Remix
Big and with bells. Noel arrives briefly at four minutes in.

7. Blue Rondo a la Turk 'Klactofilthedstein' Andrew Weatherall's Mixling
Techno remodelling of 80s jazz-funk. Better than that sounds.

6. She Lies 'Needed You' The Asphodells Remix
Lovely electro remix of Berliners. 

5. Atari Teenage Riot 'J One M One' Andrew Weatherall Remix
Arpeggiator set to full, long and well worth it.

4. Richard Sen 'Songs Of Pressure' The Asphodells Remix
Stoned dub. 

3. Group Rhoda 'King' The Asphodells Remix
Digital dub. 

2. Sam Roberts Band 'We're All In This Together' Andrew Weatherall Remix
Insistent drum machine, long with some gorgeous keening sounds.

1. Dayglo Maradona 'Rock Section' Andrew Weatherall Remix
Nine minutes fifty three of bliss, taking Julian Cope's fictional baggy band and sending them home.




Tuesday 16 September 2014

Prejoy


This off cut from The Asphodells sneaked out a while ago on a compilation album- gas powered drum machine and some of those lovely mournful, keening sounds Weatherall uses a lot at the moment. I've no idea what the title means.

Prejoy (Barbaric Splendour Version)

Wednesday 20 August 2014

Songs Of Pressure



There's a burst of Weatherall related activity here currently- what's new? you might ask.
This is an Asphodells remix of a new Richard Sen song. I think Weatherall may be singing on it- quite dark and dubby.

Saturday 26 July 2014

Music's Not For Everyone Part Four



The fourth and final transmission from Andrew Weatherall's series for NTS Radio is available below. And in case you missed it, my internet friend Ctel posted an excellent new Asphodells remix at his Acid Ted blog this morning. A stuttering, icy remix of She Lies that really hits the spot.


Wednesday 23 April 2014

Balearic Berkshire And A Remix



Today I offer you two Weatherall related items that popped up when I was away that you might have missed.

First a twenty minute documentary about the late 80s Berkshire acid house scene, documenting the spread of house music, clubbing, drugs and loose fit clothing from the Balearic islands to the Home Counties, a scene Mr Weatherall was an early part of- Shoom, Boys Own, Terry Farley and Primal Scream all included. It's highly recommended and a great watch, the pictures and footage especially. It's also amazing both how long ago it all looks and how beautifully romantic it all seems, as your past is served up as history. You can find it here courtesy of Dazed Digital.

And from the old days to bang up to date, there's a remix of the very recent Asphodells and Friendly Fires track Before Your Eyes by Jack Savidge- a banger for the dance floor, free download.

Sunday 6 April 2014

In The Boiler Room


For those of you of the Weatherall persuasion this is a bit of a treat (and those of you that aren't of a Weatherall persuasion must be rolling your eyes, pursing your lips and tut-tutting by now). A two hour radio set with The Asphodells and Friendly Fires chatting about the music that informed their recent collaboration and playing some of those records, hosted by the bearded one.

Plus, April 6th, it's Lord Sabre's birthday.

Set aside a couple of Sunday morning hours and enjoy.

Audio version



Video version




Wednesday 2 April 2014

Velo


Sorry for the brevity and predictability of this post- I am time poor right now.

Here's the flipside of that Asphodells/ Friendly Fires 12", out now on delicious, krautrock orange vinyl.

Saturday 22 March 2014

Before Your Eyes


A Friendly Fires and The Ashodells collaboration, done in Weatherall's east London bunker complex, is out on 12" at the end of the month. One of the two songs is here, seven minutes plus of hissy, melodic krauty bliss (mixed on one of Conny Plank's old desks apparently, studio trivia fans). The guitars and synths in the closing two minutes could quite happily play away forever.

Tuesday 18 March 2014

Mix


I did a mix for a new website called Cooking Up A Quiet Storm. There are a whole bunch of top notch mixes there, some by people familiar to these pages and the blogs over on the right hand side of your computer screen. If you like mine, or anyone else's, there are two things you could do- leave a comment there, and maybe also volunteer to do a mix yourself. I'm sure Mark would appreciate it.

My mix looks like this...

My Bloody Valentine - Don't Ask Why/Warpaint - Love Is To Die/Public Service Broadcasting - Everest/Big Audio Dynamite - V Thirteen/Toy - Dead and Gone (Andrew Weatherall Remix)/Brian Eno - Another Green World (The Blue Realm mix)/The Orb v Lisa Stansfield - Time To Make You Mine/The Asphodells - Beglammered/Kolsh- Der Alte/Glass Candy - Warm In The Winter