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Showing posts with label david axelrod. Show all posts
Showing posts with label david axelrod. Show all posts

Thursday, 1 April 2021

Holy

In 1967 The Electric Prunes recorded a concept album with composer David Axelrod, splicing psychedelic rock with Gregorian chant on an album called Mass In F Minor and although it became an underground hit the band broke up due to difficulties in recreating it live. Producer Dave Hassinger hung onto the name and  put together a completely new line up of The Electric Prunes and got Axelrod back in to write and arrange more new songs, this time based around a Jewish prayer. The result was Release Of A Oath, a lavish, string laden rock album made mainly with session musicians (including several members of the legendary Los Angeles Wrecking Crew). 

Holy Are You

In 1968 David Axelrod made his own solo album Song Of Innocence, bringing together William Blake, the members of the Wrecking Crew that made the Prunes album and a jazz/ soundtrack/ easy listening/ orchestral/ sumptuous psychedelia vibe. 

Holy Thursday

Both records provided producers and DJs in the 90s with a rich sample library, the strings and drums particularly, including DJ Shadow and Unkle (see Tuesday's post). So it all comes together quite nicely for today, a Thursday, the first day of April, approaching Easter, in the middle of Holy Week (not that I'm religious) and makes it look like I planned this when in reality it came together last night while drumming my fingers and thinking about what to post. 

Friday, 2 December 2016

Midnight


Some records grow in reputation over the years, even the ones that are raved about on release. DJ Shadow's Entroducing... is one of them. I listened to it loads in the months and years after its release but haven't played it end to end for years. It is a monument to one man's obsession (record collecting, obscure samples, building an album by using pretty much nothing but an Akai MPC60, a Technics SL-1200 turntbale and a tape recorder) and has probably become a bit of a millstone around its creators neck. I listened to it again recently, after Ctel posted a remix of Midnight In A Perfect World, and said he wasn't such a big fan of it. On this occasion I have to disagree (and Ctel is often right in these things). I can't find any reason to suggest that it is anything other than a stunningly inventive piece of work. Midnight... is based around a sampled drum beat and a David Axelrod piano sample and doesn't sound twenty years old at all. When the album finishes it almost forces you to turn it over and start again.

Midnight In A Perfect World