Mildred Pierced by Stuart M. Kaminsky (Mysterious Press 2003)

 

Until Wednesday afternoon January 5, 1944, there had been no deaths, intentional or accidental, caused by the firing of a crossbow in the recorded history of Los Angeles County.

On that day, while the German army of Field Marshal Fritz von Manstein was retreating into the Pripet marshes in Poland and the U.S. Marines were driving the Japanese back at Cape Gloucester in New Britain in the Pacific, Mildred Binder Minck made history.

The day after Mildred’s historic demise, I sat across from her grieving widower, Sheldon Minck, D.D.S., in a room in the Los Angeles County Jail.

The Los Angeles County Hall of Justice on Temple Street between Broadway and Spring takes up a city block. It’s fourteen stories of limestone and granite, an Italian Renaissance style building with rusticated stonework, heavy cornices, and a two-story colonnade at the top.

The L.A. County Jail occupies the five top stories. Sheldon Minck, D.D.S., was occupying only one chair on the fourth floor of the jail. He faced me through a wall of thick wire mesh.

“Toby, I didn’t do it,” he said.

Shelly Minck is not a thing of beauty to behold when he’s at his best, happily drilling into or removing the tooth of a trapped patient. Seated on the other side of the wire, he was not at his best.

“I mean, I don’t think I did it,” he added.

Shelly wore a pair of dark slacks and a long-sleeved wrinkled gray shirt. His thick glasses rested, as they usually did, at the end of his ample nose. Beads of sweat danced on his bald head and his large stomach heaved with frequent sighs.

“They won’t let me have a cigar,” he complained. “Is that fair?” 

The Slab Boys Trilogy by John Byrne (Faber and Faber 2003)

The Slab Boys (1978)

Scene

The Slab Room is a small paint-spattered room adjacent to the Design Studio at A. F. Stobo & Co., Carpet Manufacturers. It is here that the powder colour used by the designers in the preparation of the paper patter is ground and dished. The colour is kept in large cardboard drums. It is heaped onto marble slabs by the Slab Boys (apprentice designers), water and gum arabic is added, and it is ground with large palette knives till deemed fit to be dished. A window overlooks the factory sheds from where the distant hum of looms drifts up. Beneath the window is a sink. Beside the sink are stacks of small pottery dishes (some of them very dirty). There is a broom cupboard in one comer of the room. Rolls of drafting paper, rug samples, paint rags etc. litter the shelves and floor. A large poster of James Dean (unidentified) hangs on the wall. The action takes place during the morning and afternoon of a Friday in the winter of 1957.

Act One

The Slab Room. Enter George ‘Spanky’ Farrell in dust-coat, drainpipe trousers, Tony Curtis hair-do, crepe-soled shoes. He crosses to his slab and starts working. Enter Hector McKenzie, similarly attired in dustcoat. He is shorter and weedier than Spanky. He wears spectacles and carries a portable radio.

Spanky Hey, where’d you get the wireless, Heck? Never seen you with that this morning ...

Hector Had it planked down the bog . .. didn’t want ‘you-know-who ’ to see it.

Spanky Does it work? Give’s a shot... (Grabs radio.) Where’s Luxembourg?

Hector Watch it, Spanky ... you'll break it! You can’t get Luxembourg... it’s not dark enough.

Spanky Aw ... d’you need a dark wireless? I never knew that. Mebbe if we pull the aerial out a bit... (He does so. It comes away in his hand.)

Hector You swine, look what you’ve done!

Spanky Ach, that’s easy fixed ...

Hector Give us it. (Twiddles knobs. Gets Terry Dene singing ‘A White Sport Coat’.)

Spanky Good God, could you not’ve brung in a more modern wireless? That’s donkey’s out of date.

Hector I like it.

Spanky That’s ’cos you’re a tube, Hector:

Enter Phil McCann in street clothes and carrying portfolio under his arm. He sets folio down behind the door.

Morning, Phil. You’re early the day... (Consults wristwatch painted on wrist.) 'S only half-eleven.

Phil Anybody been looking for us?

Spanky Willie Curry was in ten minutes ago looking that lemon-yellow you promised, but I told him you diarrhoea and you’d take a big dish of it down to him later on.

Phil (changing into dustcoat) Who belongs to the jukebox?

Hector ’S mines...

Enter Willie Curry.

Steak . . . Diana Ross: Diary of a Football Nobody by David McVay (The Parrs Wood Press 2003)

Trouble is, it can have a negative effect. I have got to the point that the ball is not my friend, I don’t want to see it or receive it for fear of another rollicking. There are hiding places, in the hole or channel cunningly lurking between a marker and your own man. You can spend a quiet half hour failing to show for a colleague if you know what you are doing. It even happens on match days, not for so long but there have been occasions when even one or two of the senior pros are taking too much stick from the crowd and grab the invisible cloak for some respite. It is not spotted by the average fan but for the reserve lads sitting in the stand, it is noticed and pointed out gleefully among the throng. 

Since the Layoffs by Iain Levison (Soho Press 2003)

“How much more time have you got left on benefits? Before the government cuts you off?”

I figure now that we’re going somewhere with this. He’s leading up to something, maybe he’s going to ask me to be one of his henchmen. Hell, I could do that. Drop coke and weed off at people’s doors. Maybe he’ll let me drive one of his SUVs. I could cruise around town and listen to CDs and bring people their daily drug shipments, for which they would exchange their unemployment checks. I don’t have a problem with that. Somebody will be doing it whether I say yes or no. My moral refusal won’t suddenly put a halt to this shattered town’s substance abuse problem. Something like that would tide me over, until the new factory opened. They were already talking about a new factory.

“One year and three months.”

“Then what? You going to starve to death in your apartment?”

“The new factory’ll have opened by then.”

Gardocki shakes his head. “There’s not going to be any new factory. Who the hell would want to open a factory here?”

“I heard Scott Paper was looking at the location.” Tommy had called me up and told me he’d read that in the paper. Big businesses were interested, I knew that. There was a pool of skilled workers, a building already set up to produce machine-tooled parts for tractors. Just a few changes, and it would be up and running, producing something else. We all knew that.

Gardocki laughs again. “Scott Paper.” He shakes his head. “That was a heavy metal factory. You think they’re going to turn it into a paper mill? And go through all that union bullshit again? Nobody wants to deal with unions anymore. They want Mexicans. They want people who’ll appreciate seven dollars an hour, not gripe about seventeen. The factory days here are over, Jake.” He leans back in his chair and lights a cigarette. “What happened to that pretty little girl you were going around with?”

“Fuck you.”

Gardocki adopts an expression of surprise. “Is that off limits?”

“You know my cable’s cut off, but you don’t know my girlfriend moved out?”

“She went off with some used car dealer, huh?” Gardocki is looking sympathetic, so as not to rile me more.

“He was a new car dealer.”

After the factory closed, the car dealerships had left town, too. Jobless people don’t buy a lot of new cars. Kelly had gone with him, to Ypsilanti. Before she left there had been a lot of agonizing, when she went through her touching “What should I do?” phase. Kelly never asked herself what she should do when I was making seventeen dollars an hour. After her seven-dollar-an-hour salary as a receptionist at a car dealership made her the top grosser of the household, I noticed she began asking herself these deep philosophical questions. She told me some salesman was asking her to go to Ypsilanti with him, and whatever should she do? I told her to fuck off, and went and placed a bet on Canadian Football. After she moved out, I never picked up the phone, didn’t return the one letter I got from her and didn’t say goodbye. Someone new would come along, once the new factory opened.

“Jake, I want you to kill my wife.”

I laugh. Then I search Gardocki’s face for signs of humor. But I don’t see any. Gardocki isn’t even looking at me. He is looking at a spot on the wall above my head, expressionless. He smokes his cigarette and stares, waiting for it to sink in.

“I’m not going to kill your wife, Ken.”

Soul Circus by George P. Pelecanos (Little Brown 2003)

“Like Granville Oliver?” said Quinn. “That just a job to you, too?”

Only Janine knew the truth: that Strange had been responsible for the death of Granville Oliver’s father, back in 1968. That Oliver had spared the lives of two killers at Strange’s request, in exchange for Strange’s help, less than a year ago.

Strange looked into his drink. “It’s more complicated than that.”

“You were making a living before you took Oliver’s case. You didn’t have to take it.”

“I know you think it’s wrong.”

“Damn right I do. Piece of shit killed or had killed, what, a dozen people. He infected his community and he ruined the lives of all the young men he took on, and their families.”

“Most likely he did.”

“Then why shouldn’t he die?”

“It’s not him I’m working for. For me, it comes down to one thing: I don’t believe any government should be putting its own citizens to death. Here in D.C. we voted against it, and the government’s just gonna say, We don’t give a good goddamn what you want, we’re gonna execute this man anyway. And that’s not right.”

“Maybe it will make some kid who’s thinking about getting into the life think twice.”

“That’s the argument. But in most civilized countries where they don’t have the death penalty, they’ve got virtually no murders. ’Cause they’ve got the guns off the street, they’ve got little real poverty, and they got citizens who get involved in raising their own kids. The same people who are pro–death penalty are the ones want to protect the rights of gun manufacturers to export death into the inner cities. Hell, we got an attorney general sold on capital punishment and at the same time he’s in the pocket of the NRA.”

“Well, yeah, but he doesn’t think people should dance, either.”

“I’m serious, Terry, shit doesn’t even make any sense. Look, an active death row doesn’t deter crime; ain’t nobody ever proved that. It’s all about some politicians lookin’ to be tough so they can get reelected the next time around. And that makes it bullshit to me. I’d do this for anyone who was facing that sentence.”

“What about McVeigh?”

“You know what they do in prison to people who kill kids? McVeigh got off easy, man; that boy just went to sleep. They should’ve put him in with the general population for as long as he could live. Trust me, wouldn’t have been long. But they did him to get the ball rolling on this wave of executions we got coming. Wasn’t nobody gonna object, for real, to McVeigh’s death. A week later, they put that cat Garza down, and nobody even blinked an eye. Now that the ice got broke, next thing, a line of black and brown men gonna go into that chamber in Terre Haute, and bet it, it’ll barely make the news.”

“Here we go.”

“Look here, Terry. Out of the twenty men they got on federal death row right now, sixteen are black or Hispanic.”

“Could be they did the crimes.”

“And it could be they got substandard representation. Could be they found a death-qualified jury that’s more likely to find guilt than the other kind. Could be the prosecutors used those Willie Horton images to convince the jury that what they had was another nigger needed to be permanently took off the street. And I’m not even gonna talk about where these men came from, the opportunities and guidance they didn’t have when they were coming up. You gonna sit there and tell me that this isn’t about class or race?”

Towers of Silence by Cath Staincliffe (Robinson 2003)

“I just feel so angry,” she said. “I want to get all his things and tear them up and throw them in the street and smash the car up and humiliate him ... but the children ... I can’t do those things because I care so much about ...” she broke down. “That’s the difference, isn’t it?” she said eventually. “That’s how he can do this and live with himself, because he doesn’t really care?”

I didn’t answer. I didn’t know.

“I feel such a fool,” she said. “It all makes sense now. Times when he had special sales exhibitions on, nights when the traffic was bad. Things he missed, Penny in the concert at the Royal Northern College, “her eyes shone with a harsh conviction, “and the time Rachel was knocked down. I was in MRI with her and he was working, or so he said. He’d probably got his feet up ... I blamed the job. I never once thought ... not even an affair.”

She thought for a moment. “We’ve been struggling; the bills, I can’t keep Adam in shoes and trousers, everything has to be the cheapest, discounts, second hand. We haven’t had a holiday in years. No bloody wonder is it? He’d be paying out for two families ...” She choked on the thought.

“How can you be so wrong about someone? When I met Ken he’d just been promoted. I thought he was Mr Wonderful. He had a great sense of humour ...”

She talked on recalling their courtship and marriage, the ups and downs, what had attracted her to him, how he was with the children when they were babies. The sort of reminiscence people do when someone has died, trying to capture a sense of the person as they were. Or in this case as they were before they were unmasked. Her account was coloured by a bitter irony that bled into everything. As she talked, the past was being rewritten in the light of his betrayal. Memories tainted; the picture skewing like water bleaching old photographs. Every so often she’d interrupt herself, taken aback anew by the magnitude of his wrongdoing and its implications. “What do I tell the children?” she’d say, and “all those lies,” but most of all, “how could he?” and “the bastard.”

“You need some legal advice,” I told her. “Do you know anyone?”

She shook her head.

“I’ll give you a number. It’s likely he’ll be prosecuted. Bigamy is a criminal offence. Sentences vary but he could go to prison.”

“Good,” she said bitterly. “I hope he rots there. How could he? I just can’t understand it. I can’t. It doesn’t make any sense.”

Bitter Blue by Cath Staincliffe (Allison and Busby 2003)

I led my new client downstairs and into the room. It was cooler in there and I switched on the convector heater, hung up our coats and offered her a drink.

'Coffee would be nice.' Her manner softened a little. 'Just milk please.'

'I forgot to ask you on the phone, how did you hear about me?' It's useful to find out how clients arrive.

'Yellow Pages, you were the nearest to me.'

Word of mouth counted for the bulk of my enquiries, the rest came via the phone book as this one had.

'Where are you?'

'Levenshulme,' she smiled.

I guessed she was in her late twenties. She was slightly built with glossy brown hair which she had drawn back and clasped in a leather barrette. She wore small gold teardrop earrings and an engagement ring on her left hand. Her eyes were almond shaped, blue like faded denim, her mouth small, the lips coloured a high gloss carmine shade. She wore a tailored red suit and court shoes, which, along with the polished make-up, made me think of an air-stewardess or a beautician. Someone whose job description included the words well-groomed. Elegant not flash.

I handed her coffee and sat down opposite her at my desk. As yet I'd no idea why she required the services of a private investigator. She had booked an appointment without disclosing her problem. A lot of people do that; they prefer to speak face to face.

Blowing on my coffee I took a cautious sip. Then pulled pen and paper towards me. 'What can I do for you?'

'It's this.' She opened the black leather handbag on her knee and drew out a sheet of paper. 'Came through my door.' It was folded in half. Plain paper, A4. She slid it across me. Nodded that I should open it.

I did.

YoU arE DEAd BITch

I flinched: an instinctive reaction. A death threat. 

Four words. The letters taken from different sources, newsprint, magazines, stuck side by side.

I met her gaze.

She pulled a face, her shoulders joining in the shrug. 'I want you to find out who sent it.

Since The Layoffs by Iain Levison (Soho Press 2003)

Throughout the night I get customers and I learn things. An overweight woman in her fifties with unwashed, stringy black hair comes in at two in the morning and buys three gallons of whole milk. She hands me what looks like a credit card, but instead of a bank logo, this is plain white and has a faded government seal on it. I look at her suspiciously.

"Run it," she says.

I shrug and swipe it through the credit card machine. Nothing happens. She looks at me, I look at her.

"Are you new?" she asks me. She is wheezing with the effort of carrying the milk to the counter.

"Yeah."

"That's an EFS card. You have to push the EFS button on the machine." She smiles at me patiently.

I figure she's a mental patient, and this card is probably an access card to a parking garage in Iowa. I decide to let her have the milk. She obviously likes milk a lot and we've got plenty.

"It's okay," I tell her. "Just take the milk."

"There's a switch, an EFS switch," she says, getting impatient, or annoyed at being treated like a charity case. Then I see a tiny switch at the bottom of the credit card machine marked "EFS." I click the switch, and I'm amazed when a receipt prints up. She signs a copy and walks off, limping under the weight of three gallons of milk which she appears to be carrying home through the cold. It must be for a family's breakfast. I look at the receipt, and it says, "Electronic Food Stamps, Inc."

Electronic Food Stamps, Incorporated. Not Electronic Food Stamps, but Electronic Food Stamps, Incorporated. This is a business. Somebody's making money designing ways to get government aid to people who have been tossed aside. Some money grubbing software designer has a government contract because we all lost our jobs.

That's the biggest insult of all, that we are being fed off. The destruction of my life, my town, represents a business opportunity to someone else. Nine months ago, this woman walking through the cold was probably a factory employee, or perhaps the wife of one, and her children had health insurance and she had a car and she bought milk in the daytime, with money. I am suddenly filled with the urge to find the fucker who owns the EFS company and shoot him right in the fucking face. I feel that someone owes me an explanation, not a corporate public relations-type explanation, but a down-on-your-knees-begging-for-your-life explanation, which is the only kind worth listening to.

But he's not the only one. From now on, I have to make a list of people who need to be shot in the face. There needs to be a real bloodbath, to equal the financial and emotional one which has just been drawn for all of us.

Live from New York: An Uncensored History of Saturday Night Live by Tom Shales and James Andrew Miller (Back Bay Books 2003)

JAMES DOWNEY:
I used to walk down the street with Bill Murray and have to stand there patiently for twenty minutes of like drooling and ass-kissing by people who would come up to him. And Murray would point to me and say, “Well, he’s the guy who writes the stuff,” but they would continue to ooh and ahh over him. Murray can be a real asshole, but the thing that keeps bringing me back to defend him is I’ve seen him be an asshole to people who could affect his career way more often than to people who couldn’t. Harry Shearer will shit on you to the precise degree that it’s cost-free; he’s a total ass-kisser with important people.
Back when neither of us was making much money, Murray and I would take these cheap flights to Hawaii. We had to stop in Chicago, and at the airport there’d be these baggage handlers just screaming at the sight of him, and he would take enormous amounts of time with them, and even get into like riffs with them. I enjoyed it, because it was really entertaining. We went down to see Audrey Peart Dickman once, and the toll guy on the Jersey turnpike looked in and recognized Murray and went crazy. We stopped and people were honking and Bill was doing autographs for the guy and his family.
I’ve yet to meet the celebrity who was universally nice to everyone. But the best at it is Murray — even to people who had nothing to do with career or the business

(P.248)
FRED WOLF:
Farley and this girl on the show were going out. She was really smart and pretty, and Farley really liked her a lot. But she couldn’t put up with any more of Farley’s stuff, so they broke up. And then she started dating Steve Martin. So one day Farley comes to me and he says, “Fred, I hear that she’s going out with some guy. What can you tell me about it?” And, you know, nobody wanted to tell Chris Farley that she was dating anyone else, particularly Steve Martin. So I just said, “Well, I haven’t heard. I don’t know.” And he goes, “I know she’s seeing somebody. You’ve got to tell me who it is.” And I said, “Well, I don’t want to get in the middle of any of that kind of stuff.” And Farley said, “Well, she may find somebody better looking than me, or she might find somebody richer than me, but she’s not going to find anybody funnier than me.” And what I couldn’t tell him was, he was wrong on all three counts. He had hit the hat trick of failure. Steve Martin was richer, better looking, and even funnier. (P.306)
BOB ODENKIRK:
I mean, the whole thing was weird to me. The whole thing. To me, what was fun about comedy and should have been exciting about Saturday Night Live was the whole generational thing, you know, a crazy bunch of people sittin’ around making each other laugh with casual chaos and a kind of democracy of chaos. And to go into a place where this one distant and cold guy is in charge and trying to run it the way he ran it decades ago is just weird to me (P.463)

Fagin The Jew by Will Eisner (2003)

Brecht's Mistress by Jacques-Pierre Amette (The New Press 2003)

There was a welcoming speech in the hotel salon. As they thanked him for being there, Brecht drowsed and his mind wandered; he was thinking of a very ancient German folk-tale that he'd read at school in Augsburg and later remembered during his stay in California. A serving girl had noticed a familiar spirit sitting near her by the hearth; she'd made room for him and chatted to him during the long winter nights. One day, the serving girl asked Little Heinz (the name she had given the spirit) to show himself under his real identity. But Little Heinz refused. Finally, as she persisted, he agreed and told the serving girl to go down into the cellar, where he promised to show himself. The serving girl took a torch, went down into the vault and there, in an open barrel, she saw a dead child floating in its own blood. Many years before, the serving girl had secretly given birth to a child; she had slit its throat and hidden it in a barrel.
Helene Weigel tapped Brecht on the shoulder to bring him out of his torpor - or rather, his meditation. He sat up straight, put on a brave face and reflected that Berlin was a barrel of blood, that Germany, ever since his teens, at the height of the First World War, had also been a barrel of blood and that he was the spirit of Little Heinz.
There had been bloodshed in the streets of Munich, and modern Germany had been swamped in the rivers of blood that flowed through the old Germanic folk tales. He had come back into the cellar and what he now wanted was, with his modest reasonableness, to pull the child out, educate it, and wash away with cold water the blood that still lay on the cellar flagstones. Goethe had down the same with his Faust, Heine with his On Germany; but the stain was now bigger than ever; Mother Germany was half-drowned in it.

Steak . . . Diana Ross: Diary of a Football Nobody by David McVay (The Parrs Wood Press 2003)

Sunday, 3rd March, 1974
The game, though, falls into the Twilight Zone. Eric Probert, Arthur Mann shut down the supply route to the front men. John Robertson and Ian Bowyer aren't getting time to exert their considerable talents on the game. For a quarter of an hour, nothing happens, literally. The crowd is silent, not baying or taunting, more dozing off after a good Sunday lunch.
"For Christ's sake David, get a fucking tackle in on him." It is Don Masson; Masson the Miserable, Masson the Merciless, our leader. He's right, of course. Despite being a most obnoxious piece of work and about as popular as a turd arising in the communal bath, he's absolutely effing right.
Must clobber the flash bastard. Supposed to man-to-man mark him and haven't even seen his backside yet. The game's just passing me by. Come on, get a grip. Here's the ball, there's McKenzie - whack. That was easy.
"Well done Davie. Well fucking done son. That's fucking better, eh." Masson the Merciless has passed judgement. I have pleased our leader. I feel 10ft tall. McKenzie looks hurt as if to say: "Who the hell are you to kick me you fat bastard?"
I don't care. Today, the Notts County shirt seems a liitle loose and baggy.

A Question of Blood by Ian Rankin (Back Bay Books 2003)

Jack Bell nodded, and the two men's eyes met for the first time, then both heads turned to face James, who was seated across the table.
"Well, James?" the lawyer said. "What do you think?"
The teenager seemed to be considering the offer. He returned his father's stare as if it were all the nourishment he needed and he had a hunger that would never be stilled.

Starter For Ten By David Nicholls (Hodder & Stoughton 2003)

Walking back along the High Street after the tutorial, I see Rebecca whats-her-name and a couple of the fuckingangryactuallys that she's always hanging around with. They're thrusting leaflets into the hands of indifferent shoppers and for a moment I contemplate crossing the road. I'm a bit wary of her to be honest, especially after our last conversatron, but I've made a promise to myself to make as many new friends as possible at university, even if they glve every indication of not actually liking me very much.

'Hiya,' I say

'It's the Dancing Queen! How you doing?' she says, and hands me a leaflet, urging me to boycott Barclays.

Actually my grant money's with one of the other caring humanitarian multinational banking organisations!' I say, with an incisive wry, satirical glint in my eye, but she's not really looking and has gone back to handing out leaflets and shouting 'Fight apartheid! Support the boycott. Don't buy South African goods! Say no to apartheid! . . .' I start to feel a bit boycotted too, so start to walk away when she says, in a marginally softer voice, 'So, how ya' settling in, then?'

'Oh, alright. I'm sharing my house with a rlght pair of bloody Ruperts. But apart from that it's not too bad . . . ' I had thrown in the hint of class war for her benefit really but I don't think she gets lt, because she looks at me confused.

'They're both called Rupert?'

'No, they're called Marcus and Josh.'

'So who are the Ruperts?'

'They are, they're, you know - Ruperts', but the remark is starting to lose some of its cutting edge and I wonder if I should offer to hand out leaflets instead. After all, it is a cause I'm passionate about, and I have a strict policy of not eating South Afrrcan fruit that's almost as strict as my policy of not eating fruit. But now Rebecca's folding up the remaining leaflets and handing them to her colleagues.

'Right, that's me done for today. See you later, Toby, see you Rupert . . . ' and suddenly I find myself walking down the street side by side with her, without quite knowing whose idea it was. 'So, where're we off to now, then?' she asks, hands stuffed deep into the pockets of her black vinyl coat.

The Gift by David Flusfeder (4th Estate 2003)

My father approved of football. It was the people's game, working class, played in barrios and ghettos worldwide. With the right ideological apparatus it could be a force for international communism. I set myself diligently to the task of becoming a world-famous footballer and, therefore, revolutionary. I practised heading against the block of flats where we lived until the widow whose bedroom was behind the wall I was using came out with her poodle yapping. I developed my weaker left leg by practising corners with it; I built up my stamina on long training runs invigilated mercilessly by my Marxist father tottering behind me on a woman's bicycle through the streets of south-east London. My rise was prodigious. At ten I was the second-best player in the London under-twelves. Like Stan Bowles I was a stylish, shaggy-haired number ten capable of a blistering shot with either foot, of finding the miraculous pass, and with a gift for dribbling that I used seldom and apologetically, because my father had trained me into believing that the player must subordinate himself to the team and not indulge in displays of bourgeois individualism.

The Last Party: Britpop, Blair and the Demise of English Rock by John Harris (Harper Perennial 2003)

Noel Gallagher had turned up at his local polling station to find that he was required to produce one more item of identification than he was carrying. 'Do you want me to sing you a fucking song?' he protested, before celebrity eventually got the better of bureaucracy. That night, though the South Bank beckoned, he remained on the sofa. 'I had a ticket for the Labour Party party, but I had that much fun watching Portillo and the others get done over I stayed at home in front of the TV. It was all champagne and cigars round our house. Meg and me got pissed and went out into the garden and played ['The Beatles'] Revolution dead loud with the neighbours banging on the walls.'

The Distant Echo by Val McDermid (St Martin's Minotaur 2003)

And they were off. Like wizards casting combative spells at each other, Sigmund and Davey threw song titles, lyrics and guitar riffs back and forth in the ritual dance of an argument they'd been having for the past six or seven years. It didn't matter that, these days, the music rattling the windows of their student rooms was more likely to come from the Clash, the Jam or the Skids. Even their nicknames spoke of their early passions. From the very first afternoon they'd congregated in Alex's bedroom after school to listen to his purchase of Ziggy Stardust and the Spiders from Mars, it had been inevitable that the charismatic Sigmund would be Ziggy, the leper messiah, for eternity. And the others would have to settle for being the Spiders. Alex became Gilly, in spite of his protestations that it was a jessie nickname for someone who aspired to the burly build of a rugby player. But there was no arguing with the accident of his surname. And none of them had a moment's doubt about the appropriateness of christening the fourth member of their quartet Weird. Because Tom Mackie was weird, make no mistake about it. The tallest in their year, his long gangling limbs even looked like a mutation, matching a personality that delighted in being perverse.

That left Davey, loyal to the cause of the Floyd, steadfastly refusing to accept any nickname from the Bowie canon. For a while, he'd been known halfheatedly as Pink, but from the first time they'd all heard "Shine on, You Crazy Diamond" there had been no further debate: Davey was a crazy diamond, right enough, flashing fire in unpredictable directions, edgy and uncomfortable out of the right setting. Diamond soon became Mondo, and Mondo Davey Kerr had remained through the remaining year of high school and on to university.

How Soon Is Never? by Marc Spitz (Three Rivers Press 2003)

We were all a little high-strung. "Hand in Glove" had been elusive. For nearly two weeks, we'd been obsessing about it like only teenagers can. I wanted to hear it because John wanted to hear it. Jerome, Maria and Richie wanted to hear it because I wanted to hear it. And everybody wanted to be the first one to get it on tape and make themselves a hero to the rest. The days of sitting by the radio for hours waiting for the DJ to play one song are long over for me (and you too, thanks to shit like downloading) but damn if it wasn't a perfect, temporary existence for all the frustration it put us through at the time. That rush of anticipation when the ad ends and the start of a new half-hour block of music takes over was amazing. I didn't even know what I was listening for. Just something called The Smiths. I told myself if I'd know it when I heard it. You know, I can't listen to the radio for ten minutes now. It's all ads and no rush at all.

Buddha Da by Anne Donovan (Canongate Books 2003)

'Most religions do have a god, or gods, but Buddhism doesn't.'

'Ah thought that was whit religion was - worshippin sumpn.'

Mr Henderson smiled. 'If that was the case then supporting Celtic or Rangers or even,' he turnt tae big Davie McCormack, 'Partick Thistle would be a religion.'

'Haw sur, that's no funny slaggin him aff for bein a Partick Thistle supporter,' Angela Hughes piped up fae the back. 'His da brung him up tae it.'

Everybody burst oot laughin. Mr Henderson laughed too. 'That would definitely make it a religion then. I hope you didn't think I was laughing at David for supporting Partick Thistle. I only know because I see him there on the terraces every week.'

'Are you sayin you're a Jags fan?' Kevin Anderson looked up fae drawin RFC on the inside cover of his jotter.

'I am indeed,' said Mr Henderson. Kevin went back tae his drawin.