The Thin Man (1934)

 

A Taste of Honey (1961)

 

November 27th 9.17pm 132/50 . . . run out of cribbed lines.

 

132/50

The Nice Guys (2016)

 

Knocked Up (2007)

 

Happiest Season (2020)

 

Long Hot Summers – The Story Of The Style Council (2020)

 

People Like That by Agnes Owens (Bloomsbury 1996)

 

Davey came up over the steep, stony track that would lead him to the golf course once he had climbed a fence and crossed a burn. Sometimes he stopped to catch his breath. He was coming up for sixty and a hard life had taken its toll. When he reached the fence he became uneasy. Tam Duggan sat on a tree stump, arms folded as if patiently waiting on him.

‘Saw ye comin’ in the distance,’ said Tam with a jovial smile. ‘I thought I might as well go along wi’ ye.”

'Aye,’ said Davey with a nod. He could hardly refuse the offer for Tam was a big strong-looking fellow in his early twenties with a police record as long as his arm, mainly for assault.

He climbed stiffly over the fence then jumped the narrow burn with Tam following more easily.

‘Up collectin’ your golf ba’s?’ said Tam. ‘I hear you dae quite well.’

‘No’ bad,’ mumbled Davey, his voice lost in the wind that had sprung up carrying a drizzle of rain with it.

He gave his companion a sidelong glance, wondering if he was as bad as folk said – it was easy to be in trouble nowadays, especially if you were young and had nothing to take up your time.

Tam faced him and said humbly, ‘I hope you don’t mind me comin’ along wi’ ye. I thought I might try some collectin’ masel’.’

His coarse, handsome face was marred by a scar running the length of the left cheek.

‘Why no’?’ said Davey. ‘It’s a free country,’ though his heart sank. He didn’t want anyone else poaching, at least not alongside him. Others who collected golf balls were usually solitary figures in the distance, acting as if they were out for a stroll and keeping well clear of each other.

From 'The Collectors'

Badly Throwing Boy . . .

 

131/50

Nightfall by David Goodis (Centipede Press 1947)

 

Vanning put another cigarette in his mouth, had no desire to light it. He put his hand in front of his eyes, wondered why his fingers weren't shaking. Perhaps he had gone beyond that. Perhaps it was actually a bad sign, his steady fingers. He sat there, his head lowered, feeling sorry for himself, sorry for every poor devil who had ever stumbled into a spot like this. And then, gradually lifting his head, he gradually smiled. It was such a miserable state of affairs that it was almost comical. If people could see him now their reactions would be mixed. Some of them would have pity for him. Others would smile as he was smiling at this moment. Maybe some of them would laugh at him, as they would laugh at Charlie Chaplin in hot water somewhere up in the Klondike. 

      

He sighed. He thought of other men, thousands of them, hundreds of thousands, working in factories, in offices, and going back tonight to a home-cooked meal, sitting in parlors with their wives and kids, listening to Bob Hope, going to sleep at a decent hour, and really sleeping, with nothing to anticipate except another day of work and another evening at home with the family. That was all they looked forward to, and Vanning told himself he would give his right arm if that was all he could look forward to. 

      

“Callahan?” 

      

“Yes?” 

      

“Just stay there. Be with you in a jiffy. We're still talking to Seattle on another phone.” 

      

“Make it snappy, will you?” 

     

 “Be right with you.” 

A Tournament Frozen in Time: The Wonderful Randomness of the European Cup Winners Cup by Steven Scragg (Pitch Publishing 2019)

 

Dinamo Tbilisi will mean nothing to an entire generation of football watchers, yet to my generation they will elicit an enigmatic smile and maybe even a moistening of the eye. It might sound strange to the uninitiated, but you’d be amazed just how many British football supporters go misty-eyed with joy at the memory of seeing their team of choice being knocked out of European competition by what would colloquially be referred to as a ‘crack eastern European outfit’.

Of those great unknown sides to emerge from behind the Iron Curtain, Dinamo Tbilisi were one of the most clinical and unremitting. Fast and precise, they hit you on the break and they hit you hard. For those who saw them, they were unforgettable.

In the quarter-finals, at the beginning of March 1981, West Ham United were systematically dismantled by Dinamo Tbilisi at Upton Park.

Slicing straight through the West Ham midfield and defence time and time again, they enabled Aleksandre Chivadze, Vladimir Gutsaev and Ramaz Shengelia to score goals that were as beautiful as they were devastating. Ray Stewart, the West Ham right-back and penalty-taker extraordinaire was particularly tormented by the Dinamo Tbilisi offensive. He was caught in precarious possession of the ball for the second goal, when ludicrously left to man the West Ham defence all on his own.

What made the situation so ludicrous was that Stewart’s team-mates had piled forward, as if chasing a last-minute equaliser, when instead, the first leg of the game was only 31 minutes old. Everything was still to play for. 

West Ham had fallen a goal behind a mere seven minutes earlier and even by the standards of March 1981 this was an admirably gung-ho approach from John Lyall and his players.

One botched corner, a lofted Dinamo Tbilisi clearance, an ill-advised header from Stewart and a flash of the white-shirted Gutsaev later, and the ball was once again in the back of Phil Parkes’s net. It was as shocking as it was swift.

Can't Anybody Here Play This Game? by Jimmy Breslin (Open Road 1963)

 

The newspapers call the Mets fans “The New Breed.” This is a good name, but there is more to it than this. It goes deeper. As the Mets lost game after game last season, for example, you heard one line repeated in place after place all over town. It probably started in a gin mill someplace with a guy looking down at his drink and listening to somebody talk about this new team and how they lost so much. Then it got repeated, and before long you were even hearing it in places on Madison Avenue.

“I’ve been a Mets fan all my life.”

Nearly everybody was saying it by mid-June. And nearly everybody had a good reason for saying it. You see, the Mets are losers, just like nearly everybody else in life. This is a team for the cab driver who gets held up and the guy who loses out on a promotion because he didn’t maneuver himself to lunch with the boss enough. It is the team for every guy who has to get out of bed in the morning and go to work for short money on a job he does not like. And it is the team for every woman who looks up ten years later and sees her husband eating dinner in a T-shirt and wonders how the hell she ever let this guy talk her into getting married. The Yankees? Who does well enough to root for them, Laurence Rockefeller? 

Insert Howard Devoto lyric in here . . .

 

130/50

Play For Today: Just a Boys' Game (1979)

 

Breslin and Hamill: Deadline Artists (2018)

 

Drama Out of a Crisis: A Celebration of Play for Today (2020)

 

Plays: 1 by Sue Townsend (Methuen Drama 1996)

 

Act One

Scene One

A small classroom in a Victorian school is furnished with tiny chairs and tables, a square of carpet, floor cushions, the usual creche teaching aids: beans in jars, a goldfish nature table, blackboard, wendy house, bricks, little library and jars of paint. On the walls are real children’s paintings,(3 to 5 years old). There is one door and a large stock cupboard facing the audience.

Voices are heard and keys rattle at the door. The door opens. Kevin, the caretaker, opens the door with some ceremony. He switches on the lights. He is wearing a short brown caretaker’s coat, badges decorate the lapels. Underneath he wears a baggy ‘Damned’ T-shirt , blue jeans, big studded belt and training shoes. A copy of the Sun newspaper is sticking out of one pocket, a plastic container of darts is in his top pocket. His hair is slicked back 1950s American style. He is wearing one long dangling earring. His right hand is bandaged.

Kevin ( as he puts the lights on ) Here we go.

Joyce enters the room. She is middle-class, expensively and conventionally dressed, and is carrying an ‘organiser’ handbag. 

Kevin (indicates the room) This do you?

Joyce What is it?

Kevin It’s the creche.

Joyce So why are you showing it to me? 

Kevin It’s your room.

Joyce I’m teaching adults and I expect them to be the usual average height. (She picks up a tiny chair with one finger.) Could I see a proper classroom please?

She turns to leave.

Kevin There ain’t one.

Groping for Words was first presented at the Croydon Warehouse Theatre on 10 March 1983.

Another Placeholder of sorts . . .

 I've been here before. You know the drill.

Games played: 378

Games won: 177

Games lost: 198

Games drawn: 3

Bingos: 160