On Beflean, Jim Moray has cherry-picked some of his finest work from across his twenty-year discography…it simultaneously represents both a celebration of past success and an exciting new departure, leaving us to wonder what creative ventures he has up his sleeve for us next.
Merging moments of traditional folk with forays into jazz and beyond, Sheffield-based Auka’s ‘Wild Waters’ is a clarion call to both enjoy and protect nature – inspired and fuelled by a deep love for rewilding and the Right to Roam movements.
A Winter Union’s first studio album in seven years, ‘Sooner After Solstice’ is a stunning follow-up, featuring brilliant new songs and settings with an eclectic choice of covers. If you’re looking for a classy folk album to accompany the winter months, you’ve found it.
Our Man in the Field’s ‘Gold on the Horizon’ is a ruminative album, steeped in empathetic humanity but also veined with doubts in its contemplation of life. It’s an album to immerse yourself in.
At the confluence of light and dark, Spell Songs’ ‘Gifts of Light’ is characterised by an uplifting vitality which soothes the soul, demonstrating the magic that results from combining live music with art and literature and representing collaborative music-making at its very finest.
Harry’s Seagull shows how old songs sung with affection and skill can sparkle like new. Georgia Shackleton’s solo debut is light as a gull’s feather but flush with ideas: it’s one of the freshest and most appealing folk albums of the year.
The alchemy found on ‘hare // hunter // moth // ghost’ is masterful; Kerry Andrew can turn small, rough or difficult things into moments of bright wonder. In You Are Wolf’s hands, transformation is a gift to be celebrated.
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