Sunday, April 19, 2009

ANDREW BIRD'S - OH THE GRANDEUR (1999)

HOT FUSION.
ARTIST`````ANDREW BIRD'S BOWL OF FIRE
ALBUM`````
OH! THE GRANDEUR
GENRE`````RETRO SWING, ADULT

YEAR````````1999


ALBUM INFO:
Andrew Bird's second album Oh! The Grandeur reunites him with his Bowl of Fire counterparts, as well as some special collaborators like the Squirrel Nut Zippers' James Mathus. Recorded in New Orleans, the album builds on the hot jazz/Brecht vibe that Bowl of Fire pioneered on their first album Thrills, but focuses more on Bird's witty lyrics and deadpan delivery, as tracks like "Tea & Thorazine" and "The Idiot's Genius" display. Musically, Oh! The Grandeur keeps the live, one-take feeling of its predecessor, and Bird's fiddle playing is as expressive as ever.

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Friday, April 17, 2009

That thing I told you guys about

CLICK!

V.A. SHADOW MUSIC OF THAILAND (2008)
















1960'S GROOVY THAILAND?
ARTIST`````VARIOUS
ALBUM`````
SHADOW MUSIC OF THAILAND
GENRE`````POP, ROCK,

YEAR````````2008?
Recorded in the mid-‘60s in Bangkok, Thailand.

IN SHORT:
FFFFantastic selection of Thailand's pop-guitar groups of the 60's. Truly a great find.

ALBUM INFO:
SHADOW MUSIC was a broad term given to the Thai guitar pop movement of the 1960s and the groups that came out of it, all under the profound influence of early Western rock and roll. British instrumental wonders The Shadows (as in Cliff Richards & the Shadows) were the origin of the genre's title, also coined 'Wong Shadow' or early Thai 'String' music.

Shadow records were often marketed as 'Thai Modernized Music' which it was in the truest sense. Traditional Thai melodies were given the Shadow treatment; incorporating rock, surf, a-go-go, exotica, soul, blues, Latin and other worldly styles of the times. Inventive compositions and instrumental genius meet the occasional odd vocal arrangement and the results range from plaintive guitar and organ-driven lullabies to full-blown electric garage folk-psychedelia!

Featured on this collection are a handful of the leading recorded artists from the time; P.M. Pocket Music, The Son of P.M., P.M.7, Jupiter and Johnny Guitar. Throughout the 1960s, these groups forged a unique and highly self-referential Thai sound. One time pressing of 1500 LP copies and each of these beauties come in a full-color heavy-duty tip-on gatefold jacket featuring gorgeous original Thai Shadow LP artwork and of course 180 gram vinyl, so don't sleep on this one.

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Saturday, April 4, 2009

ETHIOPIQUES - BLEEDING ETHIOPIA (2009)

MOST IMPORTANT AND INFLUENTIAL MUSIC FROM ONE OF THE MOST INTERESTING AFRICAN COUNTRIES
ARTIST`````VARIOUS
ALBUM`````
ETHIOPIQUES - BLEEDING ETHIOPIA
GENRE`````JAZZ, FUNK, FUSION, R&B,
TIGRIRNA MUSIC,
YEAR````````2009
COMPILATION BY BLEEDING PANDA

WHY?
This is one of my dearest compilations. It contains a personal selection from a 23 disc set of Ethiopian urban/funk/jazz/tigrirna music, mostly from the 60's and 70's.

Passage from "
Haile's got a brand new bag" by Robin Denselow
Ethiopian music is very different from other African styles, perhaps because the country itself, with its long embrace of Christianity and no experience of western colonialism (though the Italians did invade the country in the second world war), has had such a different history. Musically, it has never been influenced by Cuban or other Latin styles, unlike west Africa. Instead, Ethiopian musicians looked to their own traditional music and to black America - a combination that came together in the extraordinary experiments of the 60s, when they created their gloriously distinctive fusion of local styles with American R&B, funk and free-form jazz.

INFO ABOUT THE SERIES
:
Ethiopiques
is a series of CD's featuring Ethiopian and Eritrean singers and musicians. Many of the Ethiopiques CDs compile various singles and albums that Amha Records, Kaifa Records, and Philips-Ethiopia released during the 1960s and 1970s in Ethiopia. Prominent singers and musicians from this era appearing on Ethiopiques releases include Alemayehu Eshete, Asnaketch Worku, Mahmoud Ahmed, Mulatu Astatke, and Tilahun Gessesse. However, some Ethiopiques releases are new recordings.

The Paris-based world music record label Buda Musique began the Ethiopiques series in 1997 and initially compiled Ethiopian popular music releases from the 1960s and 1970s. Some of the subsequent CDs focus on traditional music, while others highlight individual musicians or specific styles. As of September 2007, there have been 23 releases. None of the CDs feature today's synthesizer-based Ethiopian pop music. Francis Falceto is the editor of the series.

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