Showing posts with label 4AD. Show all posts
Showing posts with label 4AD. Show all posts

Sunday, December 11, 2022

Fingers Crossed : How Music Saved Me from Success by Miki Berenyi (Nine Eight Books 2022)

 



At one of the Soho House soirĂ©es, while I order drinks from the bar, a drunk comedian slurs at me to either suck his cock or fuck off. As I stand chatting to friends, Alex from Blur is sprawled on the floor making ‘phwoarr’ noises and sinks his teeth into my arse. The Carry-On Sid James impersonations are a common theme. I fall into conversation with Keith Allen and try to ignore him sweeping his eyes around my body, twitching with overheating gestures and tugging at his collar to show he’s letting off steam. Another comedian sharing a cab ride for convenience suggests he come in for a bunk-up, despite having spent the entire night excitedly chatting about his imminent fatherhood. Liam Gallagher circles me, wondering aloud when I’ll be ready to fuck him in the toilets. Look, I know I’m hardly Mary Poppins, but this isn’t flirting, it’s harassment. It’s constant, relentless sexualisation. And there’s a nasty edge to it, implying that it’s me, not them, who is asking for it.

I recall Suzanne Vega once pointing out that Madonna may be breaking boundaries, but every teenage girl who dresses like her is still treated like a slut. I’m experiencing a similar uncomfortable side effect with the supposed androgyny of Britpop. While Justine from Elastica and Sonia from Echobelly and Louise from Sleeper, wearing ungendered suits or jeans and T-shirts, get treated as one of the boys, my long hair and short dresses are now a signal that I’m absolutely gagging for it. Sure, I could get a crop and stop wearing a skirt, but that’s no different to saying, ‘If you don’t want the grief, dress like a nun.’ I’ve been doing what I do for years and now I’m being reframed as happy to be objectified.

I’ve been reading feminist texts since college, however unfashionable that might be right now (and, to be fair, Chris has always found it a bit tiresome). My education, both at PNL and from the politicised bands I’ve followed, has taught me precisely to see through the ‘harmless fun’ to the misogyny that drives it. I’m not militant about it. I don’t crucify people for crossing a line, I just recognise there is one. And I need to know someone well enough to accept that they’re ‘just joking’; I’m not going to swallow it as a lame excuse from a bloke I’ve just met.

Thursday, May 07, 2020

The shit I post on Facebook . . . musical edition (Day 8)

Day 8 of my task, to choose 10 albums that greatly influenced my taste in music. One album per day for ten consecutive days. No explanations, no reviews, just album covers. Every day I will ask someone else to do the same... today I nominate JM Thank you for nominating me MR


"No explanations, no reviews, just album covers . .  ."

In an alternative universe, Colourbox is one of the biggest bands in the world.

Tuesday, May 11, 2010

1985AD

Damn, I'd forgotten how good this song was.

From one of the best albums of the eighties, Colourbox's 'The Moon Is Blue':

Whatever happened to Lorita Grahame and the Young brothers?

Where's the Facebook campaign to make Colourbox's 'Official Colourbox World Cup Theme' the number 1 single during the World Cup? And throw in their cover of 'Baby I Love You So' as the Xmas number 1 whilst you're at it.