Judih Weinstein Haggai, a huge-hearted haiku poet, teacher, mother, grandmother and longtime friend of Literary Kicks, has been missing since October 7 from Kibbutz Nir
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A weird thought occurs to me, as the summer of 2023 rolls in: Literary Kicks turns 29 years old this July. Which can only mean
I’m thrilled to announce that “Lost Music: Exploring Literary Opera” is back! Season 4 of this podcast kicks off with an interview with singer and actress Casey Keeler, who played the Fairy Queen in a concert production of Gilbert and Sullivan’s “Iolanthe” with the Village Light Opera Group in February of this year.
A mysterious book-length poem called The Princess by Alfred Tennyson became a popular craze in England about a century and three-quarters ago. The title of
I really don’t know what happened to me about five years ago, when I suddenly found it difficult and annoying to write blog posts. I suppose
Jack Kerouac was born 100 years ago today. I wrote a poem about this.
Verdi’s “Il Trovatore” is one of the most popular operas of all time, and also one of the hardest to follow. What is going on with this crazy plot? There’s a lot under the surface, and it’s all spelled out in this explainer by Marc Eliot Stein, who shows how a thrilling but nakedly horrible storyline became an entertainment fit for 19th century operagoers. This fascinating episode ends with a look at the Marx Brothers “A Night at the Opera”, which joyously tears Verdi’s masterpiece to shreds.
Season 3 of “Lost Music: Exploring Literary Opera” has kicked off with something different! We are joined by Daniel Nester, poet, author, professor and podcaster, and one of only a few people I’ve ever met who has actually co-written a libretto for a modern opera, “The Summer King” by Daniel Sonenberg.
It was a rough day for me back in February of this year when the great Beat publisher, bookseller, pacifist and poet Lawrence Ferlinghetti died at the age of 101, and I couldn’t post about it on Litkicks. I was right in the middle of migrating this entire website to a new software platform, and was unable to create a new blog post.
I took the #WidemanChallenge, in which a few literary critics, bloggers and journalists spent the end of 2020 calling attention to a writer that too few people know about: John Edgar Wideman, an important voice from the Rust Belt whose works are keenly relevant in the year of George Floyd. Here’s what happened when I read two of his books.
