Showing posts with label Tony Morley. Show all posts
Showing posts with label Tony Morley. Show all posts

Monday, January 01, 2018

That, That and That: It's an 80s thing . . .

Aston Villa's Nigel Spink.

Don't mind me, I'm just clearing out the desktop for 2018. A cracking picture which, for some reason, gives me a warm glow. Of course I remember his appearance in that final. At the time, Aston Villa were my 'English team' . . .  possibly still are, as I'm not sure I ever replaced them. (PS - don't watch the highlights of the final on YouTube. It will shatter old pre-pubescent dreams. Munich 'mullered' Villa that night, and Withe's goal was a bit of a smash and grab.

Before I get accused of glory hunting . . . in my defence: 1) I was 10 or 11. A funny age at the best of times. 2) I've always been a sucker for teams in claret and blue. Trabzonspor, here I come. 3) Not so much naked glory hunting per se, as falling in love with that Tony Morley goal of the season against Everton. 

And, yes, I will get round to reading that Ron Saunders biography in 2018. Not in a million years would I have pegged Miserable Ron as centre forward in his playing days. That nugget alone is intriguing enough.

Friday, February 22, 2008

Paul Morley Tony Morley was once my hero

Further to this post on the blog from a few days back, Snappy Kat was kind enough to post a link to the 'notorious' 1981 TOTP appearance by Magazine.

Sad to discover that it wasn't the 'event' I was expecting from the vivid description in Simon Reynolds post-punk bible. Any stage fright from Devoto had less to do with caught up in the occasion, and probably owed more to being struck dumb by David 'Kid' Jensen's positioning when introducing the band. I always wondered where Ricky Gervais got the inspiration for that pose in the second series of 'The Office'.

Should have known that any story that had the name 'Paul Morley' attached to it would have a certain je ne sais quoi.

However, every cloud had a silver lining and, via the comments accompanying the YouTube clip, I discovered the following nugget of useless post-punk information:

"The guitar lick in 'Lipstick' was given to Devoto by Shelley for use in Magazine's 'Shot by Both Sides', one of 2 Magazine-recorded songs co-written by Shelley, the other being 'The Light Pours Out of Me' by Devoto/McGeoch/Shelley. 'Lipstick' was actually written before 'Shot by...', even though 'Shot by...' was released first on Mon, Jan 16, 1978." [Info via here.]

Shelley, as in Pete Shelley of Buzzcocks fame, not that other Shelley anti-hero bloke from the post-punk era.

What with my trained tin-ear for all things musical, I find it difficulty to hear the overlap between the two tracks. And that's despite the fact that I've listened to both tracks on numerous occasions down the years. But it is a good excuse to post some early eighties stuff on the blog for sampling purposes:

  • Magazine - 'Shot By Both Sides' mp3
  • Buzzcocks - 'Lipstick' mp3