I Love Me (Who Do You Love?) by Gordon Legge (Polygon 1994)

The red-headed winger just laughed and placed the ball in the quarter-circle. He wiped his hands on the arse of his shorts before setting up to take the kick. He wasn't happy, though, and removed three blades of grass from in front of the ball and two from behind it.

'YOU WATCHING HIM. YA USELESS BASTARD EVER HEARD OF TIME-WASTING?'

The linesman, though, wasn't listening to Andy, he was too busy concentrating on the jostling in the box. Should anyone fall down clutching their face, the linesman would be able to describe the incident and point out the guilty party. That was what got you mentioned. 'The linesman spotted an elbow ... After consultation with his linesman ...' Cause if you get mentioned folk got to hear of you, and if they heard of you they might just remember you when it came round to deciding who would be going over to officiate at the World Cup, the World Cup in the good old US of A. Yeah, spotting one of those was worth a million times more than whether or not you seen all those stupid wee deflections the crowd seemed to get so worked up about.

The red-headed winger was wiping his hands again. This time, though, he finished by pulling his shorts right up two reveal two fleshy, freckled buttocks.

And then:

i) Andy went spare.

ii) The red-headed winger swung over a head-high bullet which was met on the six yard line by his centre-half.

iii) In this, his 792nd appearance for the club, a club record, the centre-half scored his first ever competitive goal.

iv) The linesman, displaying a turn of pace somewhat at odds with his previous ability to keep up with the game, pelted back to the half-line.

v) The red-headed winger turned and made an ugly face and a rude gesture at the support.

vi) Andy, bawling and shouting, raced after the linesman but was prevented from entering the enclosure by the skinheaded steward, the one who had 'I kill' tattooed on his forehead.

Shoedog by George Pelecanos (Little, Brown and Company 1994)

 

“Hold on a second,” Constantine said. “There’s something I gotta know.”

“What?” Polk said.

“In the meeting, you told Grimes that if something happened to you, your share would go to me.” Constantine stared into the bright blue of Polk’s eyes. “Why?”

Polk smiled. “It’s simple, Connie. That day I picked you up hitchhiking—I asked you for a smoke. Well, you probably don’t remember, but you gave me your last one. It was a small thing to do, I know. But it’s been a long time since someone’s done that. It meant something. It meant something, to me.” Polk smiled at Constantine.

“Take it easy, Polk.”

“You too, kid.”

The Mavericks by Rob Steen (Mainstream Publishing 1994)

Three days later, Rodney was still floating when he took the roadshow back to Loftus Road to face Bournemouth, scoring twice in a 4-0 romp: "It was the only time in my life I've ever played drunk.' If Stock was aware of his condition, it evidently didn't bother him. 'He played so-oo well that night. I sat on the touchline and at one point I asked the referee to keep the game going for another half an hour, just to see what the big fella could do. After the game, the Bournemouth chairman, who also happened to be an FA councillor, comes up to me and says, "That Marsh, he ain't half a lucky player." "That's funny," I said, "but he's just scored his 39th goal of the season and that's more than your lot have scored this season." People can be very bitchy in football. If someone has a good player we are inclined to say "he's not very good but we could do something with him if we had him".'

Looking for Trouble by Cath Staincliffe (Robinson 1994)

I parked a few doors down from Diane’s. The narrow street was lined with cars at that time of day. 

Behind the lacy net curtains, little ones were being put to bed and the small rooms tidied up. At this time of year, if it hadn’t been raining, the kids would have been out on the street, mums would bring out chairs and sit on the dusty pavement, swapping tales and shouting warnings to their offspring. They’d all grown up together round here. Diane was an incomer, regarded as a ‘student’ by the neighbours, who pitied her lonely existence, as they saw it, and were plainly bemused by the bright abstract prints she made.

As I unclicked the seat belt, a car drew up alongside me, blocking the narrow street. Oh no, an irate resident perhaps. One of those people who insist on parking right outside their own front door.

I got out of the car and the passenger leapt out of the other car and came towards me.

‘Have I got your space?’ I called.

He looked incredibly upset. It was only a parking space, for heaven’s sake. I opened my mouth to offer to move, if that’s what he wanted. He leapt the last yard onto the pavement and thumped me full in the face. Suns burst in my eyes, trailing wires of pain from my nose. I was on the floor, my hands cupped over my face, making little yelping noises. Pain exploded in my belly, my ribs. Kicking me. I curled to protect myself. I could hear his breath coming in noisy gasps as he kicked my legs and my arms. He stamped on my head; my skull and ear ground against wet paving stones. I think he just did that once. I could taste iron, sweet and salt. There was a pause. Then a blow to my kidneys, sharp and hard, which sent a deep, bruising pain rolling through my abdomen.

‘Come on, you wanker.’ A shout.

I waited for the next blow. Nothing. Sick boiled up and spurted from my nose and mouth. It was nothing to do with me. I wasn’t there.

I was wet, the pavement was wet. I was lying on the pavement. He must have gone. I opened my eyes. The left one swam red. I closed it. I could see quite well out of the other. A tuft of grass growing between the paving stone and the kerbstone. And just there, a neat white turd. How come some dogs do white ones? There were feet. Two. In Mickey Mouse socks with ears that stuck out at the side and red plastic sandals.

‘What yer doin’?’ A high piping voice. ‘Yer’ve been sick. Have you got a nosebleed?’

I tried to lift myself up but nothing worked.

‘Can you get Diane?’ My voice worked. It sounded so ordinary. ‘She’s at number twenty-three.’

‘Alright.’

I closed my eye.

‘Sal? Oh my god.’

‘I brought you some flowers,’ I said, ‘but I don’t know where I’ve put them.’

You Can't Be Neutral on a Moving Train: A Personal History of Our Times by Howard Zinn (beacon Press 1994)

Starting college coincided with a change in our lives: moving out of our miserable basement rooms into a low-income housing project in downtown Manhattan, on the East River. Four rooms, utilities included in the rent, no rats, no cockroaches, a few trees and a playground downstairs, a park along the river. We were happy.

While going to N.Y.U. and Columbia I worked the four-to-twelve shift in the basement of a Manhattan warehouse, loading heavy cartons of clothing onto trailer trucks which would carry them to cities all over the country.

We were an odd crew, we warehouse loaders—a black man, a Honduran immigrant, two men somewhat retarded mentally, another veteran of the war (married, with children, he sold his blood to supplement his small pay check). With us for a while was a young man named Jeff Lawson whose father was John Howard Lawson, a Hollywood writer, one of the Hollywood Ten. There was another young fellow, a Columbia College student who was named after his grandfather, the socialist labor leader Daniel D eLeon. (I encountered him many years later; he was in a bad way mentally, and then I got word that he had laid down under his car in the garage and breathed in enough carbon monoxide to kill himself.)

We were all members of the union (District 65), which had a reputation of being “left-wing.” But we, the truck-loaders, were more left than the union, which seemed hesitant to interfere with the loading operation of this warehouse.

Monkey Wrench by Liza Cody (The Mysterious Press 1994)

I only wanted a bunch of bananas. I was on my way to the shop to buy them when I saw a bunch of kids circling and yowling like hyenas. They chanted,

Dirty Dawn
Stinks like a prawn.
She lost her bra
In a punter's car
And she doesn't know where her knickers are.

Dawn is trouble.  She's a mess and a waste of space. She's always on the piss. I crossed over to the other side of the road. If she saw me she'd expect me to get rid of the kids and wheel her home in a barrow. I ducked into Hanif's shop instead.

I took my time behind the shelves. If I stayed there long enough Dawn would pull herself together and shamble off without my help. Helping people always ends in tears. And helping drunks is a total waste of time. They're never grateful, they don't pay their debts and they've got rotten memories. What's the point in being nice to someone who can't remember how nice you've been? Tell me that. The only point in doing someone a favour is if they remember and do you a favour back.

Besides, angry wasps are better-natured than the kids in this part of London. Take a tip from me - if you like a quiet life don't ever get yourself outnumbered by kids. I was a kid once myself so I know how evil they can be once they get into a pack. Normal rules don't apply to a pack, and a little kid who wouldn't do hokey-cokey on his own becomes Conan the Barbarian in a bunch. Come to think of it, that's true of grown-ups as well.

I know about crowds. I should, I'm a wrestler.

Head-on: Memories of the Liverpool Punk Scene and the Story of the "Teardrop Explodes", 1976-82 by Julian Cope (Thorsons 1994)

A bunch of guys I'd seen loads were going crazy about Subway Sect. Actually, most of them were standing looking at just this one guy, who was going crazy on his own. This guy was a bit of a loudmouth. I'd noticed him in Probe before. But his face was so animated, I stood and gazed at him. He wore a black leather jacket and black combat pants. He had a Clash T-shirt under the jacket, which was zipped halfway. His hair was a natural black and gelled into a boyish quiff. In fact, everything about him was boyish. He was the most enthusiastic person I had ever seen. Beautiful. On his leather was a home-made badge. It said: "Rebel Without a Degree".

Bad Haircut - Stories of the Seventies by Tom Perrotta (Berkley Books 1994)

It was just my luck to get Coach Bielski for driver's ed. Even when I played football, he hadn't been that crazy about me. He didn't like my attitude, the way I'd shrug when he asked me why I'd thrown a bad pass or missed a tackle. And he didn't like the way my hair stuck out from the back of my helmet or sometimes curled out the earholes. He'd tug on it at practice and say, "Cut that fucking hair, Garfunkel, or I'll cut it for you. I just got a chainsaw for my birthday." (He always called me Garfunkel, because of my hair and because he'd once seen me in the hallway, strumming someone's guitar. To Bielski, Simon and Garfunkel represented the outer limits of hippiedom.)

(From the short story, 'You Start to Live')

Confusion Is Next: The Sonic Youth Story by Alec Foege (St Martin's Press 1994)

Sonic Youth, too young to be punk and too old to be alternative, is the key to understanding and appreciating what happened between then and now. In 1981 Sonic Youth formed amid the burnt embers of punk's explosion and No Wave's fizzle. In 1990 the band enjoined Geffen, its current label, with Nirvana, the group who changed it all. This book is an attempt to tell the story of the last fifteen or so years in rock-music history through a band that, although it has yet to sell a million albums or become an MTV or commercial-radio mainstay, somehow embodies a sea change in American popular-culture tastes.

I Love Me (Who Do You Love?) by Gordon Legge (Polygon 1994)

'Captain what?' said Neil.

'Captain Trip, best band ever.' Deke switched on the machine and the music came out of the speakers: muffled tribal drumming; mumbled tribal vocals; a really loud guitar that sounded as if it was recorded best part of half a mile away; and a bass that appeared to have been set up all of two inches from the mic.

'Fucking brilliant, eh,' said Deke.

Neil gave a serious nod like he was into it and said, 'Bit like Can.'

'One of our influences,' said Deke. 'Mostly we just made it up, though. Well, us and the drugs, like.'
'Listen,' said Gary, coming in at just the right moment so at to drown out his famous missed beat, 'we've got to do something and get this thing going again.'

Deke shook his head. 'Nah, it's gone, Gary, finished. Had to be of its time. Let the bastards catch up and then we'll fucking show them.'

'Oh, come on,' pleaded Gary.

Deke turned to Neil, though. 'Listen to this,' he said, 'just listen to this, listen to it. This was a 12" before there was a 12", this was rave before there was a rave, this was baggy before there was a baggy. Listen. Telling you, I'm hearing all this new stuff, and it all sounds fucking familiar to me, you know, and I just goes back and plays the old tape, and, bang, there you go, there it all is, it's all there. Listen to this bit.'

Neil listened. 'Nirvana?'

'Exactly,' said Deke. 'We were Nirvana,, we were Nirvana years ago, years ago, we were doing all that grunge stuff years ago. We were Nirvana before they even knew they existed, and they've made millions out of that, by the way, millions. That three and a half seconds there, that's their fucking career. Hold on, this bit?'

'My Bloody Valentine?' said Neil

'There you go. More fucking millionaires. Telling you, you want to have seen the reactions we got when we were on stage. The kids just loved us.'

'Mind Kirkcaldy?' said Gary.

'Mind it? Come on, how am I ever going to forget Kirkcaldy?' Deke turned to Neil again. 'You ever heard of anyone getting themselves a life-long ban from the Kingdom of Fife? No? Well. wait till you hear this one . . .'

Hearing his past so gloriously described almost made Gary forgive Deke for not wanting to get the band going again. Maybe though it was for the best to consign all this to the past, not to want to recapture it but, like Deke said, to move on, to go for the future.

A Drink Before The War by Dennis Lehane (Harper Torch 1994)

As I grew, so did the fires, it seemed, until recently L.A. burned, and the child in me wondered what would happen to the fallout, if the ashes and smoke would drift northeast, settle here in Boston, contaminate the air.

Last summer, it seemed to. Hate came in a maelstrom, and we called it several things - racism, pedophilia, justice, righteousness - but all those words were just ribbons and wrapping paper on a soiled gift that no one wanted to open.

People died last summer. Most of them innocent. Some more guilty than others.

Thank You For Smoking by Christopher Buckley (Harper Perennial 1994)

The Captain snorted into his snifter. "You know, your generation of tobacco men - and women, I'm always forgetting to add 'and women' - think they have it harder than any generation who came before. You think it all began in nineteen fifty-two. Well, puh!"
puh?
"It's been going on for almost five hundred years. Does the name Rodrigo de Jerez mean anything to you?" Nick shook his head. "No, I suppose it doesn't. I suppose they don't teach history in the schools anymore, just attitude. Well, for your information, sir, Rodrigo de Jerez went ashore with Christopher Columbus. And he watched the natives 'drink smoke', as he put it, with their pipes. He brought tobacco back to the Old World with him. Sang its praises high to the frescoed ceilings. Do you know what happened to him? The Spanish Inquisition put him in jail for it. They said it was a 'devilish habit'. You think you have it bad having to deal with the Federal Tobacco Commission? How would you like to have to state your case before the Spanish Inquisition?"
"Well . . . ."
"You bet you would not. Remember that name, Rodrigo de Jerez. You're walking in his footsteps. He was the first tobacco spokesman.. I sppose he, too, found it 'challenging.'"
"Uh . . . "

Mortal Causes by Ian Rankin (1994)

Wild Davey Soutar. He and his kind detested the Festival. It took away from them their Edinburgh and propped something else in its place, a facade of culture which they didn't need and couldn't understand. There was no underclass in Edinburgh, they'd all been pushed out into schemes on the city boundaries. Isolated, exiled, they had every right to resent the city centre with its tourist traps and temporary playtime.
not that that's why Soutar was doing it. Rebus thought Soutar had some simpler reasons. He was showing off, he was showing even his elders in The Shield that they couldn't control him, that he was the boss. He was, in fact, quite mad.

Pictures of Perfection by Reginald Hill (Dell Publishing 1994)

Wield drank some more and said, "You talk like this place were special, I mean, really special. Almost like, perfect."

"Good Lord, no! Enscombe is very much fuctatus rather than perfectus, I'm glad to say. Perfection is unnatural, Sergeant, because it implies the absence of either development or decline. Haven't you noticed it's the political parties and the religions with the clearest notions of the perfect society that cause the most harm? Once admit the notion of human perfectibility, and the end can be made to justify any amount of pain and suffering along the way. Besides, it would put us both out of work. No crime in the perfect society, and no desire to read about the imperfect past either! So here's to imperfection!"

They both drank deep.