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Showing posts with label kams. Show all posts
Showing posts with label kams. Show all posts

Thursday 16 March 2023

Website Rave

Exeter's Mighty Force record label is undergoing a 21st century renaissance having started up again in summer 2019. Out last month was Described Spaces by KAMs, a twelve track album of uptempo, melodic, analogue acid (with forays into related electronic areas- techno, acid house, breakbeat). This one, Website Rave, is my current favourite- a bouncing bassline, the tsk tsk tsk of the hi hat and thump of the kick drum, chord stabs, bubbling acid synths and squiggly acid synths, sirens, tons of fun and with masses of energy. The rest of the album, from openers Eagle Acid and Rubbish Outlines to packet of Crisps Acid and closer Beautiful Acid, is just as good and works played through headphones while walking as well as loud through speakers.


KAMS is James Cameron, a man with a varied backstory and long history in electronic sound, who's migrated from The Fens to South London via Leicester and spent a lifetime frying minds in back rooms. Described Spaces is available at Bandcamp

Also on Mighty Force and out in October last year is Pro- Oxidant by Long Range Desert Group, an album fifteen years in the making, the work of Tim Brown. LRDG takes his inspiration from post- punk and the early 80s scene that saw bands like Talking Heads, ACR and 23 Skidoo turn the wallop of punk into something funkier and more austere. Pro- Oxidant has crunchy drum breaks/ programming, synths, piano, strings and a wave of ambient sounds to produce music that places itself somewhere between club music and cinema soundtracks. Mad Dog State hits the spot with surging drums, big piano, layers of sound- rising orchestral strings, indistinct voices and shouts- combining superbly. Like KAMS, Long Range Desert Group's album is available at Bandcamp

Saturday 19 December 2020

Tiers Mix

Another Bagging Area mix for you, an hour of old and new and fairly ambient/ drone/ instrumental based but with Mark E. Smith turning at the end to add his inimitable voice to proceedings. In fact the only other voice is Andrew Weatherall's, heard briefly at the end of Prana Crafter's Starlight, Sing Us A Lullaby, a moment that got to me the first time I heard it. You can find Tiers In December on Mixcloud

  • Kams: Hopfen (Richard Norris Remix)
  • Stray Harmonix: Mountain Of One
  • Harold Budd: The Pearl
  • A Winged Victory For The Sullen: Keep It Dark, Deutschland
  • Lol Hammond and Duncan Forbes: Angel Hill
  • Dreems: Shark Attack (Abyss Mix)
  • Daniel Avery: A Story In E5
  • Daniel Avery: Petrol Blue
  • Prana Crafter: Starlight, Sing Us A Lullaby
  • Radioactive Man: Goodnight Morton
  • Harmonia and Brian Eno: Atmosphere
  • Neotantra: Ataxy- Hills
  • Woodleigh Research Facility: The Fallen
  • The Fall: Bill Is Dead


Monday 30 November 2020

Monday's Long Song

Some more of that warm, enveloping ambient haze that has been sound tracking much of this year for me, today in the shape of a Richard Norris remix, very much in his Group Mind/ Music For Healing/ Abstractions mode. The original version of Hopfen is by Kams, from an EP full of found sounds, electronic weirdness, synths and field recordings. Richard paints yet more layers, adding drizzle, piano, drones, crackles and fug. Buy the whole release at Bandcamp. It's a perfect companion piece to Jagz Kooner and Gary Burns' new Stray Harmonix track, Mountain Of One, posted on Saturday