Happiland by William Bedford (William Heinemann 1990)

When his work was finished, Harry went down to the promenade and sat at one of the window tables in Brown's cafe. From the window, he could see the pier and the deserted shores, and the slipway where the inshore fishing boats would come when the tide began to ebb. Great banks of cloud were gathering at the estuary, and as he ordered a mug of scalding hot tea and a bacon buttie with onions, the wind howled and gusted along the promenade, whistling underneath the cafe door. He fed some sixpences into the juke box, selecting Rosemary Clooney and Tennessee Ernie Ford, Frankie Laine and Teresa Brewer, and then sat down to wait for his food. He had spent all day baiting the fishing lines with frozen bait, and now he was waiting for George Bainbridge to get back from his trip to see what fresh lugworms were required tomorrow. During the winter months, when the fairgrounds were closed, Harry's only money came from the casual bait digging he did for the inshore fishermen. In the summer, he worked on the fairgrounds.

How to be Good by Nick Hornby (Penguin Books 2001)

I am in a car park in Leeds when I tell my husband I don't want to be married to him any more. David isn't even in the car park with me. He's at home, looking after the kids, and I have only called him to remind him that he should write a note for Molly's class teacher. The other bit just sort of . . . slips out. This is a mistake, obviously. Even though I am, apparently, and to my immense surprise, the kind of person who tells her husband that she doesn't want to be married to him any more, I really didn't think that I was the kind of person to say so in a car park, on a mobile phone. That particular self-assessment will now have to be revised, clearly. I can describe myself as the kind of person who doesn't forget names, for example, because I have remembered names thousands of times and forgotten them only once or twice. But for the majority of people, marriage-ending conversations happen only once, if at all. If you choose to conduct yours on a mobile phone, in a Leeds car park, then you cannot really claim that it is unrepresentative, in the same way that Lee Harvey Oswald couldn't really claim that shooting presidents wasn't like him at all. Sometimes we have to be judged by our one-offs.

The Magic Flute by Alan Spence (Canongate Press 1990)

'A long time,' said Malcolm. 'Folk change.' He looked about him, seemed edgy. 'Another pint?'

'Thanks,' said Brian. He watched Malcolm cross to the bar, amazed at the change in him, and at meeting him at all.

'Cheers! he said, as Malcolm brought the drinks over.

'Yeah.' The voice was as cold, noncommittal, as the hard stare.

'One of those coincidences, eh? What do they call it, synchronicity?'

'You mean us bumping into each other?'

'The thing is, I was just out seeing my folks and they mentioned George. Told me what happened to your dad. I was sorry to hear about it.'

'Were you?' The look made Brian uncomfortable. It was strangely detached, analytic. 'Just the fact of it I suppose. Somebody you knew. He was, now he's not. Dead as everybody else that's ever died. History. But the truth of it is he was a pompous old get and he's no great loss. If there's anything sad about it, it's what he did with his life.' He looked at Brian again. 'So, how you been wasting yours?'

'Teaching,' he said, then as some kind of justification added, 'Housing scheme. In Edinburgh.'

'An area of multiple deprivation no doubt!'

'It is actually.'

'So you turn out dole queue material. Or cannon fodder like Eddie Logan.'

'I do what I can within the system. Helped organise the strike over wages.'

'But essentially it's just one big control mechanism. And you've been programmed to keep it going.'

'So tell me something I don't know!'

'I always thought you had possibilities.'

'Hell of a sorry if I've disappointed you.'

'The old repressive tolerance trap. Gets just about everybody. You just said it. You settle for doing what you can within the system.'

'Well that's me summed up and dismissed. What have you been doing with your life?'

'This and that. Carrying on the struggle.' Again he looked around. 'Bastards are trying to nail me.'

'What for?'

'It's a long story. Right now I'm out on bail. That's why Mutt and Jeff over there are keeping an eye on me.'

Brian looked across at two men in the far corner, sitting, not talking. One middleaged, grey hair cut short in a fierce crewcut, the other younger, dark.

'I wouldn't stare,' said Malcolm. 'Probably arrest you for it.'

'Are they really watching you?'

'You think I'd make it up?'

Brian didn't answer. He had no way of knowing. This stranger spouting jargon at him might well be completely paranoid, psychotic.

Cowboys and Indians by Joseph O'Connor (Sinclair-Stevenson 1991)

Underneath him Eddie felt the churn of the sea, far below the car deck. He imagined the cast cold hulk of the mailboat ploughing through the water in the darkness, an explosion of white metal and froth. He could almost see it, rearing into the air, smashing down into the waves, hammering the water like a weapon. And for some reason that brought a hot tingle to Eddie's face.

It was a good-looking face, there was no doubt about that. Eddie's face looked like something out of a Pre-Raphaelite painting, or so Jennifer had once told him, the fucking pseud. First-year History of Art in UCD and Jennifer thought she was Melvyn sodding Bragg or something. Still, no matter what she said, Eddie knew he was a looker. He said looks weren't important. He said it every morning when he preened himself in the mirror and every night too, when he brushed his gleaming teeth. He said it at every available opportunity, to anybody who'd listen. But extremely good-looking people always says that, and they usually look particularly good when they're saying it. Eddie was a head turner. He always had been, he was now, and with just a fraction of the good fortune that always goes with good looks, he reckoned he would probably would be till he dropped. And even then, like his hero Sid Vicious, Eddie'd be a good-looking corpse.

Head-on: Memories of the Liverpool Punk Scene and the Story of the "Teardrop Explodes", 1976-82 by Julian Cope (Thorsons 1994)

A bunch of guys I'd seen loads were going crazy about Subway Sect. Actually, most of them were standing looking at just this one guy, who was going crazy on his own. This guy was a bit of a loudmouth. I'd noticed him in Probe before. But his face was so animated, I stood and gazed at him. He wore a black leather jacket and black combat pants. He had a Clash T-shirt under the jacket, which was zipped halfway. His hair was a natural black and gelled into a boyish quiff. In fact, everything about him was boyish. He was the most enthusiastic person I had ever seen. Beautiful. On his leather was a home-made badge. It said: "Rebel Without a Degree".

True Believers by Joseph O'Connor (Sinclair Stevenson 1991)

I did meet one of his friends later on in the night. He saw her standing across the dance floor and beckoned her over. She mustn't have seen him. So he said he'd be back in a second and weaved through the gyrating bodies to where she was. They chatted for a few minutes, and then she came over and sat down. Shirley was a model. From Dublin too. Well, trying to make it as a model. She knew Bono really well. He was a great bloke, she said, really dead on. She'd known him and Ali for absolute yonks, and success hadn't changed them at all. 'Course, she hadn't seen them since Wembley last year. Backstage. They were working on the new album apparently. She'd heard the rough mixes and it was a total scorcher. This friend of hers played them to her. A really good friend of hers, actually, who went out with your man from The Hot House Flowers. The one with the hair. She kept forgetting his name. She said she was no good at all for Irish names. She really regretted it, actually, specially since she moved over here, but she couldn't speak a word of Irish. She let us buy her a drink each. I paid for Eddie's. Then she had to run. Early start tomorrow, had to be in the studio by eight-thirty.
'Ciao,' she said, when she went. 'Ciao, Eddie.'

from 'Last of the Mohicans'

A Clubbable Woman by Reginald Hill (Collins Crime Club 1970)

Superintendent Andrew Dalziel was a big man. When he took his jacket off and dropped it over the back of a chair it was like a Bedouin pitching camp. He had a big head, greying now; big eyes, short-sighted, but losing nothing of their penetrating force behind a pair of solidframed spectacles; and he blew his big nose into a khaki handkerchief a foot-and-a-half square. He had been a vicious lock forward in his time, which had been a time before speed and dexterity were placed higher in the list of a pack's qualities than sheer indestructibility. The same order of priorities had brought him to his present office. He was a man not difficult to mock. But it was dangerous sport. And perhaps therefore all the more tempting to a Detective-Sergeant who was twenty years younger, had a degree in social sciences and read works of criminology.
Dalziel sank over his chair and scratched himself vigorously between the legs. Not absent-mindedly - nothing he did was mannerism - but with conscious sensuousness. Like scratching a dog to keep it happy, a constable had once said within range of Dalziel's very sharp hearing. He had liked the simile and therefore ignored it.